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Max Fuel, a Bundle of Max for Live Devices, Debuts

Thursday, July 29th, 2010

yell
sidechainer
eleffo

For those of you just joining us, Max for Live is an interactive environment that incorporates the full Max/MSP/Jitter inside Ableton Live, with the addition of hooks that allow it to integrate with and control Live, and to make Max creations look like Live devices. Individual artists have begun using Max for Live, and we’ve seen some free downloads, but less of its use as a development platform. The problem is, your target audience must own both a full version of Ableton Live 8.1x or later, as well as the paid Max for Live add-on.

Max Fuel from Ableton soundhouse Puremagnetik nonetheless reaches out to just those people with a US$38 bundle of instruments. While they’re Max for Live devices, they’re not editable. (This demonstrates that it is possible to lock down patches made in Max for Live. An earlier draft of this story got this exactly wrong.)

Unfortunately, that means in a way, you get the worst of both worlds – you have to buy the development environment, but then you can’t use it to see what’s happening inside the patch. For projects like this, it seems some sort of “player” for Max for Live is badly needed. It could still be a nice pack of stuff for existing M4L users, though.

Here’s what’s included – two instruments:

  • Bump – A mono synth with a generous, easily controlled feedback section
  • Stick – A drum instrument based around classic FM synthesis, ready for use in Drum Racks

…five audio effects:

Drop – A multiband device where each band receives a percentage chance of being heard
Jumble – An audio processor with the same delay/feedback portion as Bump
Marx – A rebranded Spectral Mixer, setting different volumes and interactions for the signal’s quiet, mid and loud portions
Veer – A flexible pitch shifter with a dry/wet control for the output.
Yell – A rich multiband distortion

…and three control devices:

  • el Effo – A versatile low frequency oscillator/step sequencer
  • Multiplexd – A single knob that proportionately controls up to 4 plug-in parameters, simplifying automation or MIDI control of multiple parameters
  • Side Chainer – A robust converter of any audio signal into a modulation signal

Even with built-in side-chaining for some devices, it’s especially nice to see the side chainer, and of course an LFO/step sequencer is something Live users have wanted for a long, long time.

You need Ableton Live 8.1.4 and Max for Live; standalone Max/MSP won’t work with these bundles.

This is “Max Fuel, The First,” so obviously more bundles are planned.

http://www.puremagnetik.com/maxfuel/

So, I’m curious – does this model appeal to you? Does it make you more likely to purchase Max for Live?

In other paid patch news, the wonderful Paramdrum for Reaktor from Peter Dines has just gotten a big update with a nice, new skinned interface; read more on Pete’s Noisepages blog:
Skinned Paramdrum Now Available for Reaktor 5.15 (non beta)
ParamDrum Update: now with Jonathan Style skin, new sample maps!

…and, of course, even Reaktor remains an option for Ableton Live, albeit without the Live-controlling powers or other integration.

Let us know what you think of these offerings in comments.

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Max Fuel, a Bundle of Max for Live Devices, Debuts

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Cyber Monday, Ongoing: Delicious Synths, Effects for $5-20 from audioMIDI

Friday, November 27th, 2009

3665234054_a1ff9f7be5[1]

The EMS VCS3 has inspired a virtual synth. You can try to get someone to give you a hardware EMS for $20 – or you can take advantage of this deal. Photo: Rosa Menkman.

Online retailer audioMIDI has begun a new sale I really love called the “No Brainer” series. They offer some carefully-selected instruments and effects for prices like $5, $15, or $20. These aren’t clearance bin deals, either; they’re some of the best plug-ins on the market, in either full versions or slightly stripped-down (but fully-functional) editions. audioMIDI has exclusively released details of the deals they’ll offer Monday to CDM, and among them is the wonderful XILS 3 – a virtual instrument with the matrix editing of the classic EMS synthesizers.

Expiring

First, you have until midnight 11/30 to grab AAS’ fantastic modeled virtual analog, Ultra Analog, for $15 (instead of around $200). Ableton has their own version of this instrument called Analog, but if you’re using other hosts (or you don’t have Live Suite and want to save some cash), this is a great option.

