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Puremagnetik review Pt.1: Hackshop, Bender, Drums

Wednesday, August 4th, 2010

Puremagnetik is a company that aims to harness the power of Ableton Live’s elaborate system of audio and instrument routing. With their current lineup of products (mostly sample libraries, but they just entered the MaxforLive field too), the company serves up Live Packs that range from solid basics all the way through to elaborate sonic experiments.
In this first installment of two articles, I will cover recent subscriber download HackShop, the company’s Drum and Percussion Bundle, and legacy MicroPak, Bender.

HackShop
HackShop is a selection of distorted, modulated, and beautifully grimy sampled instruments. The package includes 2 basses, 2 pads, and 4 percussion presets for Drum Rack. Each of the included Instrument Rack presets make good use of Live’s internal plug-ins and routing options. Puremagnetik has also conveniently set up macros for controlling the “go to” parameters for each preset. Sonically, these patches are covered in distortion, modulation, and filtering. The result is a fuzzed-out, mechanized kind of sound suitable for glitch, industrial, and aggro tech music styles.
The samples involved are supplied by a circuit bender called The Violent Scar. Living up to his name, this collection serves up a selection of sinisterly modded Barbie karaoke machines, a defiled toy guitar, a home built optical theremin, and a modified Yamaha DD 50 drum machine. The collection of instruments leans toward the dark and foreboding for certain.
HackShop also includes over 100 percussive loops that are equally as mangled as the included instruments. The collection of Live Clips offers everything from mutated, evolving abstract percussion to alien sound excursions.
Perhaps the most impressive part of this Pack are the percussion patches for Drum Rack. Each of the kits is chock full of bleeps, squeals, and mechanical bangs. Best of all, most of the kits have enough samples to cover most of your keyboard, which gives the user plenty of options for creating their own twisted rhythms.
If distorted, circuit bent, machine sounds inspire you and you are an Ableton Live 8 user, then you can’t go wrong with HackShop.

Drum and Percussion Bundle
Puremagnetik’s Drum and Percussion Bundle is a collection of Drum Rack instruments for Live. The Micropaks include Trap Kit, Purple Kit, Digital Beatboxes, Analog Drums, and B System: Percussives. The sounds included cover the gamut of sampled drums with everything from multi-sampled acoustic kits, to classic digital drum machine patches, and modular synthesis mayhem straight from a powerful (and pricey) Buchla system.

In checking out the drum sounds, I kept finding myself inspired. A Digital Beatboxes kit called “Tighty” inspired the first demo, while a patch from Analog Drums called “Electrostatic Kit Basic” ignited the second demo (see below). Moving through the patches, I found the selection of electronic drum sounds impressive. The included electronic sounds are void of the typical 808, 909, SR78, and “pop kit” type drum sounds and instead provide effect laden, yet useful analog and digital drum patches.

Also, on the electronic side of this bundle, is B System: Percussives. This collection is sampled from a Buchla modular and is truly a remarkable collection of synth percussion sounds. The routing options of a Buchla are vast, and Puremagnetik has made great use of the Buchla’s unique sound in these patches for Drum Rack.

The sampled acoustic kits included in the Drum and Percussion Bundle are Trap Kit (a vintage, style Ludwig Set) and Purple Kit (a highly customized modern set). Diving right into Trap Kit I found the samples to be cleanly recorded. At the heart of Trap Kit is the kick, and it has a nice distinct, vintage “thud” to it. The snare is warm and lacking in modern “snap,” which makes it a sure fit for “vintage” styles of music. The toms have the unmistakable retro vibe one would expect from a 60s Ludwig kit. On the downside the crash sounds a bit brittle; however, the included crash ride does offer a bit more in the way of complex, life-like overtones. The hi hats have a good character, with a nice, complex overall sound.
Moving on to Purple Kit, I found it to be a high quality kit, with numerous presets offering the choice of stick, rod, or brush hits. These multi-stick patches work in as a Drum Rack with samples loaded in Ableton’s powerful Sampler instrument.
While these patches sound great, and offer the flexibility to change stick sounds on the fly, I found them to be pretty resource heavy – spiking up to 45% CPU usage on my 2Ghz Core 2 Duo – of course more modern processors should fair better.
Thankfully, Puremagnetik has also included a separate folder of Drum Racks linked to Simpler, which are much more resource friendly. The sound of Purple Kit is aimed at hip hop and R & B genres as it contains no toms whatsoever. There are individual dampened and open kicks, a 14” and 10” snare, Zildjian hats and ride, and a Paiste crash. Overall the sounds are punchy, with a slight hint of woody depth to the primary snare. The dampened kick has the quintessential R & B bump, while the open kick suits hip hop ideally. Aside from a slightly artifact resonant “zing,” the auxiliary 10” snare adds versatility to the kit. In addition to hip hop/R & B I could hear these sample making their way into other genres; however, it is worth noting that Purple Kit’s lack of toms and cymbal options would not work for modern rock/metal productions at all.
Overall, Purple Kit is a well recorded, well organized, and genuinely good sounding kit aimed at urban music styles.

