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Handmade Music, From 3D to Wires, on October 10 in NYC, Austin, or Your Workbench

Wednesday, October 6th, 2010

Handcrafted CD covers for records and mixes, meditative music made in game engines, handheld chip music creations, analog light synths and drone labs, VL-Tone classical music, and more surprises are coming to New York on Sunday, October 10. (Austin, Texas gets its own event, making noisemakers and ring modulators.)

We promise music you can dance to, music you can’t, and tapas (at least in NYC).

And on October 10, a little secret will finally be revealed to Manhattan and the world.

If you’re a citizen of The Internet, we’ve got lots of sounds and creations to explore here on The Web from the comfort of Your Home – scroll on below. There are even great projects you can build anywhere in the world.

For New Yorkers, the lineup on Sunday:

  • Immersive music made with game engines, featuring foci + loci (Tamara Yadao + Chris Burke) doing strange and wonderful things with the likes of Halo and Little Bit Planet.
  • Drone labs and analog light synths by master electronic sonic maker Peter Edwards, Casperelectronics.
  • Classical music on Casio VL-Tone in a cameo by the amazing Annabelle Cazes.
  • Chip music by PULSEWAVE, hosted by Peter Swimm.
  • Make + trade handmade CDs (see our separate article, posting tonight). Bring your music or Creative Commons-licensed / public domain mixes.
  • A surprise. Or more. At least one.

October 10, completely free
4pm, FREE workshop – RSVP | Facebook
7pm, party (Facebook)

Presented by CULTUREfix, our new favorite home on the Lower East Side, complete with fantastic tapas, drinks, and drool-worthy electronics

Location

Here’s a first look at the projects, starting with a live performance I’m told gives us a loose sense of foci + loci — hoping to see even more Sunday.

foci + loci – Front Room Gallery June 2010 from glomag on Vimeo.

Drone Lab V2

From Austin – Three Projects You Can Build

That’s right, you’re not from Texas? Texas wants you anyway. Even if you’re nowhere near the Lone Star State, here are three projects you can build/buy — and yes, we’ll need to compile a full guide to all these great projects.

If you are in Austin, Texas, don’t miss the event Sunday, October 10. (We’ll have to Skype from NYC to Austin!)

Handmade Music Austin #12

The projects…

Ring Modulator, Mickey Delp’s great-sounding project, also available as a US$45 kit ($75 assembled)

Ring Modulator
Original prototype with schematics

SimSam, an $8, beginner-friendly noisemaker (complete with specs, the lot).

PicoPaso, a Forrest Mims Atari Punk Synth-inspired stepped tone generator. Schematics + purchase info at Bleep Labs.

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Handmade Music, From 3D to Wires, on October 10 in NYC, Austin, or Your Workbench

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Beat Making with David Choi – Last Friday Night

Tuesday, September 28th, 2010

SHOWS!!! – TDOT, NJ, PHILLY, DC, ATL, FL, NYC in October!!!! ✺ www.davidchoimusic.com for more info! FREE BEAT HERE: www.davidchoimusic.com Thanks to Garrick Fujii for shooting! www.shinobi-studios.com Check out my clothing sponsor! http ► CD’S HERE davidchoimusic.com ► OFFICIAL www.davidchoimusic.com ► FACEBOOK http ► TWITTER twitter.com ► MYSPACE www.myspace.com ► ITUNES www.itunes.com ► MAILING LIST bit.ly ► FREE IPHONE/IPAD APP bit.ly ► Tumblr davidchoimusic.tumblr.com

http://www.youtube.com/v/6ILFgedDWe4?f=videos&app=youtube_gdata

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Beat Making with David Choi – Last Friday Night

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In/Out Preview: Sounds, Sights, Thoughts, and Free Protofuse Download

Friday, September 10th, 2010

Rosa Menkman (NL) re-imagines her digital self; part of the visual lineup for In/Out in New York next week.

What is essential or new to the craft of fabricating electronic music? Who are we, today, as digital artists?

As a certain natural sameness descends on some computer-based music performance as the medium matures, artists at gatherings like next week’s In/Out Festival push out toward the fringe. And like the shifting pixels in Rosa Menkman’s imagery, these events indicate an emerging – sometimes glitchy – self-image of a scene.

