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4Pockets Aurora Sound Studio HD

Thursday, July 29th, 2010

The preview video for Aurora Sound Studio HD had certain team members compulsively checking the App Store for its release, for it promised a full production studio for the iPad. Not a DAW, mind you – no audio recording would be provided, for one thing – but an electronic studio with everything you need to compose and perform electronic music: drums, subtractive and waveshaping synthesisers, a sampler, mixer and effects, all tied to a multitouch grid interface resembling the iconic Yamaha Tenori-On.

Aurora HD delivers on its promise in spades, albeit with a couple of caveats. The interface is divided into tabbed pages, some of which are geared towards arranging your sequences, while others are aimed at live performance with instruments and effects. Sequences are arranged in 14 layers, each with a fully editable instrument assigned.

Each layer has three send knobs, for routing the signal to a trio of aux send channels, with a choice of nine effects for each. Additionally, you can apply the Atomizer and M-Gun functions in real time, the former being a sort of sample-and-hold function (think Ableton Live’s Beat Repeat), while the latter is a per-sound ‘drum roll’ function.

Songs can be exported as WAV and AAC files, or even as MIDI. The latter ensures that compositions sketched out on Aurora can be reworked using your DAW’s instruments and effects.

So what are those caveats we mentioned earlier? Well, the big one is that there’s no way to write any sort of velocity data to the individual layers. You can, however, fake it using the synthesiser’s built-in MSEQ function, but this is only available to the analogue synth.

Also, a mere three effects slots seems miserly, and there’s no compressor. In addition, while you can upload and share songs via an online Song Library, this can’t be done with songs that include your own samples.

Nevertheless, 4Pockets has brought in a winner, albeit one that carries a price tag considerably higher than those to which App Store customers are currently accustomed. The problems are few and do nothing to get in the way of what is a truly inspiring production environment. If you’re an iPad owner in the market for a portable production tool, you definitely won’t want to pass this one up.



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4Pockets Aurora Sound Studio HD

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iZotope Alloy

Friday, November 27th, 2009

The iZotope brand is synonymous with quality digital mastering, with the company’s Ozone 4 plug-in being one of the best finalisers we’ve ever come across. Many users also found Ozone to be a potent mixing tool, too, albeit a heavy-handed one.

With this in mind, iZotope have come up with Alloy, a dedicated Ozone-esque ‘channel strip’ that’s geared towards everyday mixing.

In detail

The first module is an eight-band EQ with spectral analyser overlay. Filter types available per band are: bell, high/low shelf, and high- and low-pass, in normal and steep varieties. Aside from the steep filters, the EQ is much like using Ozone’s EQ in Analog mode – it’s nothing special, but it’ll cover the majority of EQ tasks.

iZotope alloy

Next up is the Exciter, which is a dedicated saturation stage. You get Drive and Mix sliders, plus an X/Y pad with which to select a saturation style or blend thereof: smack in the centre is Tube, while going clockwise from top right we have Transistor, Tape, Warm and Bright.

The overall effect can be subtle (we particularly liked it on basslines), though you can push it into overdrive by using the module’s input slider. There’s a simple stereo Width slider, too.

Like the Transient and Dynamics sections, the Exciter can work in multiband mode, with up to three bands and adjustable crossover points. Thus, you can apply different saturation styles to each band, or drive the mid-range harder, etc.

Moving along, we come to the Transient module, which can independently process the attack and sustain levels in a signal. Adjusting the attack works quite well, but the sustain portion can sound artificial and ‘forced’ – the transition from attack to sustain can be too obvious. It’s more useful in multiband mode – eg, to reduce low-end sustain on a kick drum to cure any rumble, enhancing the upper mid-range snap of the snare, or accenting elements of mixed loops.

“Alloy is a dedicated Ozone-esque ‘channel strip’ that’s geared towards everyday mixing.”

Far more impressive are the Dynamics modules – there are two of them, each containing a gate/expander and compressor. With minimal settings on the former, you get upward expansion, which makes sounds below the threshold louder – higher settings tend towards gating.

Very fast attack and release times are possible (0.01ms and 1ms respectively), and you have a choice of Digital or Vintage styles, the former being just like Ozone’s compression, and the latter giving a more lively response.

Another option not in Ozone is Alloy’s Soft Knee mode – one thing we’re glad to see carried over is the RMS detection option, which is great for levelling signals without causing pumping (you can always catch errant peaks with the second Dynamics stage or Limiter). You can also run the stages in parallel, for parallel compression.

(3 pages; go to page: 2 3)



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iZotope Alloy

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The Lower Rhythm releases Equivibe 2

Monday, July 27th, 2009

27th July 2009: The Lower Rhythm has announced the release of its first premium plug-in release, Equivibe 2, which is a full stereo, two channel, multi-band ‘vibe’ style effect geared towards electric piano, strings,…

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The Lower Rhythm releases Equivibe 2

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