Question by patrick: WHAT ABOUT THE FUTURE OF DAW AUNG SAN SU GYI [ NOVEL PRIZE WINNER ] ??
NOWADAYS , THERE ARE MANY DEMONSTRATIONS FOR BURMA DEMOCRACY ALL OVER THE WORLD . WHY IT TAKE NEARLY 20 YEARS LONG ,BUT DIDN’T WORK????? www:// aungbarsay.blogspot.com.
Best answer:
Answer by chrisk
I have no idea of what or who you’re talking about. More info perhaps?
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If you want more beats, check this soundcloud : soundcloud.com This is the final song of Juste Debout 2011 between Les Twins and UK & Aldo and “Me Myself and I” by Woow ! It’s awesome !! 
This is my Remix (Long Version); Original : soundcloud.com Others songs of the final : 1) Kardinal Offishall – Heads Up 2) The Roots – Web 20_20 3) Hudson Mohawke & MF DOOM – Waldo’s Gift Peace & Dance.
Video Rating: 4 / 5
If, in my opinion, you want to see how to run a label in 2012, look no further than Project Mooncircle (PMC). It’s based out of Berlin and was originally an offshoot of HipHopVinyl Records – a store I wandered into one summer day in 2004 and left, several hours later, minus a quarter of my summer tour earnings. The label bills itself as “specializing in the conjunction between electronic and organic music.” I could expand on that a little by saying that PMC’s music falls somewhere in the gray intersection between instrumental hip-hop, soul, and jazz, with a particular focus on whatever the thing is called that’s hip-hop post-Dilla or post-Fly Lo. I’ll call it Future Beats until someone tells me better. Ed. I hear the comment button clicking already. -PK
In PMC’s releases, swung, tumbling, complex, tricky beats weave in and out of melodies and vocals in a sweet cascade of emotion. Their records are the kind I want to play for people who think hip-hop began and ended with Native Tongues, or believe the pinacle of musical creation happened between ’94 and ’96 in the era of Trip Hop. Although just saying PMC is the logical extension of those movements fails to convey how extremely “right now” their sound is.
Apart from just putting out good music, PMC warms my heart by executing its affairs brilliantly and thoroughly. They have incredible art (including multiple reoccurring illustrators). Their catalog only skips 3 numbers in 100 releases. A huge amount of the music is available for sale on their Bandcamp page, with a healthy number of free giveaways. PMC even has two sub-labels, Project Squared and Finest-Ego, the later of which has put together a series of stunning compilations. These are probably the best place in the world to hear interesting new production in hip-hop, and they are all organized by country, one of my favorite discrete units of any scene.
The crew behind the label is above, but as I found out in a recent conversation with Robert Koch of Robots Don’t Sleep and several PMC release, the whole project rests squarely on the shoulders of the label’s founder Gordon Geiseking. Koch painted a picture of Geiseking tirelessly sitting at his desk, working late, surrounded by boxes and boxes of HHV vinyl waiting to be sent off all over the world. It makes sense – there’s no way something like PMC could have reached the heights it has without an extremely dedicated personality at the helm.
PMC’s other catchphrase is: “… an interesting experience for anyone looking for the extraordinary.” Almost absurdly humble words from an entity that’s just celebrated their 100th release with a 10-year anniversary boxset compilation, pressed onto two white and two black pieces of vinyl. That release alone is 46 tracks long if you get the digital version, one track each from just about anyone who currently has something to do with the label. It’s a great starting point to check out their sound, but if you want to delve further, you can listen to nearly the whole catalog on their website. I’ve picked a few past and current favorites below, but really, let yourself stroll through their incredibly deep catalog to find your own favorite future beats from around the world.
Rumpistol and Red Baron – Floating
The next release forthcoming on the label, the veteran Danish producer Rumpistol of Rump Recordings teams up with fellow Dane Red Barron (currently living in LA) to create a haunting soundtrack of etherial broken pop. Snippets from the entire release can be heard above.
Long Arm – The Branches
After 4AM by Long Arm
“The Branches” is amazing organic future jazz that isn’t cheesy in the slightest, from Russian mastermind Long Arm. It’s like he was sitting there in a smoky jazz club in 1955 with a tape recorder running. The true inheritor of the mantle of DJ Cam and his ilk.
Flako – The Mesektet
Humming by fLako
Beat maestro Flako takes you on a playful stumbling journey through a forest of beats – this is a true beat tape, more simple sketches than fleshed out epics, but it works so well that it’s difficult to tear yourself away from it till the whole thing’s over.
Robot Koch and John Robinson: Robot Robinson
One of my favorite hip-hop albums in a long time – John Robinson not only has a totally unique voice and flow, but he’s a born storyteller, a craft sorely missed in today’s beat scene. Robot Koch is at his finest on production.
V/A: Finest Ego | Russian Beatmaker Compilation
Way Of Wind by Moa Pillar
My introduction to the incredibly fertile Russian beat scene, which is almost crushingly large and diverse – but fortunately this is the cream of the crop – 813, Moa Pillar, DZA, Pixelord, Damscray and a bunch of others are all here. Get familiar!