In/Out hits New York Friday, September 17 – Saturday, September 18. The workshops on offer attack convention head-on. Sarah and Lara Grant make their circuits out of felt, crocheted sensors, and other fuzzy, furry, soft things. Rosa Menkman, above, turns file formats themselves into a medium. (Rosa’s workshop description alone might blow your mind.) Philip Stearns makes digital circuits from the most basic of elements.

You can attend the festival for US$15-25 if you’re in the New York Area. Disclosure: I’m one of the artists playing. But don’t let that stop you. ;) Workshops and talks are mostly free.

http://inoutfest.org/2010-schedule

But if you’re hiding out in New York on this 9/11 weekend or anywhere in the world, here’s a brief audiovisual portrait of this gathering of boys and girls and their work, as well as a crackling, humming track from Protofuse (France) for CDM readers, for play or WAV download via SoundCloud.

And wherever you are, they offer an opportunity for audiovisual reflection.

From Some of the Artists

Jeff Thompson (NYC) makes a cascade a lovely sounds, lit by flashlights, in a Texas Firehouse performance. Check out his collection of contact mics.

Stephen McLeod (Toronto), aka Island Dweller, turns frying an egg into a pulsing, ambient wonderland. (No word yet on whether Mimosa music might accompany; I think I may need to schedule a brunch and propose and duet.)

Music for Cooking: Eggs from Stephen McLeod on Vimeo.

Look out, keyboardists: using CV/gate control, drumsticks rule over musical input in the the work of jredsmyth/Smyth:

CV Gate Control – Drum Triggers – In/Out Fest 2010 from Jred Smyth on Vimeo.

<a rel="nofollow" target="_blank" href="http://jredsmyth.bandcamp.com/album/somewhere-between">Somewhere Between by Smyth</a>

Chromatic Textures by Unearthed Music, below, feeds layers of shadow and light as video feed into the Gestural Music Sequencer (available for Mac/Windows download), their real-time generative music software, for a fused audiovisual experience:

Chromatic Textures from Unearthed Music on Vimeo.

And for some dancing, here’s mtn (Making the Noise), a prominent creator from the monome community, making electronic collaboration by feeding his work through Lukas Johnson’s rig for additional sonic manipulation. From a performance at Boston’s Music Ecology:

mtn live @ music ecology Boston Part III from makingthenoise on Vimeo.

Workshops at In/Out show the range of perspectives on music technological technique, from bare-bones CMOS music to Brian Crabtree (of monome fame) talking about open source, from a future that looks like the spaceship-worthy Protodeck…

protodeck first demo from Julien Bayle on Vimeo.

…to one main entirely of felt. (See Lara Grant’s thesis blog for technical details, or Rhizome for a studio visit with sisters and makers Sarah and Lara.) It’s difficult to read online, but these things are absurdly fun to play.

This is, in fact, not creator Lara Grant, but our friend Lindsey Marcelle Case modeling, because felt sensor snakes are what we’ll all be wearing this time next year! More at Felt Signal Processing.

For more work by France’s Protofuse, here’s an extended live set:

protofuse at Apero Codelab #8 fest from Julien Bayle on Vimeo.

Finally, as promised, here’s a download for CDM of Protofuse’s Pulse:
Protofuse – Pulse by cdm

So, to sign up and buy tickets:
http://inoutfest.org/

And stay tuned for more artist goodness and how-to’s right here.

See the original post:
In/Out Preview: Sounds, Sights, Thoughts, and Free Protofuse Download

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In Photos: Discovering Sound Making, Electronics at Culturefix NYC

Wednesday, September 1st, 2010

Handmade Music found a new home on New York’s Lower East Side, at Culturefix, an electronics boutique cum gallery, bar, and tapas. The philosophy of this event has long been to simply open the doors, letting a community of people come together, make some noise, and have fun and learn. So we’re indebted to the people who made it happen – and I think there were some lessons to hopefully reproduce.

