Tek’it has updated Kutter to 1.1.1 and announced that Kutter 2 is coming in August, 2011. Kutter Version 1.1.1 includes several bug fixes, mainly on the preset management side, and the demo has a new… [Read More]
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Tek’it updates Kutter to 1.1.1 and announces Kutter 2 coming in August
Saturday, July 9th, 2011Open-Source Rockit 8-bit Synth Kit Coming
Friday, July 8th, 2011Chicago-based hacker and synthesist Matt Heins is working on an open source synth kit. As a co-creator of the MeeBlip open source-synth hardware, I’m biased — I want more open synth hardware! So this is looking like some great company. The instrument is 8-bit, with analog filter circuitry, coded in C. The specs:
Fully Open Source Hardware and Well-Commented C Software Design
Digital Analog Hybrid Circuitry
2 Digital Oscillators with 16 waveshapes, updateable to more
2 Low Frequency Modulation Oscillators with 10 destinations
Innovative Digitally-Controlled Analog Filter with Low-Pass, Band-Pass, and High-Pass with Envelope Control and External Audio Input
Analog Voltage-Controlled Amplifier with Envelope Control
Drone/Loop Mode for Playing by Itself
19 Knobs to Twiddle and 8 Switches
Full MIDI Input and Output
Sound Patch Save and Recall
I think the self-playing mode is particularly clever, and of course having presets is nice. There’s already a PCB and lots of interesting discussion of the design and sound on the blog:
http://hackmeopen.com/
And, as seen in the video, this is a Kickstarter project – invest early, and down the road you’ll be at the top of the list to get a synth.
Since this is likely to raise some comparisons to the MeeBlip, I can summarize: for now, the MeeBlip uses a digital rather than an analog filter, it’s a 16-bit synth rather than 8-bit, and it comes in a case if you like. We’ll have more of an update on the MeeBlip soon, but it will be available for sale again this month, alongside an updated Special Edition and reworked workflow. Also, by the beginning of August, I’ll have tutorials on how to code for it very quickly without any previous experience with programming (yes, even in Assembly).
But I’m excited that there’s a range now of open source music hardware; I will try to do a full write-up soon. And in the meantime, Matt, I hope I make it to Chicago in the next couple of months and we can say hi — the synth is sounding great, and I look forward to trying it! The dream of an open music-making hardware rig is now very close to fruition.
If you do want to get onboard on Kickstarter:
Rockit 8-bit Synth Kit
Brainworx bx_digital V2 EQ and SPL Vitalizer MK2-T coming to Universal Audio’s UAD-2 Powered Plug-Ins Platform in Q2 2011
Tuesday, April 12th, 2011Universal Audio has announced the impending release of the first new “Direct Developer” plug-ins for the UAD-2 Powered Plug-Ins Platform: the Brainworx bx_digital V2 EQ plug-in and the legendary SPL V… [Read More]
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FireWire800, ExpressCard Survive MacBook Pro Revision, So You Can Relax; Thunderbolt Audio Hardware Coming
Thursday, February 24th, 2011
Those of you in the market for a new MacBook Pro are no doubt already tuned into the product news. So let’s talk about what isn’t changed on the new MacBook line, because it’s a good thing.
- You still get FireWire 800 ports on all models, including the entry-level 13″ machine.
- ExpressCard is still standard on the 17″ MacBook Pro.
- Your dongles for video adapters still work.
I’m researching implications for audio of the new Thunderbolt connection. My guess is it’s a little too early to say; 10 GBps storage sounds fantastic, but it’s far beyond the needs of all but the craziest audio applications. (That is, fast FireWire and USB drives work really well already.)
Where you’ll see it in audio is likely two places: one, more high-performance audio I/O, and two, clearing the bottleneck with DSP chips that has long plagued external hardware DSP. The latter is maybe a bit ironic as we look at ongoing performance gains from GPUs and integrated architectures there, but it’s no accident that Universal Audio and Avid are excited about it, as they have DSP products. And enthusiasm from Avid and Apogee means you can expect to see high-end audio with lots of I/O for this format. See the Intel technology page. As for specifics, we’ll be watching.
