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Handmade Music, From 3D to Wires, on October 10 in NYC, Austin, or Your Workbench

Wednesday, October 6th, 2010

Handcrafted CD covers for records and mixes, meditative music made in game engines, handheld chip music creations, analog light synths and drone labs, VL-Tone classical music, and more surprises are coming to New York on Sunday, October 10. (Austin, Texas gets its own event, making noisemakers and ring modulators.)

We promise music you can dance to, music you can’t, and tapas (at least in NYC).

And on October 10, a little secret will finally be revealed to Manhattan and the world.

If you’re a citizen of The Internet, we’ve got lots of sounds and creations to explore here on The Web from the comfort of Your Home – scroll on below. There are even great projects you can build anywhere in the world.

For New Yorkers, the lineup on Sunday:

  • Immersive music made with game engines, featuring foci + loci (Tamara Yadao + Chris Burke) doing strange and wonderful things with the likes of Halo and Little Bit Planet.
  • Drone labs and analog light synths by master electronic sonic maker Peter Edwards, Casperelectronics.
  • Classical music on Casio VL-Tone in a cameo by the amazing Annabelle Cazes.
  • Chip music by PULSEWAVE, hosted by Peter Swimm.
  • Make + trade handmade CDs (see our separate article, posting tonight). Bring your music or Creative Commons-licensed / public domain mixes.
  • A surprise. Or more. At least one.

October 10, completely free
4pm, FREE workshop – RSVP | Facebook
7pm, party (Facebook)

Presented by CULTUREfix, our new favorite home on the Lower East Side, complete with fantastic tapas, drinks, and drool-worthy electronics

Location

Here’s a first look at the projects, starting with a live performance I’m told gives us a loose sense of foci + loci — hoping to see even more Sunday.

foci + loci – Front Room Gallery June 2010 from glomag on Vimeo.

Drone Lab V2

From Austin – Three Projects You Can Build

That’s right, you’re not from Texas? Texas wants you anyway. Even if you’re nowhere near the Lone Star State, here are three projects you can build/buy — and yes, we’ll need to compile a full guide to all these great projects.

If you are in Austin, Texas, don’t miss the event Sunday, October 10. (We’ll have to Skype from NYC to Austin!)

Handmade Music Austin #12

The projects…

Ring Modulator, Mickey Delp’s great-sounding project, also available as a US$45 kit ($75 assembled)

Ring Modulator
Original prototype with schematics

SimSam, an $8, beginner-friendly noisemaker (complete with specs, the lot).

PicoPaso, a Forrest Mims Atari Punk Synth-inspired stepped tone generator. Schematics + purchase info at Bleep Labs.

Visit link:
Handmade Music, From 3D to Wires, on October 10 in NYC, Austin, or Your Workbench

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Ready-to-Play, Tuned Beer Bottles, and Other Design Experiments with Sound

Friday, August 27th, 2010

From label to physical shape to the boxes they come in, these beer bottles have been reimagined for musical aims. Cheers! All images courtesy the artist, Matt Braun.

What if blowing tunes on beer bottles was raised to the level of musical science?

Through even the mundane medium of packaging, design can transform the everyday. DJ and designer Matt Braun of Philadelphia, collaborating with Chris Mufalli, use labels to tune the level of beer remaining in the bottle for musical results. Pitches are printed on the labels, allowing you to exactly match the liquid inside to a pitch you want, and join along with your fellow imbibers for a performance.

It’s not just a label that’s different. Ridges on the sides of the bottles make them double as Guiro-style percussion. The neck was adjusted for ergonomics. Even the wooden box becomes a tongue drum.

It’s all decidedly non-digital, group fun – Create Beer Music? (Actually, technically, they’re printing with digital tech, the quantization of liquid to discrete equal-tempered pitches is a digital process by definition, and you hold it with your fingers. So there.)

So far, this has been used in a microbrew, but the duo are looking for a partner. I’d love to have this at our next Handmade Music, if any of you are in the bottling business.

