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Q&A: How do i record fl keys into a pattern on Fl studio?

Saturday, April 2nd, 2011

Question by Chris H: How do i record fl keys into a pattern on Fl studio?
Im an aspiring artist and producer so i just got fl studio to make some beats. i have been making a couple of beats by drawing different notes into the piano roll, but it is taking forever. is there anyway that i can get the notes that i type to be recorded live into the piano roll in a pattern? u know, where the notes are added as i type them.

Best answer:

Answer by K
Yes, you can go to the record button (near the play and paus button), and start typing. To start the music going when you hit the keys, click the ‘wait…’ button.

Hope that helps.

What do you think? Answer below!

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How come every time in Fruity Loops when i change my pattern 1, pattern 2 adjusts to the same changes!?

Sunday, October 24th, 2010

Question by Joshua J: How come every time in Fruity Loops when i change my pattern 1, pattern 2 adjusts to the same changes!?
I trying to make a song on fruity loops version 8 but I can’t figure how to work the patterns!!!!!
They all play the same with the same instruments and everything. Even if the i change it one will adjust to another.
Whats up with that?

Best answer:

Answer by DmNt
Sounds like you may have them linked somehow, try right clicking on the second pattern and deleting it, then try again. If all else fails, start a new file.

Give your answer to this question below!

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Q&A: How do you add another pattern in FruityLoops (FL) without changing the previous instruments?

Saturday, October 23rd, 2010

Question by Ralph B: How do you add another pattern in FruityLoops (FL) without changing the previous instruments?
I am an EXTREME NOVICE with this program.
I made a drum beat thing and pasted it in a few times into pattern one.
I clicked pattern 2 and made a piano tune for an intro, but now pattern one’s beat is using piano keys.

Best answer:

Answer by treseuropean
Make the channels separate. You should be able to see the piano channel and the drum beat at the same time, within any given pattern. Just make the piano have no pattern in pattern 1 and drums have no pattern in pattern 2.

Give your answer to this question below!

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CK_Modules releases Pattern Arp Plus

Saturday, October 9th, 2010

6th October 2010: CK_Modules has released Pattern Arp Plus, an enhanced version of Pattern Arp with new features: Groove Timing, Humanise and GUI Transpose options. It costs and#163;8 and is available for Windows as …
AudioProFeeds-1

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CK_Modules releases Pattern Arp Plus

Wednesday, October 6th, 2010

6th October 2010: CK_Modules has released Pattern Arp Plus, an enhanced version of Pattern Arp with new features: Groove Timing, Humanise and GUI Transpose options. It costs and#163;8 and is available for Windows as …

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CK_Modules releases Pattern Arp Plus

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CK_Modules releases Pattern Arp

Tuesday, September 28th, 2010

28th September 2010: CK_Modules has released Pattern Arp, a MIDI Arpeggiator VST plug-in for Windows. It costs and#163;6. Main Features: Interactive Pattern based arpeggiator. 64 Steps with up to 8 Note chord Patterns…

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CK_Modules releases Pattern Arp

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iceGear Xenon

Tuesday, September 28th, 2010

Xenon is a software studio with just enough features for you to be able to create complex electronic arrangements on your iDevice. There are three different synthesizers, a drum machine, a five-track song sequencer, mixer and a single effect: a delay processor.

iceGear’s Argon synthesiser has received a lot of praise for its sound quality, and the company’s expertise has been carried over into Xenon’s trio of synthesisers. This is most apparent in the ASX-1, a virtual analogue monosynth with a pair of oscillators, multimode filter and built-in pattern sequencer. You get independent ADSRs and LFOs for amp, filter cutoff and oscillator pitch (the latter LFO can be modulated by its own ADSR).

Xenon’s second synthesiser, PSX-4, is a PCM offering. It’s architecturally similar to the ASX-1, but here the lone oscillator is able to draw upon any of the 112 sampled instruments. There are plenty of bread ‘n’ butter to be found in that collection, but we do wish we could bring in our own samples.

The HSX-4 polyphonic hybrid synth is our pick of the bunch, featuring a pair of oscillators that can tap into VA, FM, formant and PCM synthesis. The independent LFOs and ADSRs found in the ASX-1 synth rear their heads once again, as does the pattern sequencer.

Rhythmic duties are handled by the six-track PRX-6 drum machine. Any of 185 samples can be loaded into the six pads and sequenced via the pattern sequencer. You have control over pan, level, pitch, attack, decay and velocity level.

Each instrument’s patterns can be arranged in the Song Sequencer and mixed using the five-channel mixer. You can adjust track level, panning and FX sends. It’s simple but effective stuff. Songs and patterns can also be exported as WAV files or copied to the clipboard.