Bender
Another Puremagnetik offering that seems to have origins on the Island of Misfit Toys is Bender. Bender is an Ableton Live Pack made out modified toys. While most of the sounds are seriously gritty percussion, there are a couple of keyboard instruments. My favorite of these is a patch called “Alphabet,” that is apparently ripped from a toy known as the Coleco Talking Teacher. This particular patch can be heard in Sound Demo 1. The included percussion in bender is just what you would imagine: toy sounds which have been bit crushed, over driven, and filtered in sonically perverse ways. Although the applicability of the included sounds is somewhat limited, Bender is certainly a good compliment to your Ableton sound palette.

Conclusion
The sounds I sampled in writing this article are fresh, original, and affordable. Given the myriad of sound manipulation possibilities in Ableton Live, it is important to remember that these Live Packs are sonic fuel for Live’s elaborate routing system – the real tweaking begins when you get them installed. The sounds are cleanly recorded, intelligently organized, and feature convenient macros for useful parameters. Puremagnetik’s extensive catalog has something for everyone, including those who use Kontakt or Apple Logic, for which the company offers alternate versions of most of their products.
In Part Two, I will take a look at current subscriber downloads, Artifact and Phazeform Volume 2, so look for a follow up later in the month.

Price
Puremagnetik provides their products as both a-la-carte downloads and as a subscription service. Price points for individual downloads are $12 (USD). Puremagnetik offers monthly subscriptions which allow users to download current MicroPaks for $5.75 (USD) per month. There is also a Yearly subscription valued at $60 (USD), as well as the best value, $198 (USD) for the All Access Pass. The Puremagnetik site is updated monthly with a new MicroPak, and boasts an impressive lineup of back catalog MicroPaks and Bundles.

…from solid basics all the way through to elaborate sonic experiments…

Product page

Pros

  • Wide selection of sounds, very original content
  • Accessible pricing

Love It or Hate It

  • Puremagnetik has so much to choose from, I could only imagine that there is something available that would inspire musicians and producers across many genres.

Cons

  • Pricing structure, while reasonable, is a little confusing
  • Some Ableton MicroPaks only run on Live 8 and higher

by Daniel T. Spear
Daniel T. Spear is a musician, writer, and engineer from Georgia. His website can be found here.

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Puremagnetik review Pt.1: Hackshop, Bender, Drums

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Beatstation review

Friday, July 9th, 2010

Beatstation is the latest software-instrument from the sampling pioneers at Toontrack. This new product expands the company’s lineup of straightforward drum romplers, adding to the fold innovative user sampling functions as well as bass and lead instruments.
Beatstation is a cross-platform standalone application and RTAS plug-in for Mac and Windows, as well as an AU(OSX) or VST (Windows) instrument. The package includes a 1.3 GB library of sounds, grooves, and patches.

First Impressions

Immediately, it struck me that Beatstation is so easy to use that there is practically no learning curve for anyone already familiar with any other “one shot” sampler. The display features a contextual browser panel on the left and a series of pad-style sample slots on the right. The pad layout is customizable and can be shown as a grid of rows and columns. The GUI also features a simple transport and effects level control knobs.
Beatstation includes a library of sounds – from lo-fi bit-reduced samples to pristine acoustic hits.
Also included are bass and lead instruments – from sampled electric basses to synthesizer arpeggios. I started my experimenting by pulling up an instrument set called “Drive.” I then pressed the play button on the transport, and was greeted with a hybrid/electro groove featuring acoustic drums, bass guitar, and synth lead.
Reaching for the sample pads, I found it easy to browse and audition different sounds across the kit, simply by dragging samples from the browser right onto a pad. The default pad behavior layers all samples on a given pad. In any pad with multiple samples loaded, the effect and filtering parameters of each sample can be independently adjusted.
Right-clicking on a pad brings up the Pad Properties window for that particular sample. Here, I found it easy to tweak and stack sounds. In this view, the user is presented with familiar volume, mute, and solo controls. There are also two master effect sends that can be routed to a variety of dynamic, modulation, distortion, and filter effects. Each sample loaded into a pad has independently adjustable ADSR, trim, pan, and reverse controls. This feature allowed me to create some really interesting layered sounds – a Ludwig kick’s attack rolling into the decay of a synthesized kick, for example. Pads can also load external wave, mp3, and REX files via drag and drop.