Tuned Pale Ale [2d3d5d.com - project site]
Found via the wonderful, whimsical design blog etre, maintained by a usability and design consultancy
Thanks to Johan Strandell / 40hz for the tip.

The Tuned Pale Ale are just one of a number of unique designs from Matt Braun, all emphasizing making the ephemeral world of sound more physical.


Matt’s site is a smörgåsbord of design concepts, many involving creative uses of lasercutters and 3D forms. There are “tuned gig buckets” for busking similar to the beer bottles, useful tools for DJs using 45s, and wooden drums made from digital images of the sounds of other drums, producing “generations” of instruments in which the sound of one gives form to the shape of another.

Two of my favorites are pictured here. Custom-made shirts use user-modifiable CAD illustrations to produce wearable art made from analysis of any sound file – below, Michael Jackson’s P.Y.T. becomes a pink tee. Another project in early development explores making skeletal three-dimensional forms from the structure of musical harmonies.

I look forward to seeing how these projects evolve; Matt’s looking for collaborators.

http://2d3d5d.com/

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Ready-to-Play, Tuned Beer Bottles, and Other Design Experiments with Sound

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Handmade Music NYC 8/29, 1979 Photo-theremin Workshop, Call for Works

Thursday, August 12th, 2010

Handmade Music returns August 29 to New York City – now in Manhattan at the new Culturefix space on the Lower East Side. Beginners, this is your chance to learn about electronics and sound making, with a newcomer-friendly workshop on making a photo-theremin – and yes, you’ll even learn to solder. (Like knitting, you’ll find it gets easy fast and can even be relaxing.) Entry fee includes all parts cost, and you leave with a fun creation.

If you have work you want to show or a performance to propose, be sure to see the call for works at the end of the post.

HANDMADE MUSIC
Culturefix, 9 Clinton St., New York, NY 10002
Sunday, August 29
Workshop 4-6p
Event 7-9:30p
Hosted by createdigitalmusic.com with Etsy.com, Make Magazine, and XLR8R Magazine

Equal parts science fair and music party, Handmade Music is a gathering at which musicians and the musi-curious explore new sound worlds. Assembled from the growing, global grassroots DIY scene, makers and hackers present new inventions and technology. Instead of just consuming, these are the people making the code, instruments, and noise-making contraptions that make the music. They’re building a musical future that’s open, creative, and hackable. Inventors bring their new creations for an open show-and-tell, join performances and jams, and make much noise.

4pm – 6pm
WORKSHOP: Make your own Photo-Theremin (Beginner-friendly!)
$10 (includes parts)
Never soldered before? Dozed off in Physics class when they were explaining electricity? Here’s your second chance. Create a noise-making two-transistor synthesizer of your very own, controlled by modulating light. Based on an original circuit by electronics legend Forrest M. Mims III, the man who de-mystified electronics in books for Radio Shack and others, and adapted by designer Eric Archer for Handmade Music Austin, this simple circuit is the perfect introduction to making sound with electricity. It’s quick to assemble, but lots of fun. Learn basic soldering, then make your own kit. And be sure to come back in the evening with your creation to join the world’s first known Photo-Theremin Chorus.

You must pre-register for this event.
Registrations close August 20! (Parts are being fabricated in advance!)
http://phototheremin.eventbrite.com/

7pm – 9:30 pm
HANDMADE MUSIC – Open Party
FREE

Meet and mingle with inventors, musicians, and artists. Discover chip and mobile music played live wirelessly at the bar by New York’s Pulsewave community. Hear music and sound made with free software on Android mobile phones. Check out open sound inventions in the gallery and surprise performances hosted by createdigitalmusic.com, DIY musical crafts from Etsy.com, the latest inventions and kits from Make Magazine, and a world-exclusive debut performance of a new, hackable synthesizer called the MeeBlip.

Special guest: Drone Lab creator and renowned synth designer, artist, circuit bender, and musician Pete Edwards of Casperelectronics

Full lineup will be announced, but unplanned guests tend to appear.

