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WaveDNA releases Liquid Rhythm 1.4.5.2

Written by Site Update on July 28th, 2015

WaveDNA has released version 1.4.5.2 of Liquid Rhythm and with it comes greater support for Max 7 on both Mac OS and Windows. Bug Fixes: Better Max 7.0.4 support for the Max for Live plugin for [Read More]
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Octave One Are Back, Improvising Grooves with Machines

Written by Site Update on July 27th, 2015

Octave One by Marie Staggat-23

If anyone can make cookie-cutter techno, then improvisation is the route back to heart and soul. And there are few people as good at making dense, bass-heavy improvised dance music as Detroit’s Octave One.

I mean, yes, it’s a little weird that any of us would get overly eloquent or snobby writing about dance music. I would hope your test is the same as my test – does piping a track make you start doing an embarrassing little jig at your desk? (Boy, am I glad my office is on street level and equipped with giant, aquarium-style windows.)

Octave One stopped by Resident Advisor recently, with a table bestrewn with gear – that thickened-up gravy of sound. Yes, that’s our own MeeBlip (SE edition, modded with an extra-big knob) on the bass stabs at the beginning. And there’s tons of KORG and other gear in there, as well. There’s a nice balance of advance preparation with rich live-played synth lines and mixing and filtering. It means they’ve done enough that they can lay down a groove, but they also can feel transitions, structure – actually say something in the moment. They’re also clever in keeping everything accessible, rather than doing something overly cerebral. Sonically, everything is defined (clever groove can help), but there’s also a healthy amount of dirt and warmth.

There’s funk and soul in this music, too, ingredients that perhaps more producers would do well to genuinely understand.

Co-founders Lenny and Lawrence Burden have been at this for about a decade and a half, and it shows. But what impresses me is that they aren’t just riding off the success of some tracks: they’re proving their chops in every single show, whether you’ve heard of them or not. (And yes, you might recognize tracks like Black Water (with vocals by Ann Saunderson) – but it really doesn’t matter.)

For still more improvisation, don’t miss their Boiler Room Moscow live set from last year:

There, they debuted the rich, delicious track “Afterglow”:

It’s fun to watch on the Internet, but I know I hope I get lucky and see them in person. Tour dates through Europe before they wrap up in New York:

31.07.2015 – Moon Beach Festival, Trogir, Croatia
07.08.2015 – Dreambeach Festival, Almeria, Spain
30.08.2015 – Krankbrother day and Night, London
06.09.2015 – Vagabundos, Space, Ibiza
18.09.2015 – Bacchanale Festival, Vieux Port, Montreal
19.09.2015 – Stage One festival, TBA, New York

Give them a visit:
http://www.octaveone.com/

Photo, top: Marie Staggat.

The post Octave One Are Back, Improvising Grooves with Machines appeared first on Create Digital Music.


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8Dio releases “Lacrimosa – 200 Person Epic Choir” for Kontakt

Written by Site Update on July 27th, 2015

8Dio has announced the release of Lacrimosa – 200 Person Epic Choir, a new Kontakt format instrument claimed to be the biggest choir ever sampled, with an introductory price of $ 499 (goes to [Read More]
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Plugin Boutique announces Carbon Electra Synth

Written by Site Update on July 27th, 2015

Plugin Boutique has announced Carbon Electra, a new synth plugin for OS X and Windows. Carbon Electra is a 4 Oscillator subtractive synthesiser featuring informative displays, editable step sequencer, [Read More]
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NUSofting releases “Anything Mod” and “Tube Gain Booster” – Free VST Effects

Written by Site Update on July 27th, 2015

NUSofting has released Anything Mod and Tube Gain Booster, two new free VST effect plugins (currently 32-bit and 64-bit VST for Windows; OS X versions are planned). Anything Mod is a stereo audio [Read More]
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IK Multimedia and Mesa Engineering announce AmpliTube MESA/Boogie for OS X and Windows

Written by Site Update on July 27th, 2015

IK Multimedia and MESA Engineering have announced AmpliTube MESA/Boogie, a new collaboration that brings some of the most legendary tones from the original boutique manufacturer’s amplifiers [Read More]
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SampleModeling releases the “Trumpet 3″ for Kontakt

