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Pay-What-You-Want for Reason 6, Rewarding Record+Reason Early Adopters

Monday, September 26th, 2011

They’re not doing this with Reason – don’t get too excited – but Propellerhead are at least adopting this approach for upgraders from Reason + Record. Photo (CC-BY-SA) Oli Shaw.

You’ve seen “pay what you want” pricing for self-released albums on Bandcamp, and independent donationware software. But you certainly haven’t seen it in a major application like Reason 6. That’s what Swedish developer Propellerhead is doing with their Reason 6 upgrade, with name-your-own-price starting at EUR/USD 1.00, through the end of October. (One, not one hundred. Really. Apologies for embedding what’s essentially an advertisement below, but the video explains it.)

Now, this isn’t for everyone: it’s the upgrade, not the full product, and it’s only for people who own a copy of Reason and a copy of Record. In effect, what the upgrade does is reward early adopters who purchased Reason and Record Duo or bought Record separately on top of an existing copy of Reason. My feeling was certainly that the two products should have been offered together from the start. Many Reason users complained that they weren’t getting all the new audio recording features (only a sampling feature). And I complained in a review of Record for Macworld that Record didn’t come with everything unless you also bought Reason. The bundling of Reason and Record functionality into a single product called “Reason” to me makes perfect sense, and the deal here reflects that.

For that reason, I wouldn’t go as far as asking, as Jo-Ann at Shocklee does, if this is the future of music software pricing. But it is a big deal, and it proves that more significant names in music software can take some risks. It’s also a nice bargain: remember that Reason 6′s price, reflecting the incorporation of both programs, is effectively what you paid for Reason + Record duo, and that even if you have both, you still get some nice, new effects. (I’ve been playing with them for a few weeks, so expect a write-up on that soon, once I actually sit down and make some real music with them.)

But for me, the bottom line is, it’s nice to see a good idea trump caution in the accounting department.

http://www.propellerheads.se/paywhatyouwant/


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Audio Impressions announces Brillanti Philharmonic and Early Brass

Friday, March 4th, 2011

2nd March 2011: Audio Impressions has announced the Brillanti Philharmonic and Early Brass library. Brillianti Philarmonic and Early Brass can be used in the studio, as a plug-in in your sequencer, or live in a stand…
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Chris Halaby’s Industry Focus: The Early Days of Software Sequencers

Monday, December 20th, 2010

20th December 2010: This is the second part of my perspectives and it’s about the beginning of the transition from tape and hardware devices to computers. Technology drives music. Once a talented individual gets a hol…
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Give yourself an early Xmas present with LinPlug’s synth bundle

Monday, December 6th, 2010

If you’re looking to save money in the run-up to Christmas, but wouldn’t mind splashing out on some quality music software, check out LinPlug’s instrument-packed Synth Bundle. It includes all of the developer’s synths including CronoX 3, Albino 3, Octopus, Alpha, Element P and the all-new MorphoX, plus extra sound sets for Alpha and Octopus.

If you bought these beauties separately, they’d set you back $ 832, but until the end of this year you can pick them up for a recession-busting $ 399. You can find more details on The Synth Bundle here.

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Maschine Groove Box to Add Plug-in Hosting in Early 2011

Friday, November 19th, 2010

Choosing a computer for production generally means choosing flexibility, the ability to more effortlessly combine lots of sound sources and techniques. So it makes sense that, given that Native Instruments’ Maschine promises to bring computer-style flexibility to hardware-style groove box and drum machine workflows, it should behave like computer software. And that has meant many Maschine enthusiasts have asked for plug-in hosting. It doesn’t make Maschine a generalized “DAW” production tool, but it could mean, for people who like the drum machine style of working, the ability to mix and match sound sources as you can in a DAW.

With a beta scheduled for 2011, and a final release early in the year, Maschine users should get that wish. Version 1.6, Native Instruments recently revealed on their forums, will add VST and Audio Unit plug-in hosting, both as effects and sources.

Thomas at NI wrote up the news last week (whilst I was still busy working on this redesign):

So, according to popular demand, the upcoming 1.6 version will allow you to use VST and AU plugins as sound sources and effects in your Maschine project. This includes both the whole NI range of instruments and effects as well as any third-party plugin.

Check the screenshot for an idea of how this will look like. Instrument plugins can be used in any sound channel, and effect plugins can be inserted on both the sound and group channels as well as on the master.

Obviously the addition of plugin hosting requires quite a bit of development and testing…

1.6 won’t just include plug-in hosting, but this could be a big breakthrough both for Maschine addicts and, on the other hand, people who were waiting on Maschine to add such a feature. Forum post:

Coming up: Free Maschine update with VST/AU plugin hosting [NI User Forum]

I think in a way it’s unfortunate that music tech news cycles are the way they are; usually there’s a lot of attention and focus and “exclusive” cover stories and special issues in newsstand glossies right when a tool is new. But it often takes months and years for the tool to mature, and for users to really sink into productive workflows – indeed, that’s the sign of a deep tool. So I’m happy to give Maschine more attention in 2011. If you’re a user, let us know how you’re using Maschine now, and if this change is relevant to you.


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D16 Toraverb

Monday, December 14th, 2009

Toraverb is a new addition to D16 Group’s affordable SilverLine e

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