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French Rock Band Makes Steve Jobs Tribute From His Words

Tuesday, October 25th, 2011

People still find heroes – imperfect as they may be, people who provide inspiration. I’ve been talking a lot this year about the impact of Max Mathews; more on that soon. But in the aftermath of Steve Jobs’ death, it’s touching to see some of the reactions. French Rock band Bravery in Battle write CDM to share their music video homage to the Apple leader. They’ve gotten quite a lot of attention in French, as well (French-language links):

«Ayez faim, soyez fous»… les bonnes paroles de Steve jobs mises en musique [Liberation]
Un bel hommage à Steve Jobs en musique (vidéo) [stevejobs.fr]

We are Bravery in Battle, a French rock band. When we heard of Steve Jobs’s death, on October the 5th, we decided at once to write some music to pay him homage.
We have been using the Mac to make music for almost 15 years now and it’s completely part of our creative process. We also have been using
the iPad on stage since the very first days of its launching to trigger samples and play instruments too cumbersome to carry.
Without Apple and its products, we wouldn’t the artists we are today.
But we didn’t want to write a song, we wanted to use Steve’s very words and hear his own voice. That’s why we used his memorable 2005 Stanford Commencement Address. We have chosen the words which seemed the most meaningful for us and for the occasion.
As an additional homage, we played all the music on an iPad, with GarageBand : a Steve Jobs Tribute using only his devices and softwares.
To make a video; we used the same Stanford Address (made on a Mac, too, with Final Cut Pro X).
The original speech was very widely consulted on the Net in the hours following Steve Jobs’s death but our video tells something else. It focuses on a single point and increases its emotion.
For Bravery in Battle
Paul Malinowski


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Pete Rock feat Method Man – Half Man Half Amazin

Friday, September 23rd, 2011

Hot callab between Pete Rock & Method Man. Off the album ‘Soul Survivor’. Sick track. Classic Hip Hop album, a must have.

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What are some cool rap songs that use rock beats in the background?

Sunday, August 28th, 2011

Question by Sean M: What are some cool rap songs that use rock beats in the background?
I know that snoop dogg did the doors song and celph titled used guns and roses, do you know any other songs with rock beats or just cool underground rap songs. I like jedi mind tricks and groups like that, any ideas?

Best answer:

Answer by Cher Chez (Hip Hop Stan)
So Watcha Want – Beastie Boys

Give your answer to this question below!

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Competition: Win Soniccouture’s Rock Creek Tongue Drums

Thursday, August 11th, 2011

Read the full story @ KVR Audio
Soniccouture has announced a new competition with the winners receiving real musical instruments as prizes. These are instruments that the company used to create their sample library products. For t [Read More]
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Guitar Center Sessions: Pete Rock- They Reminisce (TROY)

Thursday, August 4th, 2011

Pete and guests discuss the history of his classic track They Reminisce Over You (TROY). Guests include: Just Blaze, 9th Wonder, DJ Nu-Mark and DJ Revolution Hosted by; DJ Hapa. After 20 years in the Hip-Hop game, working with icons like Public Enemy, Run-DMC and Nas, master beat maker Pete Rock sits down to share his experiences and offer insights from his legendary career. For more information and videos from other great artists visit www.guitarcenter.com/sessions
Video Rating: 4 / 5

12 producers battled it out in hopes of advancing to the Red Bull Big Tune national finals in Chicago however, the st. Louis lovin’ was aimed towards the local beat maker Trifeckta as he was crowned winner. Check out RedBullUSA.com for more beats
Video Rating: 4 / 5

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EastWest Ministry of Rock 2

Thursday, August 4th, 2011

Three years ago, EastWest responded to the needs of many a composer with their first collection dedicated to heavy rock instruments, Ministry Of Rock. The package featured bass, rhythm and lead guitars alongside heavyweight drum kits, all wrapped up in their Play sample-playback engine.

Now they’ve turned out a sequel, miking up more classic kits and guitars to create a new library that weighs in at 57GB, nearly three times the size of the original.