View Larger Map

http://handmademusic.noisepages.com/

Call for Works

We’ve already got some work coming in for this installment, but we’d love people to share more. Handmade Music is a chance to share what you’re doing with like-minded artists and creators, and to exchange knowledge and skills. Projects are welcome at all levels of completion.

If you can’t make this event but want to be considered for future events, fill out the form

Please note: this is a free, shared, community event; we’re not offering compensation at this time.

Call for Works Form [Google Docs link]

Also embedded below…

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Handmade Music NYC 8/29, 1979 Photo-theremin Workshop, Call for Works

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Free How-to on Circuit-Bending the Saw Vocal Recorder; Handmade Music Austin Sunday

Monday, August 2nd, 2010

“Your kids will love this Saw figure.” So, too, must have been the calculation of the person who decided to immortalize the film Saw with little toys and figures containing 30 seconds of voice recording, because this toy is now available in quantity for — wait for it — US$2. A $2, 30-second sampler? Now that’s a bend waiting to happen.

Circuit bending blog GetLoFi in 2008 posted a detailed set of instructions for bending the SAW III sampler. Download the full PDF, and you can make one yourself, using the $2 part from All Electronics.

In the spirit of getting everyone in on the noise-making fun, our friends who organize Handmade Music Austin are making this bend the basis of their August event. As usual, you’ll also get a happy Sunday full of learning, making, sharing, and sounds. Details on the Handmade Music blog, if you’re in the Austin area:
Austin #10

What I love about this workshop is that it’s something a lot of people could do. I’m working on assembling a set of projects for beginners so that, if you are planning an event in your neck of the woods, you have an ample set of supplies. Ideas? Requests? Let us know in comments.

New York, we’ll be back on August 29; I’ll have some details later this week.

Continue reading here:
Free How-to on Circuit-Bending the Saw Vocal Recorder; Handmade Music Austin Sunday

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Tupperware Music, Guitar Robots, Polyphonic Makerbot – Handmade Music LA Tonight

Friday, June 25th, 2010

dromama from Altitude Sickness on Vimeo.

Wherever you are in the world, here’s some geeky inspiration to kick off this summer weekend. And if you’re in the Los Angeles area, you should absolutely, positively be on Venice Boulevard tonight at 8pm at hacker venue CRASH Space for Handmade Music, gone LA.

In the lineup: circuit bent toys, robotic guitars, MakerBots, monomes, and microcontroller synths, with Altitude Sickness, Ian Hattwick, The Sweaty Caps, Theron Trowbridge, and Vince Wong.

It’s free at 8 pm, but if you can donate the recommended $10, you can help CRASH Space become a not-for-profit.

Full details at handmademusic.noisepages

Here’s a look at what these crazy California kids are up to. At top, Altitude Sickness is known for his Tupperware-housed creations. Check the Vimeo page for that video to grab MIDI remote scripts for Ableton Live plus Max patches for nanoKONTROL, monome, and more. Inspired by a previous post here on CDM, he assembled a bunch of custom controls for live performance and then uploaded the results for anyone to enjoy. But Altitude Sickness isn’t the only guest star tonight…

The Makerbot, the homebrewed, open source, 3D fabrication / CNC product, has been making music for some time. Above: a stirring rendition of “Still Alive” by Jonathan Coulton. But Crash SPACE have not one, but three Makerbots, leading to the first (that I know of) Makerbot ensemble. And they’ve got some extra MIDI code running between them.

Result: extra polyphony.

Lastly, Ian Hattwick’s Guitamaton, inspired by African rhythmic modality, turns the guitar into a robotically-controlled percussion instrument. Ian describes it thusly:

Guitamaton is a computer controlled musical instrument which explores the percussive and resonant qualities of the acoustic guitar. It melds the precision of microprocessor control with the unpredictability of vibrating metal and wood, and brings an added level of embodiment to computer based music by placing the sound creation process firmly in the physical world.

Enjoy these videos and links, and anyone who is in LA and makes it, be sure to send us any documentation you capture. (I’ll be in NYC, perhaps watching your Dodgers play the Yankees.)

