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Controller Hardware: A New Faderfox for Traktor Pro 2

Monday, December 12th, 2011

German boutique controller maker Faderfox was one of the first to build custom controllers for Ableton Live and Traktor. But amidst bigger-name offerings, the Faderfox devices still hold up. While other, more sprawling controllers struggle to squeeze into a booth, the Faderfox devices are ultra-compact, though still with enough room for your fingers. They also offer uniquely high-end controls and case, and sophisticated control options.

The latest, designed for Traktor – though it could easily be adapted to other DJ and VJ tools – is the DJ-friendly DS3. It really assumes a digital DJing workflow, focusing on triggering samples, loops, hotcues, and effects. (And, nicely enough, could be well-suited to DJs who want to go beyond just pressing play and mixing. We know you’re out there.)

Creator Mathias shares some of the features:

  • Controls up to four decks – easy switching between deck A-B-C-D on the fly
  • Supports track deck & sample deck mode with easy switching between the modes
  • 4 multifunctional encoders – access to all FX and important deck + loop parameters by 6 group buttons
  • Dedicated FX assign buttons for quick switching to the 4 FX busses
  • Detailed control of all sample slot parameters by 4 encoders
  • Browser section with encoder, view and favorite buttons (with additional tree navigation)
  • Loop recorder section with encoder and two buttons (with additional copy function to any sample slots)
  • 12 extra large buttons for sample trigger and hotcue access
  • All controls with double function by holding down the shift button
  • 31 LED’s and a 2-digit display to show various informations by feedback data from computer
  • About 750 commands – all free to reassign

The only disadvantage I can think of, really, is that you have to toggle between the four decks – a tradeoff of the compact design. Of course, you could always buy more than one.

Here’s a look at the front panel, close up:

The Faderfox runs €250, including VAT (210 without). Unlike early models’ MIDI DIN and 9V battery, the units now simply connect – and receive power – via USB.

DS3 Product Page @ faderfox.de


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Choppertone, Wooden Ableton Jazz Controller, and Folk Music of the 21st Century: Video

Friday, December 2nd, 2011

“Folk music of the 21st Century” – radio broadcaster, jazz aficionado, and jazz-based Ableton Live instrumentalist / remix artist Nick Francis really sums up what this whole site is about. As he chops up jazz greats in Ableton, his mash-up music chops are as much musical analysis as they are performance. He walks through his controller moves in a pedagogical way, highlighting the meat of the jazz legends he puts into play. It’s a kind of digital transcription, transcribing re-imagined for Ableton’s colored blocks in place of.

Of course, you’ll only be able to reflect on this once you can take your eyes off that stunning wooden controller, which has the look of a decades-old instrument. Kraftwerk in their early days would have chuckled at the polished-wooden nostalgia, but here, it’s about care as much as memory – and Nick is a fan of Kraftwerk, DJ Shadow, and others. None other than Matt Moldover inspired all of this. (I look forward to catching up with Matt in California next month.)

We first saw Nick in May:
A Controller Love Supreme: Beautifully-Crafted Wooden Jazz Controller with Ableton Live [tons more detail there]

Our friends over at Dubspot have an extensive, illustrated video series on interviews. You can tell they didn’t have to edit too much here, that Nick just kept talking and saying great things.

The Choppertone: Custom MIDI Controller for Ableton Live – Nick Francis Video Interview [Dubspot Blog]

But seeing electronic music with Nick’s self-described “vintage fetish” – from the RCA-chic swirled woodgrain to the great old standards – is a joy. And if you can’t get enough of Nick, you can go listen to his radio show, too.

Quiet Music
Nick Francis @ KPLU (Seattle)

Flip that YouTube into 720p to hear the sound properly – yes, even in this modern age, the default setting is a bit lacking in warmth.

There’s also a second part of the video with a performance of “Canto de Wonderwall.” (Not visible in Germany due to licensing issues.)

Click here to view the embedded video.