Xenon provides an awful lot of power for a very fair price, and most importantly, it also sounds fantastic. It takes some poking around to

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ExperimentalScene updates DarkWave Studio to v3.0.7

Monday, September 6th, 2010

6th September 2010: ExperimentalScene has updated DarkWave Studio to v3.0.7. This update adds the frequently user requested Copy and Paste functionality to the Pattern Editor in DarkWave Studio. The user may now make …

See the article here:
ExperimentalScene updates DarkWave Studio to v3.0.7

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Free Generative MIDI with Cellular Automata, Built in AIR

Thursday, July 29th, 2010

Cellular AutoMidi is a generative music making app, making use of a modified version of the ever-popular Cellular Automata algorithm – a simple evolutionary model on a grid that works nicely for sequencers. (See, among many others, Lazyfish’s legendary NEWSCHOOL for Reaktor, and Audio Damage’s Automaton.)

Cellular Automata is nothing new, but here, you get to see it as an AIR/Flash app, which means a modular CA-based creation you can drop anywhere. (More on the cross-platform details after the jump.) And hey, if we can have countless step sequencers, why not countless cellular automata step sequencers? The project is developed by Leeds, England-based Flash developer Lawrie Cape.

It also deserves special mention for some nice sounds made with NI’s Massive synth, using FL Studio as host; see the video.

Cellular AutoMidi – Generative Audio Flash AIR App from Lawrie Cape on Vimeo.

Lawrie writes:

Each cell can be alive or dead. Once in a generation, each cell looks at it’s surrounding cells, and dies if it is lonely or overcrowded. If a dead cell has an optimum amount of neighbors, it will come to life! Each generation, all the cells which have come to life will sound a note. The notes are assigned based on the cell’s y position, and are all in the pentatonic scale.

There’s a few controls at the bottom which change how things work too.

Start/Stop – Starts/Stops the automation.
Load – Loads a pattern from the text box.
Export – Exports the current pattern to the clipboard. You can send it to friends, or save it for later, then load in with the load button.
Clear down – Stop and clear the current pattern.
Law Mode – An error when coding the cell rules gave this other odd mode.
Skip Audio – Just show the cell animations.
Sing Dead – Instead of singing the recently revived notes, sing for the recently deceased.
Note duration – Alter the system speed.
Also, along the top there are banks of preset systems. Click play to start a saved pattern, and click assign to assign the pattern currently displayed to that button. You can also trigger each pattern with the keyboard keys 1-8.

When you press Export, your pattern is automatically copied to the clipboard, so you can save it, or share it with people. Here’s a pattern I made – you can load it by pasting it into the load box, and pressing Load!

I’ve written a post about it on my blog here – http://www.lawriecape.co.uk/theblog/index.php/archives/735

And you can download the app there too.

What about MIDI function on different operating systems (Mac, Windows, Linux)?

Flash Midi Server is Processing based, but I’ve packaged it as Win and Mac apps in the Google Code download at – http://code.google.com/p/flash-midi-server/downloads/list
In the next couple of days, I’ll put together and test a Linux version, and hopefully release the Processing source code too – although as my first Processing project, I’m sure the code is pretty ropey.

So, give it a try, and maybe someone with some Processing MIDI skills can recommend some tweaks to MIDI operation. I think this will be particularly welcome on Linux, where the toolset is a bit leaner.

If you use it, let us know what you think or what you create!

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Free Generative MIDI with Cellular Automata, Built in AIR

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Propellerhead Software ReBirth

Wednesday, July 7th, 2010

There are two ways to view Propellerhead’s port of the seminal ReBirth to iPhone and iPod touch. The first is as a new music production benchmark for the App Store, being in every way the same application that exploded onto Mac and PC in 1997. The second is as a lazily built, rather ill-fitting fingermare that experienced hands will frequently find frustrating and casual users won’t have the patience for.

Both are right, if we’re honest. The interface scales smoothly but not exactly pleasantly – it’s bitmapped rather than vector-based, resulting in blurry text and ugly, fuzzy knobs at high zoom settings. And no concessions have been made in terms of making it ‘fit’ the iPhone – it’s literally the Mac/PC version shrunk to fit a smaller screen.

But ultimately, and considering the price, none of that really spoils the party. This is ReBirth – two 303s, an 808, a 909, the Pattern Controlled Filter, the compressor, the delay, the step sequencing, the song mode… There are even five user mods included with the software (the mighty PBE among them), while you also have the ability to share your projects online.

Equally importantly, ReBirth is simply an awesome nostalgia trip that revives the undefinable magic of the early days of serious computer music. Essential.



Read more:
Propellerhead Software ReBirth

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