Updated: There’s also the Xylovan, which is exactly as awesome as it sounds. California, always innovating in the vehicle department.

Facebook event page/RSVP

The rest is here:
Tupperware Music, Guitar Robots, Polyphonic Makerbot – Handmade Music LA Tonight

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Attention, Newcomers: Theremin Explained in 3 Minutes

Thursday, May 20th, 2010

We know you’re out there: somehow, you haven’t heard the gospel of the Theremin, the first great electronic instrument of the 20th Century. Our friend Yaniv Fituci, associate producer for G4 TV, takes on the topic and some condenses it into the space of about three minutes, through the magic of lots of jump cuts. (It’s called MTV-style-editing, and I hear these kids love this MTV thing. It’ll be huge!)

It’s actually a pretty darned good explanation, and features the innards of a Moog Theremin kit getting replaced with an Altoids tin. The choice of the Moog kit, while pricey, is spot on: I’ve seen some disastrous and frustrating results with some of the other kits out there, not to mention the Moog model looks and feels utterly gorgeous when it’s done. Bonus points for celebrity cameos by our boys Bre Pettis and (Handmade Music co-organizer) Collin Cunningham.

If you’ve been looking for a three-minute video you can use to help explain to the uninitiated what a Theremin is and how it works, it’s worth a try. Comments welcome.

It’s #&*%ing Science! The Science Behind Theremins

Read more:
Attention, Newcomers: Theremin Explained in 3 Minutes

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Turntable-Based, Kinetic Sound Sculptures and Instruments

Thursday, April 8th, 2010

Works For Turntable from Stephen Cornford on Vimeo.

Digital sound, and electronic sound in general, can become abstract. In fact, sound itself can be abstract. So there’s something beautiful about rendering sound as something kinetic, mechanical, and physical. Watch the hypnotic works by Stephen Cornford, top; as the video progresses, the pieces deepen in subtlety. (Thanks to Richard Devine for spotting this one.)

Cornford isn’t the only artist finding new sonic frontiers in the turntable. From a recent event in San Francisco sponsored by our friends at MAKE Magazine, artist Walter Kitundu talks about his own fascination with the turntable and other sonic projects.

Exploratorium multimedia artist, instrument builder, and birder extraordinaire Walter Kitundu talks about his work: he shares the staggering breadth of his work, ranging from a multitude of turntable-based instruments to shadow paintings, and to finish gives a premiere performance on his brand new instruments, a digital kora.

That’s just one video at an event that also included digital music software artist Ge Wang and acoustic instrument maker Krys Bobrowski. Youngsters at the event also got to solder contact mics and go experiment in the space – a nice idea, and one I hope we exploit for an upcoming Handmade Music Night (here in NYC, but elsewhere, too). I have my own preferred quick-and-dirty Radio Shack contact mic procedure, but if anyone has other ideas, pipe up.

Well worth checking out the whole event – and nice that they shot high-quality video.
Open MAKE at the Exploratorium: Exploring sound

Meet the Makers: Walter Kitundu from Learning Studio on Vimeo.

Link:
Turntable-Based, Kinetic Sound Sculptures and Instruments

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Tell Us Your Musical Technological Dreams, Get A Chance to See Them Realized

Thursday, March 25th, 2010

Ready for some blue-sky, 35,000-foot-altitude thinking? Photo (CC-BY-ND Andres Rueda.

Want a flying car? Dream of the flying car. Build the flying car.

A competition I’m hosting with Digitópia, the musical-technological community of Porto, Portugal, extends to readers worldwide a challenge to dream up the digital musical instrument/interface/creation you want. Got something practical you wish could be built? Got something impractical and bizarre? Either way, articulate it in the best way you can — images, words, videos, mock-ups, stop motion animation, beat poetry, whatever you think is best — and send it in. We’ll share the most interesting entries, and pick one that the folks at Digitópia will actually build. (So, if it is unfeasible, we’ll have to find one that at least can be made feasible.)