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New Open Grid Gear: DJ Mixer Meets monome Grid in MIDI + OSC Controller

Wednesday, October 12th, 2011

It had to happen — button triggering, as popularized by the monome, here meets a conventional two-channel DJ mixer. But the layout I must say is quite spare and lovely, the work of the Japanese-based PICnome project. Furthermore, it’s Open Source Hardware, covered as I have recommended by a ShareAlike Creative Commons license (with no commercial restrictions) and GPL v3. (The creator prefers the term “Free Hardware,” which I love theoretically but have avoided for fear of people demanding we mail them MeeBlips by sending us a self-addressed, stamped box.)

With clean, subtle markings and a nicely-composed layout, it’s hardware that doesn’t scream out its design with big decals or overblown features. It’s just a (colored) monome combined with a two-channel mixer, with the sorts of features you’d expect of each. I love the angled labels, at least aesthetically.

The controller works with both OSC (OpenSoundControl) and MIDI for maximum flexibility. And, incidentally, this could be an ideal live visual controller, too, especially with that native OSC support.

Good grief; I realize I filled this post with nothing but technical jargon. Hopefully, those of you who speak in such tongue-twisted terms have followed along, and everyone else just looked at the pretty pictures and video.

Carry on.

PICratchBOX – Sneak Preview [atelier.tkrworks]

http://made-in-yamamoto.com/

Japan, hope to come visit you some day soon. Thanks, Regend, for the tip!

Courtesy tkrworks.


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Open Source Multitouch Continuum-Style Controller, in Action

Tuesday, September 20th, 2011

Cyril Stoller shares this project, for a variety of multitouch devices (Mac / Windows / Linux / Android, screens and projection) through the also-free-and-open-source Kivy framework. It’s inspired by the brilliant Haken Continuum fingerboard, but whereas that more tactile controller is hard to get, this runs cheaply all over the place. (It could also be a way to practice and save up for a Haken, it occurs to me.)

Thanks to Graham Comerford for the tip. I wonder what other ideas might apply to playing multitouch as an instrument.

More discussion on the excellent NUI forum – a great spot for alternative and gestural interaction chatter and resources:
http://nuigroup.com/forums/viewthread/13227/


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Steinberg CC121 Controller bei musicplace.ch

Monday, September 19th, 2011

Steinberg CC121 – JETZT BEI MUSICPLACE.CH Speziell entwickelt für Cubase Produktionsumgebungen, ermöglicht der CC121 die haptische Steuerung von DAW Applikationen. Das innovative Steuerungskonzept des CC121 kombiniert einen hochflexiblen AI Knob mit fest zugeordneten Reglern für wichtige Cubase Funktionen und ermöglicht so ein beispiellos schnelles Arbeiten. Aufgebaut aus hochwertigen Komponenten, ist der CC121 die perfekte Erweiterung für jedes Cubase Studio.
Video Rating: 4 / 5

Nu er det jo blevet jul !! ^^ Lyrics: Så det` jul, det’ tid til glögg og and Sneen daler i Angoras land Jeg skal hjem og pudse mit klaver – så lyder det godt Mit talent er noget der imponerer Og Kåre du har drukket juleøller i en mængde der er ekstrem – Kåre? Kåre? Nemlig ja, ja nemlig ja, ja nemlig ja, det` ingen problem Nu det` jul i Angora Så skal vi sataneme hjem til moar – eller mutter Ja det skal vi da, men også hjem til far Nu det` jul i Angora Så skal fandme ud og score Nej, det skal vi ik`, vi skal danse om et træ Hvot gul mnji vu Vlad i Gagarin Hold da kæft! Hva` er det I sir` I fede russersvin? – Totalt perkeragtigt Simon er en dum, dum, dum, dum én – Hva’? Prettyface! Styr jer grydehår og tændstikben – Grrrr! Han kaldte dig for tændstikben! Jeg har sunget sange og lavet mad med menneskelort i Jeg har… Nej, det fungerer overhovedet ik` – Nej, nej, nej Nu det` jul i Angora Vi skal ha` mad med lort og porrer Nej det skal vi ik`, vi skal ha` juleand Nu det` jul i Angora Ohhh, my mother is a slutty whore Ja det ved vi godt, det er ikke vores problem – No. It`s no problem Go`daw far! Go`daw Ryan, go`daw Flemming. Er i kommen for hjælpe mig med at pynte juletræet? Næh, vi er såmænd bare kommet med en bette julehilsen til dig. Ja, glædelig jul, din gamle idiot. Nu det` jul i Angora Mine briller de er store Det er juletid, så ønsk dig et par nye Nu det` jul i Angora Nå, så ska` vi ha` en bette juleøl da. Yeehaaaa! Skål i skideskuret! Ja vi skal belle øl og ønske