Written by Site Update on July 27th, 2015

SampleModeling has announced that the new Trumpet 3 created by Giorgio Tommasini and Peter Siedlaczek can now be purchased and downloaded from their website. The newly developed Trumpet 3 for [Read More]
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HoRNet releases HDD-1 – Guitar Stompbox Digital Delay

Written by Site Update on July 27th, 2015

HoRNet has released HDD-1, an emulation of one of the first guitar pedal digital delays from the 80s when digital became affordable. The internal ADC is a 12bit one that stores the sampled data [Read More]
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An interview with Michael Hoover from Cakewalk

Written by Site Update on July 25th, 2015

Michael Hoover Cakewalk is one of the original companies in the music recording software market, and this interview been a long time coming. I first approached Greg Hendershott several years [Read More]
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Mikme, GoPro of microphones, is also serious about sound

Written by Site Update on July 24th, 2015

Mikme-Microphone-Push-Button

Being simple and mobile has its advantages. I bet at least once, you’ve recorded some audio sample on your phone. But simplicity often comes at the expense of audio quality – the phone being a perfect example.

An upstart hardware project wants to change that, with a crowd funding campaign that’s winding up its final days now. The Mikme is a small rectangular box, with a single button for recording. It’s wireless, with the ability to connect to mobile apps for tweaking and sharing.

Now, your first impression, then, might be that this is a consumer product – convenient, but delivering sub-par audio. It’s still a bit too soon to judge as the hardware is in prototype phase, but Mikme want to build something that stands up to the demands of pros and musicians. They’ve drawn on talent from professional audio engineering, with a 1″ true condenser capsule – one they say bests the little capsules in current mobile recording solutions from the likes of Zoom. Those rely on smaller electret condensers. (Side note: I won’t knock the electret condensers; I’ve gotten a lot of good results from them. But the bottom line is, you have something here that’s more mobile but doesn’t sacrifice the quality of your recordings to get there – quite the opposite.)

I got to meet founder Philipp Sonnleitner from Vienna when he presented the project at Tech Open Air in Berlin, and even tried the prototype hands-on. Here are more details.

The physical unit. Mikme itself is a small box – part of the reason they’re able to use such a big capsule is that the capsule is practically the size of the whole unit. Rather than a lot of controls, you get one button to start recording on the top – nice in those moments when you want to get recording quickly.

What you don’t need is any wires. There’s an internal battery with a promised 7 hours of recording time. You don’t get removable memory – no SD slots here – but 16 GB of memory is built in. (That was upgraded from the original 8 GB after crowd funders helped the hardware reach its “stretch” goal; now there’s both a 16 GB model or 8 GB if you don’t need all the space and want to save some cash.)

There’s a gold-plated, 1-inch (25 mm) condenser capsule with a cardioid pattern, which compares to 1/2″ (13 mm) electret capsules in USB mics and mobile recorders from Zoom, Tascam, Sony, Blue, Apogee, and so on. You can record at 24-bit and 44.1, 48, or 96 kHz. It’s in a shock mount, and remarkably, I didn’t notice any handling noise.

The unit really is simplicity itself. Tap once to capture, twice to play back the last capture. Tap and hold for a “sound check” feature. The same button lights red if input is clipping.

Along the front, there are simple green LEDs with power/battery and Bluetooth indication, USB for charging or using the unit as a USB mic, headphone out minijack, and volume up/down controls.

Unfortunately, they didn’t add a minijack input, which is too bad. The one thing that would allow me to replace my Zoom H4n with this would be if it could do 4-channel line + mic mixes – and it’d be great to record through the apparently high-quality converters. (Mikme 2 feature request?)

On the bottom, you’ll find a mounting hole, and they’ve thoughtfully included 3/8″ and 1/4″ threads for mic stands and DSLR tripods, respectively. So you can easily stick this on a stand or attach it to a camera. The whole package weighs just 200 grams (less than half a pound), and it’s 70x70x35 mm – you can stick it in your pocket.