I hope it’s just the beginning of this kind of big-picture thinking in digital music.

Here’s organizer Rui Penha on the concept behind the call for entries:

Digitópia = Digital Utopia. We strongly believe in the power of communities, of open source endeavors, of sharing and spreading inspiring ideas, either simple or utterly crazy ones. Our goal is to empower the individual with means to achieve a more fulfilling, rewarding and personal musical expression, regardless of his or her experience and motivation. New interfaces and instruments can overcome the steep technique obstacles of some old ones and create new musical languages and thus we want to make them available to everyone. We want to help you build your idea and, together, we’ll share it with the whole world!

We want your ideas, but you have to act fast. The deadline is this Saturday, midnight GMT, April 3.

Submit ideas via email to competitions@digitopia-cdm.net, using whatever medium of illustration you wish. Works will be judged on innovation, originality, feasibility and inclusive potential. If you win, you get your instrument, built for you.

http://digitopia-cdm.net/competitions/

Full rules after the break / bottom of this post.

By the way, if you’re near Porto, Portugal, there’s a Handmade Music event this Saturday 3/27! Go, take videos, photos, enjoy! Details:

In Portugal, Now

Por favor divulgue. Obrigado! / Please spread. Thank you! (english version below)

A quarta edição da Handmade Music Porto terá lugar já no próximo sábado, dia 27 de Março, na Digitópia: uma festa que junta um mostra&conta a uma jam session com instrumentos únicos. De hardware a software feito em casa até circuit bending, kits personalizados ou instrumentos acústicos originais, todos estão convidados a aparecer na Casa da Música pelas 21h30 para montagem de instrumentos. Estarão disponíveis algumas mesas e tomadas, contudo os canais de amplificação serão muito limitados, pelo que será melhor vir prevenido. Pelas 22h abrimos o evento ao público geral – a entrada é livre e recomenda-se -, ocupando a Digitópia e a zona do bar do Foyer Sul. Contamos convosco!

Teremos dois convidados muito especiais: Rolf Gehlhaar e Luís Girão, que trarão alguns dos instrumentos criados para o projecto “instruments 4 everyone”, no âmbito do Festival Ao Alcance de Todos, edições de 2009 e 2010, que agora começa.

Rolf Gehlhaar – http://www.gehlhaar.org/

Luís Girão – http://www.artshare.com.pt/

——

The fourth Handmade Music Porto, a party + show&tell + jam session with unique instruments, will take place at Digitópia next saturday, March 27th. From handmade hardware or software all the way to circuit bending, customized kits or original acoustic instruments, everyone is welcome at Casa da Música around 9:30pm for assembling the instruments. We’ll provide some tables and power sockets, but only a few channels for amplification, so it is advisable not to rely on them. At 10pm we’ll open the doors – admission is free and we’ll have a bar! See you there!

We’ll have two very special guests: Rolf Gehlhaar and Luís Girão, who will bring some of the instruments made for the “instruments 4 everyone” project, part of the Ao Alcance de Todos festival in 2009 and 2010, starting this week.

Rolf Gehlhaar – http://www.gehlhaar.org/

Luís Girão – http://www.artshare.com.pt/

——

You may view the latest post at
http://digitopia-cdm.net/2010/03/handmade-music-digitopia-2703/

Entering the Competition (worldwide)

Rules (PDF download):