For adoption, this is certainly big news. Thunderbolt faced a chicken and egg problem; Apple is the 800-lb chicken.
The short version of the other specs: these machines are faster. Again, though, current audio applications run pretty well on the previous machines; I’m pleased to say we’re now in a place where people aren’t red-lining their CPU every day.
In fact, for those reasons, if you want a bargain on a MacBook Pro for audio work, now could be a great time to pick up a closeout on the old machine. On the audio side, the new models are largely appealing because their Thunderbolt port ensures future-proofing for whatever comes next – without having to give up the I/O on the previous models.
More discussion on the Motion side, focusing, naturally, on what we know about the graphics chips:
MacBook Pro Revision Updates GPU, adds Thunderbolt, but No New Display Dongles (Phew)
And yes, you have choices in this competitive marketplace, including PCs. But there you go – anyone who thought we’d see a step backward in I/O today can now exhale. And anyone looking for greater architecture performance, your machines have arrived. And anyone saying that laptops aren’t still awesome and improving in the age of low-end mobile and tablets? You’re just kinda all-around wrong. As for tomorrow, well, who knows, who knows…
Reaper 4 is Coming, Adding More Flexible UI to Lightweight PC-Mac DAW
Saturday, December 4th, 2010Reaper 4.0 has hit prerelease, the latest version of this $ 40+, lightweight (measured in a handful of megs) DAW for Windows or Mac. The banner feature is called WALTER, “Window Arrangement Logic Template Engine for REAPER.” The idea: you should have your music production screen look the way you want, with elements moved to whatever you like.
Jeffrey James points us to this release and explains that the feature allows you to “design the DAW the way you want it.” For instance, normally Reaper displays meters horizontally. Add a snippet of code telling it that’s not what you want — “set tcp.meter [290 28 12 51 1 0 1 1]” — and you get vertical meters, as seen below. If the idea of hacking your UI sounds unappealing to you, I expect there will be legions of Reaper users posting snippets so you can easily find what you want.

Customization will work per track, globally, in themes, and adjusts appearance, position, size, alignment – the works. You might simply download a theme you like, or hack a particular feature that’s bothering you. For anyone who has said about music software “great, but I wish xx looked like –,” this is the release for you. (I shudder to think how many feature requests for music software looks like that.)
Full explanation and discussion on the Reaper forums
Walter, the SDK has greater technical detail – really cool stuff
WALTER is just one among many small improvements in Reaper 4:
- Takes are improved, and it’s now easy to turn takes into comps
- A “Project Media / FX Bay” consolidates the elements you use in a project
- New tools for time selection, area selection and editing, and mouse modifiers should make editing quicker
- A 3D surround panner, combined with multichannel input, output, and monitoring improvements, makes going beyond stereo more flexible, while…
- …if you do choose stereo, you get new panning and stereo width
- Input FX chains per channel combine audio and MIDI processing into a single bundle of effects
- with options for processing and monitoring
– among many other improvements.
The Reaper developers have a pretty transparent approach: each major feature has a message board associated with it on their forum so users can discuss and ask questions:
Or check out the full changelog:
v4: Everything else
Let us know what you find in the new release, Reaper users. (Also, selfishly, I’m curious about running Reaper in WINE on Linux, if anyone else is doing that.)
JRA TV – Episode 3 – Beat Making 101 & Freestyle 101
Thursday, August 6th, 2009Become a fan on my Facebook Fanpage!!! www.facebook.com My Music Myspace! www.myspace.com Follow me on my Twitter page! twitter.com My Tumblr. jraquino.tumblr.com My Blogspot! http and last but certainly not least. Become my friend on my Personal Facebook! www.facebook.com Booking Contact: jraquinomusic@gmail.com
See more here:
JRA TV – Episode 3 – Beat Making 101 & Freestyle 101