AAS Ultra Analog VA-1 for $15

breverb

Ongoing

The Overloud Breverb is a multi-function reverb plug, normally going for $369. The audioMIDI edition comes with room and plate reverbs – nicely matching the free TC Electronic hall reverb we got last week – for five bucks.

Breverb audioMIDI Edition

Rhetorical question: could a great Breverb inspire a profound Bromance?

bt_trackbox

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LiquidSonics releases Reverberate v1.220 (incl. non-beta Mac release)

Wednesday, October 28th, 2009

28th October 2009: LiquidSonics has updated Reverberate to v1.220, which is the first full non-beta release for Mac OS X. Reverberate is an efficient convolution audio processor with modulation capabilities offering tru…

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LiquidSonics releases Reverberate v1.220 (incl. non-beta Mac release)

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LiquidSonics updates Reverberate to v1.209

Monday, October 5th, 2009

LiquidSonics Reverberate

LiquidSonics has released version 1.209 of Reverberate, a highly efficient convolution audio processor offering true zero-latency operation for two separate, stereo impulse responses.

Along with the Windows 32- and 64-bit downloads, the first public Mac OS X VST and AU beta versions are available.

Changes since Reverberate v1.206

  • All: Added fine-grain control mode for higher accuracy while holding down shift and dragging in slider mode.
  • All: The user can now select the default dials mode (circular, relative circular, linear). The default is circular.
  • All: Wet lock is now initialised correctly when the GUI is not initially displayed.
  • All: Changed IR envelope and EQ visualisation graphics to allow for drawing optimisations resulting in improved GUI drawing speed.
  • All: Parameter update optimisations to reduce disk access frequency.
  • All: Fix for a crash if the system runs out of memory when allocating space for IRs.
  • OS X: Improved lost files support (now works the same as in Windows).
  • OS X: Improved AU validator reliability.
  • Fix for the resampler which was incorrectly cropping the beginning of IRs (especially noticeable on cabinet IRs).
  • All of the IR files stored within a bank are now validated for presence on disk when loading banks improving workflow.
  • Fix for notification of lost files when GUI is not open which could cause a crash.
  • Further work to fix the mixdown issue in Adobe Audition first addressed in 1.206.
  • Position of the IR1/IR2 mix LFO now initialises randomly.

Reverberate is available as a VST effect plug-in for Windows PC for

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LiquidSonics releases Reverberate LE and Filtrate LE v1.0 + Reverberate v1.206

Friday, September 18th, 2009

LiquidSonics Filtrate LE

LiquidSonics has released version 1.0 of Reverberate LE and Filtrate LE, two free VST effect plug-ins for Windows PC.

Reverberate LE is a highly efficient convolution audio processor, while Filtrate LE provides a linear phase 5-band paragraphic equaliser. Both plug-ins are available in a standard CPU edition and a version taking advantage of NVIDIA CUDA for the main convolution processing tasks reducing CPU usage where a G80* and above compatible card is found in the system.

LiquidSonics has also released version 1.206 of Reverberate, a highly efficient convolution audio processor offering true zero-latency operation for two separate, stereo impulse responses.

Changes in Reverberate v1.206

  • Fix for a mixdown issue in Adobe Audition.
  • Chorus memory indexing bugfix causing a crash on OS X.
  • Chorus 1/2 toggle click bugfix.
  • OS X private beta – release 1
  • Updated to use VSTGUI 3.5 from VSTGUI 3.0 for OS X build.
  • Two additional chorus modules (one for IR1 and one for IR2) have been added for use pre-mix in addition to the existing post-mix chorus module. This allows for chorus or modulating pitch effects to be used on IRs independently.
  • Chorus copy/reset command now has a copy/paste function to move settings between IR1, IR2 and post-mix choruses.
  • A full preset reset now updates the program name in the host presets list (where this is supported by the host).
  • All error notifications are now modal on the host window.
  • Output buffers are now cleared when toggling IR1/IR2 on and off and when the host calls the resume function (e.g. at the start of a mix-down).

Reverberate is available as a VST effect plug-in for Windows PC for

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