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FL Studio Guru – Creating Permanent Controller Links

Monday, September 19th, 2011

Download the project used in this tutorial here forum.image-line.com There are also some more tips and a deeper explanation of the differences between ‘Override generic links’ and ‘Link to controllers’ options in the Multilink controllers right-click menu. BYO “Override generic links”! :) Enjoy!

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Dodecahedronists, Unite: An Audiovisual Controller, Gestures and Polyhedra, Open Hardware

Wednesday, September 7th, 2011

I love this controller, but I think we should keep it Platonic. Solid.

Sorry, geometry humor. See, the controller in question is constructed as a convex regular polyhedron, such that all its faces are themselves congruent regular polygons meeting at each vertex, and … uh, never mind.

Above, a stunningly gorgeous video from Polish design team Hedoco, with some lovely chiming music following by the evidently-now-requisite dubstep demo. (Tip all of us could use, guys and gals – makeup. Styling. Now, they just need some post-production so you can’t see the IR sensors or the wires.)

Hedoco = “a unique brand that connects two trends: open source design and fashion.”

No, seriously. And, seriously, why not?

The controller itself looks actually quite lovely – and it’s open source hardware, too, from top to bottom. MIT license for the source, Creative Commons for everything else. (One trick: by choosing “Non-Commercial,” they don’t technically qualify under the Open Sound Hardware Definition. I’d suggest keeping the ShareAlike, since any commercial user would have to share modifications. I know not all designers are comfortable with that, though.)

Designer Jakub Koźniewski, seen in these parts building a kinetic sound organ out of cans, is behind this project, too. Ingredients:

  • Bluetooth. (The revolution will not have wires.)
  • Infrared distance sensors. (Though if you know what those are, you already knew that.)
  • Arduino, the open source hardware prototyping platform.
  • Processing. (Whatever. No one cool uses that any more.)
  • OpenSoundControl.

Source code is available now on GitHub, with hardware schematics coming soon. And that could lead to an all dodecahedronal music festival. You may recall the work of Ted Hayes, whose Neurohedron has the same shape. Ted’s work, by contrast, works with a drum sequencer — meaning these two could even play onstage together. Ted and Jakub each tell us that’s coincidence, and when Jakub did realize the form had been taken, the two connected. Now I say we just need more. Dodecahedronstock. Polyhedrapolaooza. Platonaroo. Euclid Fair. Let’s make it happen.

On Ted’s Neurohedron side, he tells us that his work, featured at a Handmade Music event I produced in New York as well as at NIME, has gotten significant updates, so we look forward to seeing that. Previously:

Pretty, Nodal, Non-Linear Music, on iPad + iPhone and Big Dodecahedrons

Handmade Music NY 8/29: Meet the Musical Inventors, Pong to Dodecahedrons

More:

http://www.pangenerator.com/

http://www.hedoco.com/


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Steinberg CC121 Controller Cubase 5 Testbericht

Tuesday, September 6th, 2011

www.delamar.de Detaillierter Testbericht zum Steinberg CC121 MIDI-Controller für Cubase. Erfahre in diesem Testbericht alles über diesen kleinen, aber feinen MIDI-Controller des Hamburger Unternehmens Steinberg. In diesem CC121 Controller ist das Knowhow von Yamaha und Steinberg eingeflossen. Der Controller kann zur Bedienung von Cubase 5, Cubase 4, Nuendo 4, Nuendo 5, Cubase Studio und mehr.