And yes, part of why I share this is I hope we can work over time to provide more resources, so that it’s easier to organize events and workshops to involve people in discovering the music technologies about which we’re passionate.

Left: Ted Hayes and Neurohedron, photographed by Mattron (see his Virb pages.) Right: Nick and his Smomid guitar. Photo courtesy Lem Fugitt / Robots-Dreams.

Highlights:

Great food and drink and art. First, I owe huge thanks to Ari and Cole and the whole staff of Culturefix for serving up delicious food and drinks in the kitchen/bar. There’s no reason tech has to be served on an empty stomach. I gather some purchases went down up in their drool-worthy audio boutique. (I, uh, bought a mixer…) But perhaps best of all, it was nice being in a gallery with an active show and being surrounded with texture and visual inspiration.

Lots of people soldering and making electronics, even for the first time. We had a wide group of people try out the 1976 phototheremin, an original design by Forrest M. Mims III adapted and executed by Eric Archer. Simplicity makes a difference: Forrest’s original design uses a tiny number of parts, which makes it ideal for a workshop – fewer solder points. Folks who had never soldered before nailed it in no time at all; Brian Biggs’ young children even got in on the action. We benefited from having a mix of people who had soldered before and some who hadn’t. Result: everyone one had a great time. (Thanks, great participants!) And apart from one case of swapped transistors, remedied with a desoldering gun, we had a 100% success rate. I think this is an ideal way to learn; I hope we can do more of these and perhaps create a new library of these projects for the online age.

Handmade Music: Phototheremin workshop

Video and more photos by Joe Saavedra, who helped out with the workshop:

Chip music, invented guitars, dodecahedron side by side. Guitarist Nick Demopoulos captivated the crowd with his homemade Smomid guitar controller, which aligned MIDI pitches with touch-sensitive strips arranged as frets, for a controller more comfortable for guitar. Ted Hayes talked about the fine details of construction and three-dimensional layouts for sequencers on his Neurohedron – a particular enough task that I think we should probably cover it in more detail with Ted. Pulsewave, the NYC-based chip music series, offered chip music. What was interesting about that was that, by taking it out its usual venue, the music reached a largely unfamiliar crowd. (A number of people were hearing chip music for the first time.) This put the notion of making music with Nintendo handhelds alongside other hacks and DIY solutions for music. Thanks to Peter Swimm for making this happen.

Kris Keyser looks on. Photo courtesy Lem Fugitt / Robots-Dreams.


Above: DePantz, as captured by photographer Maria April. Maria described these images after taking them as expressing how the music felt to her.

Live videos

Thanks to Robots Dreams for the additional photos and videos. If you haven’t seen this superb hacker-friendly site, it’s a definite don’t miss:
http://www.robots-dreams.com/

And to everyone, yes, we’ll do this again, as well as work on ways of sharing these events across geographic distance, whether that’s publishing additional kit and workshop ideas, promoting events in different places, or … well, really, anything else you’d suggest.

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In Photos: Discovering Sound Making, Electronics at Culturefix NYC

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monome Me: Community Tour, Tunes to Hear

Saturday, August 28th, 2010

Pauk (Pau Cabruja) using a Monome 256 attached to a guitar strap, photo by Lara
Jaruchik. Courtesy monome Community Tour

The monome is coming to your town. Unlike tours organized by commercial product vendors, a grassroots effort by monome users pledges to share the music made with the monome and give back to a larger community.

It’s hard to explain the monome. It’s part tool, part lifestyle. And its openness comes in large part from the community of artists who use it, and embrace the controller’s sustainable production and unique design. In fact, it’s hard to explain just what a monome is: this USB-connected grid of light-up buttons is, by design, a blank canvas. It’s what the community has brought to that canvas that has made the monome a surprise revolution. That passion sometimes even makes it an object of ridicule – but let the monome artists show your their chops and love, and all but the coldest hearts melt.

Organizer Frank Rose shares some thoughts on the monome tour.

And since it is as much about the users and their music, we’ve got some music for you to hear. (If you’re using Chrome/Chromium, you can easily queue up all these tracks using the wonderful ExtensionFM – anyone have something similar on Firefox?)