RULES · Digitópia Dreams Competition · Digitópia 2010
1 ·
WORKS
1.1 · Entrants shall submit an idea for their dream instrument, interface or software.
1.2 · Only original and yet to be materialized ideas will be admissible.
1.2 · The winning entries shall be developed under a Creative Commons license – http://creativecommons.org/about/licenses .
2 · SUBMISSION
2.1 · Works shall be submitted by email to the address competitions@digitopia-cdm.net , with the contact information of the
applicant – full name, nationality, date of birth, email address – on the email body.
2.2 · Each applicant is free to choose the best way (text, schemes, videos, etc.) to present his or her idea.
2.2 · The closing date for entries is 03/04/2010, at 23:59 GMT.
2.3 · All successful submissions will receive an auto-reply by email.
2.4 · Each applicants may submit up to three ideas.
3 ·
JURY
3.1 · The jury will be comprised of Peter Kirn (president), Paulo Maria Rodrigues and Rui Penha.
3.2 · Judging will be based on each submission’s innovation, originality, feasibility and inclusive potential.
3.3 · The jury will announce its decision on 02/06/2010, through Digitópia’s website – http://digitopia-cdm.net .
3.4 · The jury may decide that none of the works submitted merit selection.
3.5 · The jury’s decision shall be final.
4 ·
PRIZE
4.1 · The winning applicant will be invited to collaborate with Casa da Música and Digitópia’s team on the development of his or her
project.
4.2 · At least two copies of the project will be built, one for the applicant and other for Casa da Música.
4.3 · The complete process will be documented and shared under a Creative Commons license – http://creativecommons.org/
about/licenses attributed to the applicant.

Good luck! I look forward to the results.

Continued here:
Tell Us Your Musical Technological Dreams, Get A Chance to See Them Realized

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Austin + SxSW Handmade Music, New Kit, Super Show of Music

Friday, March 19th, 2010

Austin is whirling with South by Southwest excitement, so why not make some swirly radio noises?

Yes, Handmade Music Austin does have a big blowout party in the midst of South by, with a huge music lineup. Wish I could be there, gang, but I’ll be staying here in NYC.

On the docket:

FREE performances starting at noon by Florene, The Hearts & the Minds, WHITE, The Loud Objects, Bodytronix

$10 for a workshop

Registration and details:
Handmade Music Austin #6 Super Show + update

Eric Archer writes:

I’m rolling out a new kit for HMA#6. Its called Tune In Tokyo and makes swirly noises like tuning an old fashioned short wave radio. Its just a cartoonish version of the real thing, but when I hear it I think OLD RADIO!! As some of the boys have pointed out, there was an .. um .. playground game by the same name, which is explained fully in urbandictionary for the curious. That’s Mt. Fuji on the board art.

The circuit has three square wave oscillators made from a 4584 (same as 40106), and an LFO. The LFO sweeps the frequency of a fourth oscillator made with 74HC4046. These frequencies drive the inputs of a 74HC594 shift register. Its outputs are sent thru a network of specially weighted resistors, which are designed to convert 1’s and 0’s into a sine wave. This digital sinewave generator recipe is an interesting shortcut to sine wave generation and I’ve only seen it in Don Lancaster’s CMOS cookbook (1977). The opamp at the end of the resistor net is just there as a buffer. This circuit gets its sound by abusing the properties of the digital sine wave generator via decimation and aliasing effects.

This is only one of the kits we’ll teach at HMA6; we decided to create a free-for-all where folks can select from a menu of kits and seat themselves at a table where others are building the same kit. We’ll also be offering the Autonomous Bassline, Nebulophone, and some of our beginner kits as well. Should be crazy enough to fit with the SXSW insanity that pervades Austin this time of year!

If you make it and record some of the action, do share!

This board makes swirly whirly noises.

See more here:
Austin + SxSW Handmade Music, New Kit, Super Show of Music

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OSC Files: Play That Funky Music, Hexagons

Monday, March 15th, 2010

Didgeridoo from bar|none on Vimeo.

You can’t quite dance to it, but bar|none has a beautifully-shot video of a strange, invented instrument constructed with some of the technologies we saw last week. As noted then, new support for OSC in the powerful Kyma sound system means the ability to control imagined instruments in more sophisticated, higher-resolution ways. Just days later, bar|none responded to my post with one of his first experiments. It’s just the beginning of his work, so judge it accordingly – think of the first emanations of a newly-created musical instrument – but it’s a reminder that far-out ideas are possible when you combine custom soundmakers with expressive control.

The controller is Jeff Snyder’s Manta, a touch-sensitive controller with velocity sensitivity and a 6

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