Recording modes. The mic can operate in one of three modes:

1. Standalone. Record on the unit, then offload later over Bluetooth or USB.

2. USB mic. Connect it to your device/computer and record over USB.

3. Bluetooth mic. Don’t have a wire/adapter handy? Use Bluetooth instead. Now, this may make you cringe, but that’s because you’re used to mics that transmit an inferior 8 kHz signal; the Mikme uses a full-bandwidth 48 kHz. Philipp showed off the audio quality, and it’s actually hard to tell the Bluetooth stream from the wired stream.

The unit records either in MP4 (if you need more recording time) or lossless raw WAV (that’s still 32 hours at 16 GB). Also, you can record both MP4 and WAV simultaneously, so you have a compact file ready to go without conversion.

mikemediagram

Engineering pedigree. Founder Philipp comes from 8 years at AKG, but so, too, does the team’s mechanical construction engineer. Josef Schneider has a 25-year history including work on the C214, C414, C12VR, K271, K812, and K701. Richard Pribyl, who did acoustic tuning and engineering for Mikme, worked over 40 years in acoustic research and development at AKG and holds over 70 patents.

Of course, that’s just resumes. The explanation Philipp gave me for why you should consider the Mikme is a combination of the capsule and all-in-one design. The capsule he says is what you would normally find in 350€+ XLR mics. Analog and digital input stage and storage are all in a single housing, so that gain staging (which is also transmitted to the app) is performed in a single place.

Now, I didn’t get to properly evaluate the gain controls, again, because I had a prototype. Hardware gain was working, but not software gain controls. The finished model promises 0-30 dB gain settings in increments of 1 dB. Using the Soundcheck feature on the hardware, you can also measure 7 seconds of input and let the hardware adjust gain automatically.

This is interesting, too, for anyone who has cursed the horrible automatic compression on some mobile recorders. The gain is fixed. You can optionally switch on 3 dB-stepped decreases at an overload, but even that will leave the rest of your recording untouched – good news for anyone who has ruined recordings in the past. (Cough. Uh, I mean, no, I never did that.)

Use cases / hands on. On the software side, an app gives you additional controls – useful since there’s no display and limited feedback on the unit. (It’s ready for iOS now, with Android coming by the end of the year.) So you get recording, gain controls, and more.

Part of the vision of the app is also rapid sharing. There’s a clever UI that organizes by pictures – though I sort of hate the use of parallax visual effects. And you also get “Instagram”-style “filter” settings for reverb and the like, which I’m surprised haven’t shown up on apps before.

I have to say, I think this is a mic I’d use a lot more than other mics. There are plenty of times where I just haven’t bothered with cables and the like. The Zoom is relatively terrific, but this is more compact and might in fact sound better. Plus, Bluetooth pairing makes it more of a natural for use with the iPhone (and video), and it’s easier to fit atop a camera.

Case in point: while at Tech Open Air, I dragged one of the people doing demos into a room of the conference and recorded a quick vocal sample that I wound up spinning into a finished track, dumping the recording into Ableton Live and making a fast drum rack. (That track isn’t out yet, but as you can hear from the samples here, the mic’s output is terrific.)

Now, get ready for the investor pitch – Philipp stressed that “mikme is not a microphone manufacturer.” Instead, he says, “we want to enable creatives to capture, produce and publish content such as music, video, podcasts, and interviews within minutes instead hours and in better quality and with less effort.”

I suppose a company like AKG could see their mission in a similar way – it’s really down to how you view an object like a mic. But it’s an interesting mission. Still, I’m most impressed with the mic itself, especially since you can count on various solutions for sharing.

Crowd funding campaign Mikme has raised already a quarter million dollars as I write this, or ten times its funding goal. That means you can preorder a unit starting at US$ 189 (while supplies last).

First deliveries are set for October, with the public launch in January 2016.

The app is available now.

More:

Mikme – Wireless Recording Microphone

http://www.mikme.com/

I’m definitely impressed, and it’s encouraging that crowd funding is making this a reality. I’ll keep in touch with the makers and let you know how the progress progresses.

The post Mikme, GoPro of microphones, is also serious about sound appeared first on Create Digital Music.


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