The tour kicks off in Boston, but eventually leaves American shores for Canada, Austria, and Spain – and more dates around the world are in the works. (Got a lead on a venue in your town? Give a shout.)

09.03.2010 – Boston, MA
09.04.2010 – NYC, NY
09.06.2010 – Daytona, FL
09.07.2010 – Houston, TX
09.11.2010 – Boulder, CO
09.12.2010 – Denver, CO
09.13.2010 – Sante Fe, NM
09.15.2010 – San Diego, CA
09.16.2010 – Fullerton, CA
09.17.2010 – Los Angeles, CA
09.18.2010 – Santa Cruz, CA
09.19.2010 – San Francisco, CA
09.21.2010 – Portland, OR
09.22.2010 – Seattle, WA
09.24.2010 – Toronto, ON
10.01.2010 – Edmonton, AB
10.16.2010 – Linz, Austria
11.05.2010 – Barcelona, Spain

Each city has a different lineup (which to me is part of the appeal), and dates are changing, so keep your eyes on their site for the latest:

http://monometour.com/

There are workshop/build days in Boulder and Santa Fe, as well.

The tour also will be accompanied by a compilation 2-disc, 33-track, international music release, all made with monome and initially available only at the tour stops – so go hear some live music.

Frank Rose shares more details with CDM:

We created a compilation that will be available exclusively at tour dates and if there’s any left over, I’ll sell them on the website. Proceeds will go to the performing artists. Any profit afterwards, in the community spirit, will be given away to some deserving charity. 33 songs on 2 discs, featuring only monome community members including Daedelus and Edison.

Schpligidy (Tanner Christiansen) brought up the idea of putting together a tour in April. Tanner got busy, and I took up the role of energizer and got the ball rolling. People signed up to play, others volunteered to organize events in their town. I don’t have alot of experience booking shows so I went forward, as I do with most things, just winging it. It’s worked out fairly well, with some bumps.

The goal is really just to tour and have fun. I think the result, for me anyways, is that I’ll actually meet some of these folks I’ve only talked to online. Of course, we all want to share our own personal creations with a greater audience. The monome is just a thread that all of us have in common. It’s used more as a vehicle for the tour rather than a mechanism for proselytizing.

I’ll get to catch up with the NYC lineup: Portable Sunsets, Makingthenoise, NO SIR E, The Alpha Nerd, Watson, %, Galapagoose, Cigarette Operahouse.

Hear the music…

Note that TheAlphaNerd’s music is all available free, via a Creative Commons license.

Jittery Fingers by TheAlphaNerd

Watson – Fields at Home by watson

MicrowavedBulletsDon’tKillAliens PeopleDo by _raja_

Go to sleep slowly (short mix) by noiseflowr

Noiseflowr also has a remix of the lovely Caribou Sun track:
Caribou – Sun (noiseflowr organistic mix) by noiseflowr

More tracks, for listening exclusively on SoundCloud:
http://soundcloud.com/pauk/electric-jazzmine

http://soundcloud.com/cigarette-operahouse/double-queen

And for access to everything in the monome community:
http://monome.org/

Excerpt from:
monome Me: Community Tour, Tunes to Hear

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Handmade Music NY 8/29: Meet the Musical Inventors, Pong to Dodecahedrons

Thursday, August 26th, 2010

Handmade Music is a community get-together, Science Fair, noise-making happening, and party for people making things that make music. We return to NYC on Sunday, August 29 at 7p. Our new Manhattan home is Culturefix, a new electronics boutique, gallery, and tapas bar on the Lower East Side.

This month, we welcome a classically-trained guitar duo using their instruments to play games, an original string-modeling instrument, a sonic dodecahedron sculpture (really), artists using game chips, and more. Last-minute creations are always welcome.

If you’re in New York, we definitely hope to see you Sunday night. And wherever you are, it’s my pleasure to introduce some of the artists we have involved.

Presented with our friends at Make Magazine, Etsy.com, and XLR8R.

