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Crypto Cipher releases “Tabla Loops” in Kontakt, REX & WAV formats with Intro Offer

Written by Site Update on October 23rd, 2014

Crypto Cipher has released Tabla Loops, a new sample loop library in Kontakt, REX and WAV formats. Technical Specification: Articulation Based Tabla Phrase Library. 1130+ phrases ranging from [Read More]
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Heavyocity releases DM-307 for Ableton – Plus Free Pack & Discounts

Written by Site Update on October 23rd, 2014

Heavyocity has announced that its DM-307 is now formatted for Ableton Live. You can choose from 5 packs, each containing Drum Racks, Loops [full and stems] and One-Shots, or get the entire collection [Read More]
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Soundsdivine releases ‘Soul Design V2′ for XILS 4

Written by Site Update on October 23rd, 2014

Soundsdivine has released Soul Design V2, a bank that contains 136 presets for Xils-Lab’s XILS 4 synthesizer. Primarily focused on recreating famous electronic sounds from the 1970s, this bank [Read More]
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Acon Digital updates Multiply to v1.1.1

Written by Site Update on October 23rd, 2014

Acon Digital has updated Multiply to version 1.1 (actually 1.1.1). Multiply is a versatile chorus effect with a unique twist and the winning entry in the KVR Developer Challenge 2014. Changes [Read More]
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NASA Posts a Huge Library of Space Sounds, And You’re Free To Use Them

Written by Site Update on October 22nd, 2014

saturnv

Space is the place. Again.

And SoundCloud is now a place you can find sounds from the US government space agency, NASA. In addition to the requisite vocal clips (“Houston, we’ve had a problem” and “The Eagle has landed”), you get a lot more. There are rocket sounds, the chirps of satellites and equipment, lightning on Jupiter, interstellar plasma and radio emissions. And in one nod to humanity, and not just American humanity, there’s the Soviet satellite Sputnik (among many projects that are international in nature).

Many of these sounds were available before; I’ve actually used a number of them in my own music. But putting them on SoundCloud makes them much easier to browse and find, and there are download links. Have a listen below.

Another thing: you’re free to use all of these sounds as you wish, because NASA’s own audio isn’t copyrighted. It’s meant to be a public service to the American people of their taxpayer-funded government program, but that extends to everyone. There are some restrictions – not everything NASA publishes is covered by the same license, though it appears to be on SoundCloud. And you aren’t free to use NASA’s name or logo or imply commercial endorsement. (The Eagle didn’t land on a bag of Doritos.) But that means just about any imaginable musical application is fair game. They do ask you to list NASA as source, but that’s only reasonable. Read their content guidelines for full details.

Let the space remixing begin.

European Space Agency, your move.

Thanks to everyone who sent this in. If you want more, NASA centres all have archival libraries, and the agency has routinely worked with artists and composers to interpret the work they do. See also other research centers around the world. And yes, that’s my Saturn V photo at the top, because, and I’m sure this will come as a huge shock to everyone who reads this site, I’m a big nerd.

https://soundcloud.com/nasa

Have you made music with space sounds? Let us know in comments.

The post NASA Posts a Huge Library of Space Sounds, And You’re Free To Use Them appeared first on Create Digital Music.


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Turn a Rock Band Keytar Into a Mellotron, And More Standalone Instruments

Written by Site Update on October 22nd, 2014

Lurking in the bargain bins of game shops is a surprisingly well-built keyboard. The Rock Band “keytar” controller may have been made for games, but the keybed is solid, the thing is light, and it can run on batteries. So why not turn it into a standalone instrument?

That’s what Jamie Robertson has done with his, and he shows you how.

The magic here is something he calls the WAV Trigger. Without naming any names, while there are a lot of cool Arduino shields and the like out there, a lot of them are pretty functionally limited. They’re cool to play with, you can build some fun projects, and they can teach you a lot — but the WAV Trigger is something different.

It’s built to play 14 tracks of uncompressed audio at once, with enough control that it becomes a viable, 14-voice, polyphonic sample playback instrument. MIDI is built in, and trigger latency is low (around 8 msec).

It’s also a bargain – under US$ 50.