It’s a Play 2-based instrument, and it runs as a VST, AU or RTAS plug-in, or as a standalone app. Ministry of Rock 2 isn’t a replacement for the first edition; rather, it sits alongside it, providing additional patches at either end of the heaviness spectrum.

There are three distorted lead rock patches recorded from a Schecter seven-string, Danelectro baritone model (ie, extra-deep tuning), Gibson Les Paul, and the bridge pickup of a Carvin guitar – they’re all as beefy as you’d hope.

You also get three rock/pop guitar presets that are clean and melodic, coming from a Fender Jaguar, a Telecaster and the neck pickup of the Carvin axe. The new drum kits, from DW, Ludwig and Gretsch, have some inventive aspects.

Beat it

We especially love the ease with which the three drum kits can be mixed and matched in MOR 2. First you choose your basic kit and snare combination (from a possible six snares).

You then have options to replace kick, snare, toms, hi-hats or cymbals with any of the other kits’ velocity-mapped samples. They all follow the same general MIDI mapping, so it’s easy to write or import a MIDI drum line and then select your preferred elements from the kits.

Flam and “bounce” (think of a ‘pressed’ hit) samples for toms and snares are assigned to higher octaves. Three volume faders and pan knobs allow adjustment of alternative mic positions and compression.

Play 2 features some clever programming to ensure greater realism. For example, the engine detects when quick repetitions are being played and will automatically switch to a different set of round robin samples, recorded from faster playing.

One newly recorded bass guitar and some remastered content from EastWest’s Hardcore Bass package rounds it off.

The installation was pretty tortuous, as we had to restart the whole process a couple of times after our discs failed to read. That’s no joke for eight DVDs with a cited install time of 40+ minutes each. Next time we’ll go for EastWest’s pre-installed TeraPack hard drive instead.

Once up and running, the no-nonsense interface looked as classy as ever. It’s been given a slight graphical rejig – for instance, the drum mic faders now appear on the main display.

Lost in translation

So how does it perform? Quite simply, it rocks. All the guitars have ‘playable presets’ that vary the articulations based on mod wheel, keyswitch and velocity values. Alternatively, each articulation is loadable as an ‘element’ patch.

We put together some quite realistic examples using the playable keyswitch patches before realising that the articulations aren’t mapped universally and so don’t translate between the different guitars.

This meant some annoying tweaking when we decided to swap our chosen axe mid-arrangement. Using the elements patches and writing parts over several tracks allows greater flexibility in the long run.

The guitar samples are crisp and clean, and many have dual-channel recordings with an amped version on the right channel and direct signal on the left. This provides serious versatility as the direct signal can be processed by your favourite amp sim plug-ins.

We did notice occasional digital popping/clicking at the start of some notes, especially with the drum kits – it seems that a few other users have experienced this too.

The good news is that EastWest let us have a go with the beta version of the forthcoming Play 3, and this cured the issue – patches loaded way faster too. Play 3 also promises 64-bit OS X compatibility.

Unless you’ve got a rock band stashed away in your garage, MOR2 is a must-have if you crave stadium-sized guitar or drum performances. With a bit of careful programming, the instruments can at times sound scarily close to the real thing.

Kudos to EastWest for this great expansion upon the original MOR concept.

Now listen to our audio demos to hear Ministry Of Rock 2 in action:

Drums – DW kit

Drums – Gretsch kit

Guitar – Baritone lead

Guitar – Gibson short

Guitar – Telecaster lead

Read more about EastWest Ministry of Rock 2 at MusicRadar.com

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EastWest Ministry Of Rock 2

Monday, August 1st, 2011

Three years ago, EastWest responded to the needs of many a composer with their first collection dedicated to heavy rock instruments, Ministry Of Rock. The package featured bass, rhythm and lead guitars alongside heavyweight drum kits, all wrapped up in their Play sample-playback engine.

Now they’ve turned out a sequel, miking up more classic kits and guitars to create a new library that weighs in at 57GB, nearly three times the size of the original.

It’s a Play 2-based instrument, and it runs as a VST, AU or RTAS plug-in, or as a standalone app. Ministry of Rock 2 isn’t a replacement for the first edition; rather, it sits alongside it, providing additional patches at either end of the heaviness spectrum.