THIS SUNDAY, August 29, 7:00 PM – 10:00 PM (come at the beginning, or miss stuff!)
In Manhattan, at 9 Clinton St
COMPLETELY FREE
(cash bar/food… and you might decide to buy some designer headphones, just be forewarned)

Facebook page

That’s right. “Look at this ****ing nerdster…”

Modal Kombat: Guitarists Playing Games

David Hindman and Evan Drummond describe their act, coupling classical guitar training with a love of games:

Guitar Hero Is Dead: Guitarists Use Real Guitars to Control Video Games in a hybrid concert / public video game battle

Forget about using a plastic guitar to mimic your favorite band. What if you could use a real guitar just like any other video game joystick — and thrash your opponent while you create original music?

Two classically-trained New York City guitarists calling themselves “Modal Kombat” have hacked into classic video games Pong, Tetris, Mortal Kombat and Mario Kart. This month at The Boulder International Fringe Festival, they’ll make their characters move — and battle against each other — with a flurry of guitar-plucking.

The show is a video-game battle/performance-art hybrid that’s open to the public. The goal is to demonstrate that real guitars — or other musical instruments — can be viable video game controllers.

About Modal Kombat:
Modal Kombat is a NYC-based performance group consisting of Yale School of Music alumni David Hindman and Evan Drummond. For the past five years, they’ve performed public guitar-controlled video game battles at various venues in Europe, New York City, and around the U.S.

Before the game Guitar Hero was released, Hindman was an NYU grad student, developing hardware and software that allowed real musical instruments to control various types of existing console video games. In 2004, he created the system that became the basis for Modal Kombat shows. At each show, various musical pitches, volume levels, and other musical parameters are programmed to trigger each character’s movement, such as Left, Right, Punch or Jump.

http://www.modalkombat.com/

Smomid: Original String-Modeling Instrument

Nick Demopoulos has devised his own instrument from custom hardware and software:

The Smomid is a homemade midi controller. It’s name is an acronym for “String Modeling Midi Device.” It is made with the use of several membrane potentiometers, knobs and switches.

http://www.nickdemopoulos.com/smomidelements/smomid2.html

Neurohedron: Nonlinear Sequencer, Dodecahedronal Sculpture

Handmade Music favorite Ted Hayes brings a novel modal hardware/software combination, part original application, part original sculpture, as presented at the NIME research conference:

Traditional music sequencers are designed fundamentally around predictability and repetition, and these are powerful elements that make them so ubiquitous. More modern approaches to algorithmic composition heavily involve unpredictability and randomness that is then (sometimes) tamed and manipulated by the composer, resulting in a nonlinear compositional and performative process.

The Neurohedron is a novel music instrument and modal software controller that I conceived of as a nonlinear sequencer. The simplest traditional sequencers may employ eight steps that return to the first step after reaching the last step; in contrast, the Neurohedron is a three dimensional sequencer with twelve nodes arranged as a dodecahedron. With this structure, there is no clear or de facto path that the progression from one node to the next may take, unlike the linear and prescribed nature of a traditional sequencer.

Neurohedron: First working video!! from Tedb0t on Vimeo.

Lots and lots of additional information (including more videos, documentation explaining the process and software design, and the NIME research paper):
http://log.liminastudio.com/projects/neurohedron

Presented by Pulsewave: Chip Music Open Mic

For some of you, I imagine that a world that has tasty New York beers, organic tapas, and chip music playing is pretty close to heaven. The good folks of New York’s famed Pulsewave series team up with us to provide us handheld chip music.

Thanks to the awesome Peter Swimm for making this happen.

Featured:

Square Wail: Square Wail is Matthew and Rebecca Kenall running an assortment of handhelds. They like fat beats with old timey melodies and try to infuse their music with such. Hailing from Seattle they are coming to the East Coast for the first time (except for once when Rebecca had a layover at JFK).

2010 Aug 10 – OMG Franz – Brooklyn – Dapantz from EM Dash on Vimeo.

Walking Like We Were Shot Through Our Heads by DaPantz

DaPantz (seen in video, heard in SoundCloud above, and with his own free EP):

Uptown New York’s satirically named DaPantz has been known to shout “BX HOLLA BACK” with reckless abandon. Often eschewing structure in favor of mood, he creates chaotic industrial, hip-hop and Latin flavored dance-punk on the Nintendo Game Boy. Using the homebrew cartridge LSDJ, DaPantz fuses heavy beats and a dissonant use of melody with the more unsettling side of the human psyche, creating the soundtracks to your nightmares (but reminding you that it’s okay to dance to them).

