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What setup do I need in order to have pre-recorded or computer generated sound play along live with my band?

Wednesday, May 2nd, 2012

Question by snatcher79: What setup do I need in order to have pre-recorded or computer generated sound play along live with my band?
Can I do that with any MIDI signal generating drum pad, a MIDI-to-USB interface and e.g. Ableton Live? Or Cubase? How do professional bands do that? How do they deal with the metronome? How do they deal with spontaneous extension of songs?

Best answer:

Answer by Daniel K
There are MANY ways to do this. I always go for simple when it comes to live sound for a band. Many bands just prerecord the sounds and then download the sounds to an ipod or any mp3 player. Hook the ipod to your PA mixer and you are ready to go. You can control the amount of the ipod sound with the PA system mixer.

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Moldover’s MOJO, Now Open Source; Grab Build Details and Ableton Live Sets and Effects

Thursday, April 26th, 2012

Live electronic musician Moldover’s MOJO is the Sherman Tank of controllers: enormous, indestructible, destructive. It’s also a deeply involved build, costing US$ 1999.00. If you want to get some of that … um, MOJO … but don’t have two grand lying around, or if you want to adapt it to your own mojo, Moldover’s work is now fully open-source.

If you’re an experienced hardware maker, you could use these files to build your own MOJO or adapt ideas into your own design. (Moldover uses the excellent, powerful Livid Builder line of parts.) If you are a builder, you can get an idea of what’s involved with the build in the timelapse and explanation above. If not, you can live vicariously through Matt.

But builder or not, if you use Ableton Live, you should pay attention: in that big archive are the Live templates, which you could use to adapt to any controller you like, including some tasty effects chains to play with. That means even if soldering irons send you into a cold sweat, this is news worth watching. (Only one criticism: I’d like to see a license included, which would make this proper open source hardware.)

If you do have two grand, meanwhile, boutique controller maker 60 Works is taking over manufacture of the MOJO so you can get your own. 60 Works’ Dave Cross shares details with CDM:

* 1999USD
* hand made (duh)
* improved over Moldover’s original, based on his touring experience. Mostly tech improvements under the hood.

Grab the open source download as an archive (cough, guys, GitHub), and read up on the hardware:

http://blog.60works.com/mojo

Another video details Matt’s personal journey through controllers and shows off what the MOJO is about:


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Minimal System Instruments releases Analogue Compressors Ableton Live Pack

Tuesday, April 24th, 2012

Read the full story @ KVR Audio
Minimal System Instruments has released the Analogue Compressors Rack Pack for Ableton Live, which consists of seven audio effect racks that accurately model real hardware compressors from the Minima [Read More]
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Recue’s “Do Not Disturb”: Live Jam, Made in an Airport Hotel Room [Free Download]

Monday, April 23rd, 2012

It’s like musical survival training. Quick: you’re stuck in a hotel. Can you make some music?

Our friend Recue, aka Riku Annala, was unexpectedly being stranded in a hotel and made it into a musical opportunity. The results are damned fine listening. (Thank whatever act of God / airlines prompted this.) You can enjoy the results, free. Riku writes:

Dunno if you remember but some time ago I shared the little cheap tape head “saturation” thingy with you.

I was recently ‘stuck’ in an airport hotel room (for other reasons than music), but the good thing was that I had my mobile studio setup with me. The released set started out as this sort of a spur-of-the-moment, tongue-in-cheek live jam, as I was messing around with random hip hop/pop-music vocals on top of bits and pieces of my own projects. Eventually, it started to sound so twisted in a good way that I decided to record the whole thing. The set is split in half with the first part being a performance video and the second the complete set as audio. The tools and methods are exactly of those covered on CDM regularly (NI Maschine run as a plugin on Ableton Live and controlled by Liine Lemur on an iPad).

More:
http://www.recue.net

Sure, the accessibility and mobility of music making is seen by some as some sort of assault on civilization. (I think frankly those are the sort of people who don’t like food and hate joy, grimacing every time they pass a playground.) But if you’ve made an investment in some nice mobile music tools, put them to good use. Heck, hand-wash your underwear if you have to make more space for music tech. That next unintended layover (oops, thunderstorms) could mean a new album instead of a frustrated, wasted, lonely night. And I like to think that the beauty of modern music tech is that it salvages wonderful music we might otherwise not hear, allows it to come into being.