Visitad www.productormusical.es para más tutoriales de cubase en español y cursos online de produccion musical gratuitos. Cualquier duda por favor entrad al foro de la web http , no contestaremos dudas en youtube. Los puntos que trataremos en este VideoTutorial son: – Creación de pistas midi y pistas de instrumento. Sus diferencias. – Instrumentos vst. – Explicación de las funciones principales de las pistas midi. – Grabación en una pista midi. No dejéis de visitar también nuestro estudio de grabación www.basicproductions.es Este tutorial ha sido grabado por Dídac Corbí Un Saludo!
Video Rating: 4 / 5

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Liine updates Kapture Pad – Live Controller for iOS to v1.2.3

Tuesday, September 6th, 2011

Read the full story @ KVR Audio
Liine has released version 1.2.3 of Kapture Pad, its app for iPhone/iPad to control Ableton Live. Apart from some bug fixes and UI improvements, this update introduces Global Morphing synced to the b [Read More]
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It Comes in Colors: An RGB Grid Controller from Livid, RGB Grid Roundup

Monday, August 8th, 2011

Lovers of the grid for music control now get to reenact the scene in MGM’s The Wizard of Oz, stepping out of the world of black and white into one of color. The OhmRGB, the latest controller from Austin, Texas-based controller and custom hardware shop Livid Instruments, adds multicolor LEDs behind its array of controls.

We’ve already seen red, green, and yellow add color feedback on Novation’s Launchpad (and of course the APC line from Akai). The Livid piece bests Novation’s three colors with seven possibilities. For those who prefer their grids to come with knobs, faders, and crossfader, the OhmRGB has the same generous complement of controls that its (monochromatic) Ohm64 sibling does. It also has expansion ports for additional flexibility, plugs into USB connectivity and power without the need for drivers, and has extensive options for remapping lights, controls, and interaction, so it works dynamically not only with Ableton Live but any tool you like. Livid also does their woodwork and assembly in Austin, Texas – keeping the shop on-site was a wise business move, believe me.

In the top video, you can see artist Pailo do a quick demo; obviously, you could perform with this however you want. In the video below, the Livid gang explain a bit about how they’ve made the Ohm64 RGB work with Ableton Live:

This video is presented by Pailo and shows how you can use it with OhmModes, a sophisticated remote script for Ableton Live

Jay Smith from Livid has some other comments – and even those seven colors aren’t necessarily the limit:

Currently it supports 7 colors, we plan on adding more with a firmware update in the future. It has the same expansion jacks the Block [controller] has, we plan on making side cars for it later this year. Also we’ve added banking so you can save multiple mappings to the internal memory of the controller.

And here’s a video that shows why the expansion ports are cool:

Want one? Check it out at Livid Instruments:
http://lividinstruments.com/hardware_ohmrgb.php

US$ 699, available now direct or via your dealer.

More RGB Action!

While Livid doesn’t make hardware that can be technically qualified as open source, they have built a strong relationship with the DIY community. Their software patches, built in Max/MSP, are available under an open source license, and their hardware is well-suited to hacking and modification. And beyond the finished products themselves, they’ve got a full-blown DIY platform called Builder and have generally built a good relationship with DIYers through their shop and interaction with the community.

All of that is to say, there’s a lot happening with exploring what grid controllers can be as hardware hackers and musicians take matters into their own hands. Unlike the OhmRGB, you can’t easily go out and buy one of these at the moment, but it’s fantastic to see the rainbow (ahem) of control experimentation out there.

Thanks in particular to Mutis Mayfield, aka Mudo de Nacimiento, who helped remind us of some of the major RGB grid efforts to date. Mudo himself has a project, seen in the image below.

Mudo’s building something wonderful. Stay tuned.