Core Content and Expandability

Beatstation is much more than a drum sampler. There are integrated bass and lead instruments covering a wide range of sounds and styles. The sounds are remarkably good and useful, with everything from nicely detailed electric bass to Nintendo chip lo-fi aural experiments. I was impressed that these sampled instruments have tweak-able parameters just like the drum pads. The instruments, together with MIDI grooves, are organized into the browser pane in an intuitive manner that lets you start from a preset ensemble of Drum, Bass, and Lead sounds or mix-and-match your own palette of sound.
Beatstation’s Core Content is expandable with Toontrack’s existing EZX and SDX libraries. This means that user’s of Ezdrummer and Superior Drummer will now get the sought-after ability to mix kit pieces from different expansion libraries as they like. According to the Toontrack site, the company will soon roll out BDX expansion libraries specifically for Beatstation.

Built-in Sampler

Perhaps the most fresh idea in Beatstation is the built-in sample recorder. Designed to capture live sounds from your computer mic, this feature really sets Beatstation apart from the rest of the drum sampler pack. Around my studio, I have a nice, padded piano bench I’ve always thought had a nice “thud” when inadvertently struck, so I thought I would see how it would do in place of a hand clap. Miked with a condenser, it was easy for me to simply click “Show Sample Recorder” in Beatstation and start recording. The sample window allowed me to cut the sample down to the precise length of the hit. I then loaded that sample by simply dragging the waveform onto a Hand Clap pad. The process of tracking an external sound and integrating it into a kit could not be easier. These samples work just like those included from Toontrack, with the same FX routing and ADSR filtering options per sample.

Note: the built-in sampler is only available using Beatstation as standalone. Using it in your DAW as plug-in, you need to drag and drop audio files from other tracks into Beatstation’s window.

Performance

Beatstation runs like a charm on my 2 GHz Lenovo laptop. The standalone plays nicely with my ASIO sound card while the VST plug-in runs well under Reaper. One notable inconvenience is the lack of multiple outputs from the VST. This means that creating stemmed tracks with individual kick, snares, overheads, toms, leads, and basses is not currently an option. I certainly hope to see this feature in a future update.
Also, it is worth mentioning that while I found Beatstation simple and intuitive to use, the user manual is virtually non-existent. Though I’ve been using computer drum samplers since their inception, I could easily see novices needing a bit more instruction than what is provided by the two page quick-start guide included with the program. There is, however, a selectable “Tool Tips” option which does help the user identify useful features. Still, all things considered, I cannot stress enough how simple Beatstation is to use.

Conclusion

Beatstation is a fresh, innovative piece of software that is both fun to use and powerful. Its sampling ability is robust yet easy to grasp. The included sounds are useful, plentiful and better yet, expandable. The clean user interface is intuitive and skin-able. The bass and lead instruments are high quality and tweak-able. While other similar applications seem to tackle one specific clientele, I can see Beatstation as being useful for styles ranging from hip hop to heavy metal, and everything in between.
At a value of $129 (USD), Beatstation succeeds at bringing to the table all the features of its’ competitors and then some – for less money. I would love to see an update bring multi-out VST compatibility as well as a more detailed manual. Even as is, Beatstation is immediately useful for both novices and professionals alike, right out of the box. Toontrack also deserves credit for seamlessly integrating real-time sample capture and for answering user desire to mix-and-match kit pieces from existing libraries and external samples.

Price
Beatstation is $129 (USD) for either the download or boxed versions. The program can be purchased directly from Toontrack.

….immediately useful for both novices and professionals

Product page

Pros

  • Powerful and easy to use
  • Integrated (and fun) sample recording
  • Useful sound content included
  • Fairly priced

Love It or Hate It

  • Beatstation is unquestionably good at what it does. As long as you can live (for now) without multiple outs, it’s well worth the price.

Cons

  • No multi-output
  • Needs a proper manual
  • Some of the fx sound a bit too “digitally” harsh
  • Built-in sampler not available using the plug-in
  • Some effects parameters hidden, not user editable

by Daniel T. Spear
Daniel T. Spear is a musician, writer, and engineer from Georgia. His website can be found here.