January 2010 – Kris Keyser at Bar Matchless from EM Dash on Vimeo.

<a rel="nofollow" target="_blank" href="http://kriskeyser.bandcamp.com/track/radionecrosis">Radionecrosis by Kris Keyser</a>

Kris Keyser is just another guy with a Game Boy. Having hopped from instrument to instrument in his over 10 years of music making, Kris has finally found his perfect match in the portable powerhouse known as Little Sound DJ. In his relatively short time in the chip scene, Kris has jumped from relative unknown to relative known,playing chipscene institutions I/O and Pulsewave and making countless feet move and brains melt. Kris looks forward to a 2010 release on Cheese’N’Beer.

<a rel="nofollow" target="_blank" href="http://<img src=" title="adamgetsawesome">getsawesome.com/album/aga&#8221;>erbdydnc by AdamGetsAwesome</a>

AdamGetsAwesome has been spreading beer-fueled mayhem across the world since 2008. Using the LSDJ program on the Nintendo Game Boy, Adam creates melodies ranging from the sickeningly sweet to the hauntingly atmospheric, always bringing a healthy dose of PARTY to every performance. His debut EP “AGA” is not only the inaugural CNB release, but also an exercise in actions befitting his namesake. Party.”

Website/free EP download: http://adamgetsawesome.com/album/aga

Phototheremin Chorus

Registration is now closed for the workshop, but we’ll be inviting creators of our phototheremin kit, designed by Eric Archer after an original design by Forrest Mims, to come play their instruments – boys, girls, adults, and kids.

Check out the kit.

The Party

View Larger Map

Sunday August 29
7:00 – 10:00 PM (come early)
Culturefix details

Yes, it’s free.

Yes, kids are allowed. (just not at the bar)

RSVP on Facebook.

Read more:
Handmade Music NY 8/29: Meet the Musical Inventors, Pong to Dodecahedrons

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NI Traktor Kontrol S4, Integrated DJ Hardware

Monday, August 16th, 2010

As expected, Native Instruments has announced Traktor Kontrol S4, an all-in-one integrated hardware controller and software system for digital DJing. The hardware does look extensive. Highlights:

  • Integrated audio interface
  • Four-channel mixer section
  • Full support for looping, effects control, browsing for tracks in the library
  • Sample Decks, controlled from the hardware, allow beat-synced sample manipulation, with a live Loop Recorder for sampling an external audio input or resampling a mix from the DJ app
  • Multicolor backlighting and LED

The Kontrol S4 also promises better jog wheel support, using NI’s own electromagnetic technology to generate high-resolution touch information. (Unfortunately, NI uses their own proprietary NHL protocol; it’d be nice to make use of that control signal in other applications using something like OSC.) NI says they’ll also add external time-code control in a future update; for now, there’s not support for control vinyl for those who prefer conventional decks to jog wheels.

The bundle will cost you, at US$999/EUR899, but that includes the hardware controller and audio interface plus software. A hard road case will be available for US$189.

NI says both will ship this winter.

Traktor Kontrol S4 @ Native Instruments

After the jump, see the video – it’s nice to see our NYC neighbor and Dubspot faculty member DJ Shiftee, the 2009 DMC Champ. (Hmmm… we need some sort of Nerd music championship.) Even nicer: watching him live-remix the theme music from the game Tetris.

I’m curious to hear what you think, especially if you fall more in the DJ camp (though the DJ software is increasingly blurring with “live PA”-style performance tools, whatever label you may apply).

All images courtesy Native Instruments.

kontrols4
kontrols4_software_sm
kontrols4_large
kontrols4_software

Originally posted here:
NI Traktor Kontrol S4, Integrated DJ Hardware

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Listen: Four Tet, Live and Remixed, Free on SoundCloud

Wednesday, July 28th, 2010

four tet

Four Tet playing live. Photo (CC-BY-ND) Jonathan Fisher.