Touch sensors? Nixie tubes? The Polynome 5000 by capricorn one is more than just a colored grid.

I have to start out with the insanely-awesome Polynome 5000. It’s about the dreamiest color controller I can imagine, a one-off monome by capricorn one, aka Los Angeles-based monome musician and inventor Colin Mann. Colin describes it thusly:

After more hours than I’d like to admit, even if I actually knew how many, I’m done. I started this, believe it or not, before the APC40 was even announced, and at the time there weren’t many products out there like it. Now, obviously it would make more sense to just buy one of those products, nevertheless, where are you gonna get an RGB monome with a nixie tube display that takes OSC commands? Exactly.

FEATURES
RGB monome (64 buttons, 64 colors)
6 slide faders
1 infrared sensor
1 touch strip sensor
4 arcade buttons (internally lit)
1 toggle switch
4 digit nixie tube display
12 button keypad
xlr microphone pass through
6 port usb hub (powered)
4 external power jacks
1 12VDC power output source

Don’t miss Colin’s huge post on the topic; see also video below.

http://www.capricorn1.net/avr/polynome-5000/

Next up, another DIY project — from artist and hacker BIM0X, the Rainbow:

Presentation of my new MIDI controller : the Rainbow.
Soft touch buttons Monome like, each one has a RGB Led inside.
64 buttons, 7 colours available. Based on midibox (www.ucapps.de)

Powered by PIC18F452. Completley independent, it doesn’t need a computer to work.
Midi and output via MIDI messages

Open source RGB grids?

Owen Vallis and Jordan Hochenbaum, aka FlipMu, have been working on their own open source project. It’s not just RGB – it’s also pressure-sensitive, a feature generally missing from these sorts of grid controllers, adding a whole new dimension of possible expression.

Owen shares some other comments, and walks us through yet more RGB and even pressure-sensitive projects:

The Livid stuff is always awesome I think. I’m all for more DIY or any open source projects. There have been a lot of RGB style button grids over the last several years, starting with the Octinct from Johnaton Guberman and Brad Hill ( <– the original Arduinome Shield designer). The Octinct was finally made open source last year and is now being worked on by the guys at Hanger.org. There was also the RGB mini Monome by Grumpy Mike at the arduino forums (vimeo video), and also the Lumi from stanford which combined pressure and a touch screen using the spark fun RGB pads in a 4×8.

The Chronome is different (and has been taking so long) because it not only uses a Mega (hopefully allowing for expansion later), but also adds 64 independent pressure and RGB buttons. Trying to solve for noise on the ADC while lighting all 64 RGB leds was super hard to solve ….but it works now :) woop woop. The other major thing is that the Chronome works natively with SerialOSC from monome, and still works the exact same as a regular monome. The only difference is the Chronome also accepts an RGB message, and send an additional pressure message. This means the Chronome should work with all existing monome apps.

The Chronome, based on the open-source Arduinome project also from FlipMu, is progressing nicely. You can track its progress – and even try your hand at building it yourself – on the FlipMu site and blog (hosted by createdigitalmusic):

http://flipmu.noisepages.com/blog/
http://flipmu.noisepages.com/work/chronome/ [beta, but with loads of files for your use if you're brave]

Here are some of the projects Owen mentions:

The best resource I could find on the now-open-source Octinct project is on the monome forums:
Official Octinct Package Thread

It points at where to find the newly-released documentation, code, PCBs, and whatnot.

Spy photo of Tweaker, from near an air force base in Nevada. (Joke.)

Also, there’s one further device that may be available commercially, though, for now, it remains mysterious. The Electrix Tweaker has specs similar to the OhmRGB, but we’re still waiting for it to ship, and have only the grainy image seen here.

So, there you have it – color is coming to grids in a big way. We’ll be watching the development of the OhmRGB, in particular, and it remains the full-color controller you can have right now. And we’ll watch these more experimental projects, too. It’s like a rainbow…

http://lividinstruments.com/hardware_ohmrgb.php


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