Have a listen to the full set, and give it a download:


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Ableton Live skins and Logic gui mod

Sunday, April 22nd, 2012

Logic gui: www.ampguimods.net www.logic-cafe.com Ableton skins: bluskreen.com sonictransfer.com abletonlife.com – tutorials ,articles or download all: uploadmirrors.com

*** TO GET THESE SAMPLES: EITHER THE 23500 Drum Samples , or the Motif or Fantom sound packs, or the Logic Pro tutorial series, or for any inquiries in general email CRAIG01@GMAIL.COM or visit WWW.RUINERBEATS.COM (Under Construction) ** This is Dj Ruiner demoing the new sample pack from www.djruiner.com — The full Roland Fantom X8 + Strings Expansion pack. I also make a beat using the Fantom X8 drums + synth sounds about half way through, so that’s why the video is so long. Lots of piano playing + beat making. You can get this now from www.djruiner.com. Screw buying a 00 synth (even 00 from ebay is alot) and cop the entire pack for NI Komplete (mac/windows compatible, all daws that support vst/aus) for cheap. Don’t sleep on this one… Gaa, I hate letting everyone else have access to the GOOD stuff. ;)
Video Rating: 5 / 5

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How to make beats with ableton live?

Friday, April 20th, 2012

Question by : How to make beats with ableton live?
I have just downloaded ableton live about a day ago. I am pretty familiar with it i have had the demo for a month. But I see most DJ’s with turntables, mixers, and piano keyboard things. I want to also record my music but i dont know what i need to get i know i need a mixer but what else? Do i need turntables or the piano keyboard? i need help on what equipment i need.
i have a macbook pro with ableton live intro.

Best answer:

Answer by James R
you will need a midi keyboard.
possibly a turntable for sampling records.
you will need a pro level sound device with multiple inputs and outputs.
you will need some good headphones, and speakers.
then you will need to practice for hours and hours.

check out the book

“Live 8 power” very good book

What do you think? Answer below!

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FL Studio 10.5 Performance Mode in Beta: Bridge Arrangement and Live, Easy Hardware Control

Tuesday, April 17th, 2012

FL Studio’s live performance functionality has been teased for some time online, attracting enraptured eyeballs and plenty of discussion online. Now, you can give it a try for yourself in the new FL Studio 10.5 beta. My prediction: it’s definitely huge for FL Studio die-hards, but it could also attract some “lapsed” FL users back to the fold, and it’s almost certainly a reason to fire up a copy of Windows. (That’s the sound of a bunch of Boot Camp installations.)

The best way to see what the performance mode is about is in the video above. It’s actually a bit more basic than some of the teasers we’ve seen – there isn’t quite as much fancy trigger-mode action – but it’s easier to follow how the software works.

I’m of the mind that music and music technology alike benefit from a range of ideas, even conflicting ideas. What I like about FL Studio’s approach to performance is that it isn’t exactly like what you get with Ableton Live. It’s not unrelated – we’re looking at several controllers designed for Ableton, and there are certainly noticeable similarities in the ability to trigger blocks of time, some owed to Ableton and some more generally attributable to loop and sample tools over the years. But you get some new angles, and there’s really no mistaking this for anything other than FL. A few highlights, evident in the video:

  • Audio, automation, and pattern clips in any combination
  • Move directly from a linear arrangement to live triggering – something unique to this tool.
  • Combine a bunch of controllers – and use a range of stuff (Akai APC, Novation Launchpad, and Korg kontrolPAD make appearances)
  • Slice clips horizontally into more clips (that’s definitely not possible directly in Ableton’s Session View)
  • Novel triggering modes and arrangements – a bit like Follow Actions, as some Ableton users have noted, but with some unique twists, and again, all in a linear arrangement view.

More videos in Image-Line’s development series, or read the manual.

I love this slicing workflow, too, using Slicex and not just the Playlist:

It’s really that moment where you take your finished, linear arrangement and start remixing it in non-linear fashion – without having to switch software modes or resample the content – that I think is a big deal. (It’s especially nice when you slice up existing bits of that arrangement even further.) This is not only something you can’t do directly in Ableton Live, but it’s distinct from live performance workflows in a lot of other hardware and software.