Jon Hopkins – Vessel (Four Tet remix) by Four Tet

Angel Echoes (Jon Hopkins remix) by Four Tet

London-based Four Tet, aka Kieran Hebden, is a genre all his own, a maestro of electronic sounds and a superstar on Domino. He’s…

Actually, you know what? I can’t really add a whole lot of intelligent commentary to this treasure trove of tracks Four Tet has added to SoundCloud. It’s time best spent listening, which puts me in a happy, wordless state. (And, I might add, reminds me to work on my chops. See if it has the same effect on you?)

http://soundcloud.com/four-tet

Any question as to whether free tracks on places like SoundCloud will dampen demand for purchasing music ought to be easily put to rest; to me, they only whet my appetite for more. (In fact, where are even paid links to higher-quality downloads? Only a couple of mixes are available. I’d gladly pony up for this whole set.) Here, Four Tet remixes Jon Hopkins – another English virtuoso of rich, digital sounds – and Hopkins remixes Four Tet, and Caribou and Mosca remix Four Tet, and Four Tet plays live here in New York at Le Poisson Rouge. Premium-quality productions, all.

Angel Echoes (Caribou remix) by Four Tet

Sing (Mosca remix) by Four Tet

Live at LPR NYC 17th Feb 2010 by Four Tet

Essential mix (January 2010) by Four Tet

Angel Echoes (BBC session) by Four Tet

Much Love To The Plastic People (DJ mix December 2009) by Four Tet

Follow this link:
Listen: Four Tet, Live and Remixed, Free on SoundCloud

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Free Weekend: Creative Commons Workout, Moby, Samples, Inspiration, More

Friday, July 2nd, 2010

keep cool on the swimming pool

Yeah, for a lot of the northern hemisphere, one of these kinds of weekends. Photo (CC-BY) Frenchman Julien Haler. (Oh yeah, we really don’t say it enough – thanks, France! In fact, jeez, double thanks!)

Summer days and evenings for a lot of us are a perfect time for buying new records, listening to new mixes, exploring new sounds and samples and production techniques. And yes, while pundits worry about the failing value of music, I personally manage to stock up on free downloads and wind up overspending my budget on records, too. It’s good to be an enthusiast.

Here’s just the latest of what’s hit my inbox, for your enjoyment.

Moby recalls the 90s in his “old-school rave mix” for our friends over at XLR8R. It’s good, clean fun, a musical beach book perfect for a retro-tinged, rave-recalling holiday weekend here in the US.

Percussion Lab is a source of endless, fantastic musical mixes, so it’s hard to know whether to begin. For an Atlanta-style take on what summer is about, Sorted prepares an electro/club-style mix. Concept Audio’s Scafolder goes on a headier, ambient-er journey called “Rain Man,” tinged with pianos and Idhren and Lusine textures – good stuff, as well. And if it’s techno you want, that’s covered, too. Check out the full set lineup on Percussion Lab’s immaculately-designed site.

If certain shirtless werewolfs are starting to make you feel like you need to hit the gym, there’s good news. After Australia decided to hike fitness class music licensing by a whopping 1500%, the good folks at WFMU’s Beware of the Blog prepared a nicely-curated set of Creative Commons-licensed, indie music from Dan Deacon to Mochipet. It’s nice listening, too, perhaps as much of a cure to bad music allergies at the gym as it is bad licensing policy.

Speaking of the Free Music Archive, if you’re in the mood for something a little synthy and dreamy, there’s an excellent mix by Tori y Moi live on dublab.

From Spain, various sonic goodies. Want to catch up on what you missed at SONAR? BBC has a graphical, clickable map of all the artists. Need a little dancefloor-friendly techno, and want it from a high-quality netlabel founder? Thomas Raukamp notes the latest work from Madrid-based Dessben and his Offaudio netlabel, and celebrates their move to SoundCloud.

Downloads for Producers

So, that’s some good poolside barbecue and workout fodder for you… but what if you’re looking for tracks to inspire your producer side? (Working on tracks can be a great way to cool off.)