Asusu – Small Hours / Taurean
Taurean by Asusu
I had forgotten about this till just now, but Project Squared is home to some of the better recordings in the Future Garage world, with Asusu being one of my all time favorites in this sound. Hope to hear more from this offshoot of PMC in the future!
Ed.: I’d been following Project Mooncircle, too, particularly as they pop up around Berlin, though I think the whole label will have international appeal. Got favorite releases you’d like to add to Matt’s list? Let us know comments!
Kid Kameleon is a San Francisco-based DJ, promoter, writer, blogger, historian, archivist, and fan of electronic music. He joins us regularly for our “Created” series, doing whatever the digital equivalent of digging through crates is. (Nominees welcome for that term.)
http://kidkameleon.com
This is the standalone music video clip from the GarageBand Tennis with asakawaz. Last night, it was snowy in Tokyo. I recorded this video using with a portable iPhone projector. GarageBand Tennis #001 www.youtube.com GarageBand Tennis #002 www.youtube.com A railway platform sequence is from this series. High Speed Passing www.youtube.com
Video Rating: 4 / 5
Well, that happened. It’s a surreal episode that seems not to have any clear winners, as the US government on one side and hackers on the other face off over what is and isn’t freedom online. The mystery is, what will be the long-term outcome for people making content – or, for that matter, do these kinds of dramatics even really have any logic in your work at all?
While the music tech industry was holed away in the palm tree-lined walls of the Anaheim Convention Center, it seems full-blown war broke out over content on the Internet, in a surreal collision of players. Remember that bleak future painted by opponents of new US anti-piracy legislation, one in which your ability to upload your own content might get caught in the crossfire? It turns out it doesn’t necessarily require new laws, and it could look something like this:
MegaUpload file sharing site shut down for piracy by Feds [LA Times]
And then, in spectacular fashion, the hackers strike back…
Anonymous downs government, music industry sites in largest attack ever [RT]
It’s hard to imagine a more heated showdown. The US Department of Justice is behind the raid on MegaUpload, and just happened to time their crackdown the day after sites like Wikipedia blocked out content in protest of more restrictive rules in Congressional legislation, rules that claim to target just this kind of site. (MegaUpload was often named specifically, and – in fairness – had run rampant with pirated files.) But that’s almost not the oddest thing about this story: it places a site endorsed by a number of high-profile musicians opposite labels like Universal Music Group. And don’t forget reports that the CEO is using an alias and is married to Alicia Keys.
Now, clearly, MegaUpload was a venue for a significant amount of copyright infringement, and it’s inarguable that its owners benefited from that infringement. But artists themselves are already crying foul, partly because a service they used is unavailable. For instance, online radio station SOMA FM protests via Twitter:
“FBI shuts down megaupload .com, claiming no legit users. However lots of indie artists used it to send us (SomaFM) their new music.”
Show of hands. Are you now thinking:
1. I’m relieved! Now that the Federal government is cracking down on these sites, I can at last have the financial security as a musician of which I’ve always dreamed! Clearly, this will help drive more money into sales of music and other creative content, and we’ll all benefit!
2. Great. This will really mean is the next time I try to upload something, there will be all kind of annoying restrictions imposed voluntarily by services to avoid getting shuttered, all because people had to upload Adele albums. I’m just trying to send a darned demo.
3. Who was using MegaUpload, anyway?
Tally to follow.
In the meantime, these fireworks with Anonymous are sure entertaining to watch.
One alternative possibility occurs to me. Because it’s clearly possible to shut down MegaUpload without the benefit of damaging legislation, the MegaUpload closure actually makes an excellent case against the need for restrictive new laws. In other words, you can shut down an obvious infringer like MegaUpload, while leaving loads of other sites that support user content, and you didn’t have to change US law. So, even though Anonymous scored a dramatic protest, the raid itself might actually make a good case against new, tougher laws.
Downpressor, via Twitter, remarks “I’m not sorry to see sites like that go down.” And that’s the crux of this – a large number of parties actually do agree that some sites ought to go away through some sort of enforcement action. After the explosive saga here settles down, the upshot may be that this is left to enforcement mechanisms within the bounds of existing law, and not the kind of radical new laws recently proposed.
MegaUpload itself, though, may prove to be a bit divisive, because it will be seen through the eyes of some users who used it legitimately, even if those activities were a minority.
PLEASE READ! This track is out soon on a Dubstep compilation album under Future Follower Records. Release date TBC Subscribe to be the first to hear new tracks and find out about releases! Support me on facebook! www.facebook.com Twitter – @RogueMoosic Soundcloud – /RogueUK Support Future Follower Records for news on releases, and more cool new artists! www.facebook.com Artwork ‘My Broken Wing’ by PossibleDream – theblogpaper.co.uk
Awesome hand beat done with hands and body by the percussion group Mayumana. Enjoy this awesome hand beat! By Mayumana
Tyler the Creator killed it
Sum rare shit: www.youtube.com
Read the full story @ KVR Audio
This is the first of a series on technology crossover and what it means for some of the people who make musical instruments. It is relevant to the KVR community because there is a plug-in component to [Read More]
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