The mod isn’t tough, either. Check out the full instructions from Jamie (“Robertsonics”):
Turn the Rock Band 3 keyboard into a sampling instrument with the WAV Trigger

And more on the WAV Trigger:
The WAV Trigger vs. MP3 players

RBK_Hero001

Fabulous bargain stuff.

The post Turn a Rock Band Keytar Into a Mellotron, And More Standalone Instruments appeared first on Create Digital Music.


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Sonivox releases Anatomy v2.0 for Kontakt 5 at new lower price

Written by Site Update on October 22nd, 2014

SONiVOX has re-released Anatomy, which is described as “a re-imagination of the human form as an infinite template of sound”. It’s been re-mastered for Kontakt 5 and now costs $ 99.99 (formerly [Read More]
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MusicLab updates Real Instruments series to v3.1 incl. VST3 & AAX Support

Written by Site Update on October 22nd, 2014

MusicLab has updated RealGuitar, RealLPC and RealStrat to version 3.1. Changes: 32/64-bit AAX support on Windows/Mac. 32/64-bit VST3 support on Windows/Mac. Minor bug fixes. [Read More]
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Digitech Drop

Written by Site Update on October 22nd, 2014

Read more about Digitech Drop at MusicRadar.com


Based on the Whammy DT, the Drop takes your guitar’s tuning from one semitone to one octave down, and uses the Whammy’s latest polyphonic algorithm for near-infallible tracking.

“The Drop makes a guitar in standard tuning sound colossal for baritone parts and seven-string-alike sounds”

The tones are convincing, and although there’s a slight loss of treble the lower you go, if you kick your amp into overdrive, you won’t be able to tell – the Drop makes a guitar in standard tuning sound colossal for baritone parts and seven-string-alike sounds.

Elsewhere, the octave + dry setting provides punishing single-note riffs, and the momentary mode makes for awesome rhythmic stutters.

We wish DigiTech would drop the price – you can bag a Whammy DT for not much more – but this is the most convincing, not to mention compact, drop-tuner we’ve used.

Read more about Digitech Drop at MusicRadar.com







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Sample Logic Cinematic Keys

Written by Site Update on October 22nd, 2014

Read more about Sample Logic Cinematic Keys at MusicRadar.com


Sample Logic’s latest, Cinematic Keys, sees the intrepid developers multisampling all manner of keyboard instruments to come up with over 850 single and multi-layered patches.

They’re divided up into various categories and sub-categories, covering everything from layered performance instruments, soundbeds and percussion kits to ambiences, loops, sequences, arps and more.

“Many of the samples were ‘derived from the destruction of upright and toy pianos all recorded in a huge multi-car garage’”

Many of the samples were “derived from the destruction of upright and toy pianos all recorded in a huge multi-car garage”, but don’t take that to mean this is an outrageously noisy library by any means – there’s actually more subtlety and finesse to the sounds than there is cacophony.

The interface is split between two main views: Step Animator and Effects. The Step Animator is a powerful combination step sequencer/arpeggiator, first seen in Arpology and unchanged here.

It’s used to generate elaborate note sequences up to 128 steps in length, incorporating various controllable parameters, headlined by the Step Type and Stutter Rate lanes, and the randomisation system, with which brilliantly glitchy sequences can be cooked up in seconds.

The Effects page houses eight effects modules (including Filter, Delay, EQ, convolution Reverb and a very simple synth for layering under the sampled sounds), eight FX Trigger pads (for switching 48 preset effects chains in and out), six pre-assigned LFOs, and a control arpeggiator for gate-sequencing the Trigger pads and LFOs. The effects have nifty per-parameter “FX Animator” step sequencers.

Cinematic Keys is indeed, well… cinematic, and we much prefer its unreal, processed sounds to the straight-up, not particularly ‘big screen’ – and thus arguably kinda pointless – pianos, harpsichords and organs (of which there aren’t many, admittedly).

We’d also suggest that Sample Logic’s Kontakt Scripting is now up there with the mighty Heavyocity when it comes to interface depth and flexibility. Nice work!

Read more about Sample Logic Cinematic Keys at MusicRadar.com







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