Ambienteer, whose excellent work I covered last month, has been experimenting with contact mics. Learn about how he made music with an electric toothbrush and plastic wrap and hear the results:
Ambienteer blog

Explore some nice new ambient and minimal tracks from East Peoria, USA-based John Koch-Northrup.

SoundCloud has become a hive of free and Creative Commons-licensed samples, from musical tidbits to hardware and software. You could use it to grab new content and decide whether you really need ElecTribe on an iPad, all at the same time. (Make friends! Grab samples!)

SoundCloud themselves have a nice guide to what’s out there – a badly-needed reference, given that SoundCloud has become so busy, it can be downright overwhelming to the uninitiated.
Sample time! [SoundCloud blog]

Via groups and users, there are full, oddball sample collections, like this pool:

Sample Collections / Instruments / Loops

IMG_2086

Tim Exile, working the mic live, (CC-BY) Keylight Photography / Jonathon Dow.

And there are artists like the wonderful Tim Exile, who live samples his crowds at his shows and uses SoundCloud to gather snippets from fans in advance of gigs. I think it’s my favorite set of this post; have a listen to some of his interactive, sample-generated work:

2006 – Tim Exile’s Nuisance Gabbaret Lounge by timexile

What are you listening to / sampling this weekend? Let us know in comments.

And since far be it from me to be accused of saying all music wants to be free, I hope to follow up soon with albums worth buying this summer. Nominations open … now.

Have a great weekend, and happy 4th of July, USA. (Hey, England’s over it, too — the Queen is visiting my neighborhood this week, celebrating the long history of the English here in NYC, and the great ties between our countries.)

Follow this link:
Free Weekend: Creative Commons Workout, Moby, Samples, Inspiration, More

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Tupperware Music, Guitar Robots, Polyphonic Makerbot – Handmade Music LA Tonight

Friday, June 25th, 2010

dromama from Altitude Sickness on Vimeo.

Wherever you are in the world, here’s some geeky inspiration to kick off this summer weekend. And if you’re in the Los Angeles area, you should absolutely, positively be on Venice Boulevard tonight at 8pm at hacker venue CRASH Space for Handmade Music, gone LA.

In the lineup: circuit bent toys, robotic guitars, MakerBots, monomes, and microcontroller synths, with Altitude Sickness, Ian Hattwick, The Sweaty Caps, Theron Trowbridge, and Vince Wong.

It’s free at 8 pm, but if you can donate the recommended $10, you can help CRASH Space become a not-for-profit.

Full details at handmademusic.noisepages

Here’s a look at what these crazy California kids are up to. At top, Altitude Sickness is known for his Tupperware-housed creations. Check the Vimeo page for that video to grab MIDI remote scripts for Ableton Live plus Max patches for nanoKONTROL, monome, and more. Inspired by a previous post here on CDM, he assembled a bunch of custom controls for live performance and then uploaded the results for anyone to enjoy. But Altitude Sickness isn’t the only guest star tonight…

The Makerbot, the homebrewed, open source, 3D fabrication / CNC product, has been making music for some time. Above: a stirring rendition of “Still Alive” by Jonathan Coulton. But Crash SPACE have not one, but three Makerbots, leading to the first (that I know of) Makerbot ensemble. And they’ve got some extra MIDI code running between them.

Result: extra polyphony.

Lastly, Ian Hattwick’s Guitamaton, inspired by African rhythmic modality, turns the guitar into a robotically-controlled percussion instrument. Ian describes it thusly:

Guitamaton is a computer controlled musical instrument which explores the percussive and resonant qualities of the acoustic guitar. It melds the precision of microprocessor control with the unpredictability of vibrating metal and wood, and brings an added level of embodiment to computer based music by placing the sound creation process firmly in the physical world.

Enjoy these videos and links, and anyone who is in LA and makes it, be sure to send us any documentation you capture. (I’ll be in NYC, perhaps watching your Dodgers play the Yankees.)

Updated: There’s also the Xylovan, which is exactly as awesome as it sounds. California, always innovating in the vehicle department.

Facebook event page/RSVP

The rest is here:
Tupperware Music, Guitar Robots, Polyphonic Makerbot – Handmade Music LA Tonight

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