Original post:
Beatstation review

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Beat Maker Software | Basics For The Amateur Beat Maker

Thursday, May 27th, 2010

www.OnlyGoodGuide.com — Basics For The Amateur Beat Maker Beat making is about passion. If you don’t have the determination and love for the profession then you will struggle to make anything significant. In most cases beat makers teach others to be beat makers. You will definitely need a good role model who is an established beat maker in your area. Such a mentor will teach you the first tricks of how to make beats as well as introduce you to the best software on the market. After you have a mentor you should get your own beat making software. Make a choice depending on what you’re comfortable with. Master the software you choose and be the king in your area. Beat making software aren’t enough. You must invest in real equipment. This means buying a guitar or even a keyboard. This equipment will make your music different and more appealing since it’s original analogue. The other good thing about getting equipment is that you will be diverse in your live music performances. Once you have all the above in place the next step is to make simple beats. Complicated beats are naturally hard to make if you’re still learning. Moreover complicated beats can demotivate you because they take longer to make. The moment you start making decent beats start inviting musicians to record on your beats. The best way to start is by distributing free copies instead of trying to sell them. This exposure will give you a sense of achievement that will boost your confidence even more. To learn

http://www.youtube.com/v/sieJBEtY2Dg?f=videos&app=youtube_gdata

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Beat Maker Software | Basics For The Amateur Beat Maker

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Beat Maker Software | Basics For The Amateur Beat Maker

Thursday, May 27th, 2010

www.OnlyGoodGuide.com — Basics For The Amateur Beat Maker Beat making is about passion. If you don’t have the determination and love for the profession then you will struggle to make anything significant. In most cases beat makers teach others to be beat makers. You will definitely need a good role model who is an established beat maker in your area. Such a mentor will teach you the first tricks of how to make beats as well as introduce you to the best software on the market. After you have a mentor you should get your own beat making software. Make a choice depending on what you’re comfortable with. Master the software you choose and be the king in your area. Beat making software aren’t enough. You must invest in real equipment. This means buying a guitar or even a keyboard. This equipment will make your music different and more appealing since it’s original analogue. The other good thing about getting equipment is that you will be diverse in your live music performances. Once you have all the above in place the next step is to make simple beats. Complicated beats are naturally hard to make if you’re still learning. Moreover complicated beats can demotivate you because they take longer to make. The moment you start making decent beats start inviting musicians to record on your beats. The best way to start is by distributing free copies instead of trying to sell them. This exposure will give you a sense of achievement that will boost your confidence even more. To learn

http://www.youtube.com/v/sieJBEtY2Dg?f=videos&app=youtube_gdata

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Beat Maker Software | Basics For The Amateur Beat Maker

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Beat Making Video 3 – The CrateZ (Dayweed & VaNs BeaTs) Making A Beat In Logic With The Mpk 88

Saturday, February 20th, 2010

Dayweed Beats & vans beats (The cratez) making a beat in Logic with the MPK 88.. Check out www.thecratez.com for beats and free mixtapes. Shoutouts to our third member MDOTDASUPA!

http://www.youtube.com/v/2OCOTFMNtbI?f=videos&app=youtube_gdata

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Beat Making Video 3 – The CrateZ (Dayweed & VaNs BeaTs) Making A Beat In Logic With The Mpk 88

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VaNs BeaTs Making A Beat In Logic – Beat Making Video No. 2

Thursday, February 18th, 2010

vans beats making a beat in Logic. Visit www.vansbeats.com to purchase beats. Equipment used MPD18, M-Audio Keyrig 49, Yamaha hs50ms, Bayerdynamic DT Pro 770s..Some plugins…

http://www.youtube.com/v/YQC75FER4Is?f=videos&app=youtube_gdata

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VaNs BeaTs Making A Beat In Logic – Beat Making Video No. 2

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Magix Samplitude 11 Pro

Tuesday, February 16th, 2010

Samplitude is no newcomer to the great DAW race, having begun life in the early ’90s as a sample editor for the good old Commodore Amiga. Its modern incarnation is a full-on DAW, offering recording, editing and playback of audio and MIDI; virtual instruments and effects; numerous graphic analysers; and much more.

We’re looking at the Pro version here, which includes such extras as the Analog Modeling Suite, Vandal amp sim and Revolver tracks.

What’s new?

Samplitude’s plug-ins have dramatically swelled in number, so let’s take a look at what’s new. The crash-happy Independence LE ROMpler from v10 is out, thank goodness, but the same workstation-style sounds are here in the Vita player, which we’ve seen before in Magix Music Maker. Vita is easy to use, offering controls for amplitude and filter envelopes, easy delay and reverb, etc. There’s no multi-out, though, limiting the use of the drum kits.

