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Voxengo BMS 2.0 Bass Management System plug-in released for Win and Mac AU and VST

Thursday, August 4th, 2011

Read the full story @ KVR Audio
Voxengo has announced the release of version 2.0 of BMS, the Bass Management System plug-in for professional surround sound applications. It’s now available in AudioUnit and VST plug-in formats for M [Read More]
AudioProFeeds-1

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FL Studio 9.5 Memory Management – 64/32 bit bridged wrapper

Thursday, February 10th, 2011

FL Studio 9.5 will introduce a new wrapper that can be set to run plugins 32/64 bit in their own 4 Gb/Unlimited memory space. All without touching FL Studio’s memory allocation. For more details visit our user forums here – forum.image-line.com Like the sounds used ? – You can buy this library @ www.tonehammer.com Thanks to Tonehammer for supplying the Epic Toms library for testing.
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www.download-tutorials.com Learn all the basics about Echo delays for FL Studio, along with practical examples. Intended as 2 parts, but finished in one.
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Going Native: New Pro Tools HD Native, Your DAW, and Low-Latency Performance

Wednesday, October 6th, 2010

For some time, the move has seemed inevitable – even more so as the rumor mill started echoing with suggestions that a native release was coming. But now, it’s happened: Pro Tools HD will now run without HD DSP hardware. And that’s not all — you can also use the same hardware with your existing DAW of choice, for users of software like Cubase and Logic.

There’s a price tag attached, though. This remains what for many would be a high-end solution. At US$3495 retail and up, it’s not competition for buying a basic interface card and Cubase. Think, instead, a more affordable and flexible way to equip studio rigs, and some potentially serious competition for vendors like Apogee, especially since you can use any DAW you want.

Just to say that again: Avid is making a version of Pro Tools HD that runs on the CPU and supports any DAW on Windows 7 or Mac OS X Snow Leopard and higher.

The AIR (Avid) user blog has some terrific analysis on the announcement even before it became public, comparing leaked price info for Native to an Apogee rig. If you haven’t been reading the AIR blog, they’ve hardly been shills for Avid; they’ve savaged some of the company’s decisions. And they’re actually pretty positive here. (Spoiler: Avid winds up being cheaper than Apogee by a few hundred bucks in their calculus.)
Is An Avid Pro Tools HD Native Core System Expensive?

What you get for that investment, though, is something worth discussing. It also reveals what’s necessary to get real, low-latency audio operation, which is relevant even if you aren’t in the market for Pro Tools|HD Native. CDM gets some insight into that from the developers.

First, Pro Tools|HD Native at a glance. Bundles:

Native core: $3495 buys you the necessary PCIe native card plus Pro Tools HD 8.5 software. The card comes with two Digilink mini ports on it.

Native core + OMNI Add an HD OMNI interface to the above. Total: US$5995.

Native core + HD I/O 8x8x8 Get a full 8x8x8 HD I/O interface. Total cost: US$6995.

Native core + HD I/O 16

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Want to Get on iTunes Ping? TuneCore Artist Ping Pages Go Live

Friday, September 17th, 2010

Look, it’s not Katy Perry! Yes, individual artist pages are possible on Ping. TuneCore can help make the process easy. Shown here: singer/songwriter Andrew Belle, who helped TuneCore document the process. Check out his artist page in iTunes.

What’s a social network for music discovery if there aren’t any artists? As covered previously, Apple’s Ping on launch was a pretty big flop. With no custom artist pages, artists felt left out of the party – and would-be users found themselves scratching their heads as iTunes mindlessly recommended U2 and Lady Gaga to everyone.

At the very least, as expected, we should start to see artists appear on Ping – and now there’s a way for you to be one of those artists, if you desire.

Ping’s reliance on the iTunes client and exclusively music purchased from the iTunes store remains worrisome, but if you’re an artist whose music is on iTunes and want to get in front of some extra eyeballs, we’ve got good news. TuneCore is a service designed to help artists distribute their music by managing the complexities of the various digital storefronts out there. That makes them a natural choice for helping get artists onto Ping – even if your music is in other places, too (like eMusic, Amazon, and Amie Street).

TuneCore was apparently on the phone with Apple the day Ping launched. And they now have Artist Ping accounts live. Here’s the full story, with some additional thoughts from TuneCore for CDM.

TuneCore posted an update at the beginning of this week announcing that they had set up Ping artist pages for their TuneCore artists:
Artist Ping Accounts [TuneCore blog]

Excerpt:

First an artist, or their representative, is verified as the authorized person to control the Artist Ping account (i.e. no, you cannot pretend to be Iggy Pop). This is done via TuneCore coordinating with TuneCore Artists and then relaying information to Apple.