Now, whether that’s actually musically useful is another question, and certainly the musical result in these videos is not distinguishable from what people are doing with Ableton – for better or for worse.

But, then, that’s really down to you, the users, as much as the tool.

FL Studio 10.5 is, according to developer Image-Line, a step on the way to the finished FL Studio 11.

This should also tantalize some users (and, I hope, attract some of our cleverer CDM readers and FL users):

We are looking for input from iOS (iPad/iPhone/iPod touch) and Android users to help with touch-based support/scripting/ideas for Performance Mode (see left).

More on that, in case you missed it in FL’s newsletter.

For working directly on mobile, FL Studio mobile has also gotten an update.

Full details of what’s in 10.5 from Image-Line:

  • Performance Mode – Trigger Clips using your mouse, touch screen, typing keyboard or MIDI controller.
  • New controllers supported – APC20/40, Launchpad, Block, MASCHINE / MASCHINE MIKRO, padKONTROL
  • Unique controller MIDI input port – Controllers can now be assigned unique input & output ports for feedback.
  • Linking includes MIDI input port – Links now use MIDI input ports to avoid conflict between controllers
  • New Content Library – The content library has received a complete overhaul based on user input.
    Options > Project general settings > Play truncated notes in clips – Restores notes overlapping slice points in Pattern Clips.
  • Horizontal/Vertical movement locking – Shift (horizontal lock) & Ctrl (vertical lock) when moving items.
  • Piano roll click & hold functions – Glue notes, Mouse wheel velocity change, Mouse wheel tool select.
  • Piano roll – Brush tool: Monophonic step mode (hold shift for old behavior). Chop chords: Strum & Articulate tools.
  • Improved Tap Tempo & Fine control – Updated algorithm + nudge control for Performance Mode.
  • Instrument Channels – Ctrl+mouse wheel on Channel button to change the mixer track.
  • Stay open sub-menus – Right click to check several menu items without closing them.
  • Plugin Picker – Start typing plugin names to highlight entries.
  • Right-click data enter – Most controls now allow a Right-click option to type in values.

10.5 Beta [Image-Line]


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Two Best Friends Play – Xbox Live Indie Games

Sunday, April 15th, 2012

www.youtube.com Click here to watch Two Best Friends Play – Marvel vs Capcom 3: Fate of Two Worlds Two Best Friends Play: Xbox Live Indie Games The bond between two best friends can often be stretched to the breaking point as the scrape the very bottom of the barrel of the video game industry. Co-op, single player, new, old – it doesn’t matter. These best friends will play it all…even if it kills them. DIRECTOR’S CHANNEL: www.youtube.com – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - This video will show you: How to beat download Xbox Live Indie Games How to make funny videos How to make Machinima How to make popular videos How to avoid playing Call of Duty – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - Follow Machinima on Twitter! Machinima twitter.com Inside Gaming twitter.com Machinima Respawn twitter.com Machinima Entertainment, Technology, Culture twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com Tags: two best friends play machinima yt:quality=high Braid Super Meat Boy Alderman Xbox Live Indie two best friends play Alpha Chimp Sword & Hammer Bioerosion Baby Maker Extreme Aurelia Alderman xbox 360 xbox360 XBLA arcade

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ABLETON LIVE TUTORIAL ON COMPRESSION BY MANDIDEXTROUS

Sunday, April 15th, 2012

THIS IS A SHORT TUTORIAL I DID TO SHOW MY GOOD FRIEND AND FELLO TECHNO NINJA “ROXY TRIPP” HOW I GET MY KICK DRUM N BASS LINES SO DEFINED AND LEAVING ENOUGH SPACE FOR THE REST OF THE TRACK TO BREATH . I HAVE EXPLAINED HOW I USE BUS COMPRESSION AS WELL AS PARALLEL BUS COMPRESSION WITH SIDE CHAINING ;) X HOPE THIS HELPS
Video Rating: 5 / 5

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Ableton live tips ‘n tricks 2#

Sunday, April 15th, 2012

tutorial on how to make pumping effect

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