Samplitude has new ‘Synth Objects’, which are clips that also contain the instrument itself. There are four instruments here and, again, we’ve seen them before in Music Maker.

Not impressing us much are the cheap and nasty LiViD virtual drummer and the cheesy Drum & Bass ‘beats ‘n’ basslines’ module that looks like a ’90s eJay escapee. The Atmos ‘atmosphere generator’ is also present, complete with the hilarious hip hop mode, with its Gunfight parameter! Unsurprisingly, these Mickey Mouse efforts seem rather out of place in Samplitude.

“Workstation-style sounds are here in the Vita player, which we’ve seen before in Magix Music Maker.”

BeatBox 2 is the fourth Synth Object instrument and is far more agreeable. It’s a step-sequencing drum machine with shuffle, 14 effects, and neat automation lanes. Each of its 16 slots can trigger a sample, a synthesised drum or a mix thereof. There are three types of synthesis and some terrific noises can be had.

Sadly, there’s no synth editing panel – instead, you assign a parameter to one of the six macro knobs, but with there being way more than six synth parameters, it’s like performing keyhole synth surgery.

Also new is Revolta 2, a wicked soft synth that we felt was too full-on for Music Maker, but that suits Samplitude. It’s got twin oscillators, noise generator, dual LFOs, step sequencer, mod matrix, dual effects and 150 or so presets. There are a few rough edges, though: it clicks on new notes if you exceed the voice limit, for instance.

Another of our favourites from Music Maker made the transition – Robota is another drum machine, with an emphasis on synthesis. Raw waveforms can be mashed up with frequency/ring modulation, rectification, bit-depth and sample-rate reduction, filtering (with a zingin’ comb mode) and tube saturation/compression. Meaty kicks, speaker-shredding zaps, harsh dissonances and more are all fair game.

The essentialFX series is another Music Maker convert. StereoDelay Compressor, Phaser and Reverb can’t compete with existing Samplitude plug-ins, but ChorusFlanger is a real gem, with its splendidly lush, shimmering chorus.

(3 pages; go to page: 2 3)



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Magix Samplitude 11 Pro

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Jazz Hip Hop Beat Making

Friday, December 25th, 2009

hope you enjoy, its a hip hop beat w/ a jazzy vibe to it (: SUBSCRIBE PLEASE! www.twitter.com www.myspace.com www.facebook.com

http://www.youtube.com/v/VePI-xGMScs?f=videos&app=youtube_gdata

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Jazz Hip Hop Beat Making

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Prime Loops releases Dubcore Assault

Monday, November 23rd, 2009

Prime Loops Dubcore Assault

Prime Loops has released Dubcore Assault, a new sample pack featuring 70 Drum Breaks & Percussion Loops.

Delivered by heavily equipped army supply helicopters, deep behind enemy lines, this hard-hitting consignment of guerilla beats and breaks was built to stand up to the toughest opposition in any scenario. Heavy-duty oldskool machinery has been fused with modern musical weapons technology, to create a hybrid selection of ruff and rollin’ riddims, ready to deal with the deadliest enemy in the jungle.

Originality is the key, so here you can find a wide range of tempos from 102-145, with jamaican, latin and nordic influences, leaving you to twist the genres into dubstep, reggaeton, hip hop, underground garage, leftfield breakcore, electro and all other kinds of serious bass music.

Dubcore Assault is available to purchase in various formats, priced at

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Producer Loops releases Gangsta Beats

Monday, September 28th, 2009

Producer Loops Gangsta Beats

Producer Loops has released Gangsta Beats, a collection of 10 Gangsta-Style Hip Hop Construction Kits.

If you need street-ready beats and powerful orchestral parts for your urban tracks then look no further! Includes ACIDized Wav, Apple Loops and MIDI loops.

Gangsta Beats features

  • 10 Construction Kits (1,03 GB content per format) recorded at tempos from 74-96 BPM.
  • These loops can be used in styles from hip hop to rnb, pop, soul and many more.
  • Contents: Drum Loops, Bass Loops, String Loops, Brass Loops, Piano Loops, Organ Loops, Harpsichord Loops, Muted Guitar Loops, Sound FX.
  • Besides the audio content, MIDI files have also been provided for the melodic loops (leads, basslines, pianos, organs, strings, etc).

Gangsta Beats is available for purchase as a download for

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