Once this info is received by Apple, Apple emails out a unique url link specific to the artist, this link is then clicked on, when its clicked on the iTunes software opens in your browser and says “Ping Aritst Account” – it will ask you to log in with your iTunes user name/password or you can create a new iTunes account just for your Ping Artist account.

Whatever account you use to log in will be part of your Ping Artist Account. One of the things the Ping Artist and People account will do is display what you bought via that account on your Ping page.

So, if you are Motorhead and you buy the Strawberry shortcake “Rockaberry Roll” album (and yes, that is the name of a real album, I just looked it up) – this will appear on your Ping Artist Page.

Once in your Ping account you will be able to upload assets, etc. There may be a slight delay before they appear as Apple will check to assure the movies/images are not pornographic.

So, the bad news here to me is that there’s not really a whole lot of interaction on the page – for now, at least, a lot of this is just you buying music from iTunes. But if you’re willing to put in the time, and you have a lot of fans or listeners on iTunes, at least you now have a pretty easy avenue to get there. (Many readers’ response to Ping was, in part, social network fatigue, so I think it’s really in Apple’s court to provide more compelling reasons for artists to bother. Then again, you know your iTunes sales, and that may be the deciding factor.)

For their part, TuneCore defends the added work for the verification process:

There are literally millions of bands on iTunes. Apple has to come up with a way to authenticate that the entity that lays claim to the Radiohead etc Ping Artist page is actually authorized to do so.

To control this, there has to be a manual process (at least at inception) where Apple literally reaches out to an artist via the entity that provided iTunes the music so they can assure the control for that Artist’s Ping page is actually the person/entity that has the right to do so.

This would be consistent with the high quality experience that Apple provides. It’s an Apple process that many others do not do.

That makes some sense – see also the verified accounts on Twitter. On the other hand, to me the real challenge on Ping isn’t only opening up artist accounts, but providing a reason for artists to go there, and that remains to be seen.

Jeff Prince from TuneCore provided some additional information on how this works, including some best-guess attempts outside TuneCore.

CDM: Can you tell me – obviously there are advantages to going through TuneCore, but how would an artist work directly with Apple if they don’t work with TuneCore?

Jeff: Whatever entity the artist used to get their music into iTunes would be the default go to – there are exceptions (i.e. a huge multi-national act signed to a major may have its own pre-existing relationship with Apple where the management company has previously been verified).

As for TuneCore’s part, can any TuneCore artist go through your process — assuming their music is on iTunes?

Yes.

Any indication yet whether this will start to correct the current follower suggestions from Apple (i.e., the fact that everyone is supposed to be a Lady Gaga fan)? ;)

My guess is that the algorithm’s need information/data to get more accurate. As more people sign up and use Ping, there is more data which allows the suggestions to get more accurate/interesting. But to me the real value is in the curated suggestions by People/Artists, not so much the automated recommendations.

Thanks, Chris. Well, so, folks, if you do hop on there and like what you see, feel free to share your experiences and Ping artist pages. And if you’re still unimpressed, well, of course, we’ll continue to look at other options for social music online, of which Ping is just one.

See more here:
Want to Get on iTunes Ping? TuneCore Artist Ping Pages Go Live

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Vibration Management introduces MST OL1

Monday, November 16th, 2009

Vibration Management MST OL1

Vibration Management has announced the MST OL1, a professionally designed secondary monitor display modification of the Open Labs Miko and Neko instrument.

An Asus VH203T 20″ monitor display (resolution 1600

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Spectrasonics updates Omnisphere to v1.1

Tuesday, November 10th, 2009

Spectrasonics Omnisphere

Spectrasonics has released version 1.1 of Omnisphere, the flagship virtual instrument, which combines a wide variety of hybrid realtime synthesis techniques, a massive library of remarkable ‘Psychoacoustic’ sounds, and many innovative features.

On the heels of the release of their epic new Trilian

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Just Blaze: Recording Budgets, Producer Fees, Trends

Tuesday, August 25th, 2009

Ms. Drama TV interviews Just Blaze as he discusses the impact of the current recession on music producers and recording budgets.

You’ve got to admire the way the way Just Blaze easily sidesteps attempts from Ms. Drama to bait him into controversial statements regarding Polow Da Don and mistruths surrounding producer fees.

Notable Quote:
“The way with producers… there’s always a lot of followers and then there’s a few trendsetters and then the roles will change. Sometimes people who were trendsetters all of a sudden become followers and they’re trying to keep up with what’s going on. At the end of the day I really don’t care. As long as your making some good music.”

[via Nah Right]

Related posts:

  1. Just Blaze & The Alchemist – Rumors of Producer Beef – Dual Interview/Conversation
  2. Just Blaze x Ty Fyffe On Studying Music, Proper Business, And Management
  3. Just Blaze Talks Pro Tools As A Recording Standard

See more here:
Just Blaze: Recording Budgets, Producer Fees, Trends

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