There are three distorted lead rock patches recorded from a Schecter seven-string, Danelectro baritone model (ie, extra-deep tuning), Gibson Les Paul, and the bridge pickup of a Carvin guitar – they’re all as beefy as you’d hope.

You also get three rock/pop guitar presets that are clean and melodic, coming from a Fender Jaguar, a Telecaster and the neck pickup of the Carvin axe. The new drum kits, from DW, Ludwig and Gretsch, have some inventive aspects.

Beat it

We especially love the ease with which the three drum kits can be mixed and matched in MOR 2. First you choose your basic kit and snare combination (from a possible six snares).

You then have options to replace kick, snare, toms, hi-hats or cymbals with any of the other kits’ velocity-mapped samples. They all follow the same general MIDI mapping, so it’s easy to write or import a MIDI drum line and then select your preferred elements from the kits.

Flam and “bounce” (think of a ‘pressed’ hit) samples for toms and snares are assigned to higher octaves. Three volume faders and pan knobs allow adjustment of alternative mic positions and compression.

Play 2 features some clever programming to ensure greater realism. For example, the engine detects when quick repetitions are being played and will automatically switch to a different set of round robin samples, recorded from faster playing.

One newly recorded bass guitar and some remastered content from EastWest’s Hardcore Bass package rounds it off.

The installation was pretty tortuous, as we had to restart the whole process a couple of times after our discs failed to read. That’s no joke for eight DVDs with a cited install time of 40+ minutes each. Next time we’ll go for EastWest’s pre-installed TeraPack hard drive instead.

Once up and running, the no-nonsense interface looked as classy as ever. It’s been given a slight graphical rejig – for instance, the drum mic faders now appear on the main display.

Lost in translation

So how does it perform? Quite simply, it rocks. All the guitars have ‘playable presets’ that vary the articulations based on mod wheel, keyswitch and velocity values. Alternatively, each articulation is loadable as an ‘element’ patch.

We put together some quite realistic examples using the playable keyswitch patches before realising that the articulations aren’t mapped universally and so don’t translate between the different guitars.

This meant some annoying tweaking when we decided to swap our chosen axe mid-arrangement. Using the elements patches and writing parts over several tracks allows greater flexibility in the long run.

The guitar samples are crisp and clean, and many have dual-channel recordings with an amped version on the right channel and direct signal on the left. This provides serious versatility as the direct signal can be processed by your favourite amp sim plug-ins.

We did notice occasional digital popping/clicking at the start of some notes, especially with the drum kits – it seems that a few other users have experienced this too.

The good news is that EastWest let us have a go with the beta version of the forthcoming Play 3, and this cured the issue – patches loaded way faster too. Play 3 also promises 64-bit OS X compatibility.

Unless you’ve got a rock band stashed away in your garage, MOR2 is a must-have if you crave stadium-sized guitar or drum performances. With a bit of careful programming, the instruments can at times sound scarily close to the real thing.

Kudos to EastWest for this great expansion upon the original MOR concept.

Now listen to our audio demos to hear Ministry Of Rock 2 in action:

Drums – DW kit

Drums – Gretsch kit

Guitar – Baritone lead

Guitar – Gibson short

Guitar – Telecaster lead




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Is Fruityloops good for making traditional rock music?

Wednesday, July 20th, 2011

Question by Rogo1119231: Is Fruityloops good for making traditional rock music?
I’m in the process of learning guitar, my girlfriend is a drummer and we are both looking into some midi inputs and all that kind of stuff, but for now I’m feeling a serious music bug and I was wondering if it’s possible to create traditional rock music instead of just “beats” with fruityloops? Is it good for that or any suggestions for anything better? Thanks so much!
haha vintage :) barely edible *shakes head*

Best answer:

Answer by music is my life ***
yes

Know better? Leave your own answer in the comments!

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ArtsAcoustic adds 64-bit Mac support to CL Series and Big Rock plug-ins

Monday, July 4th, 2011

ArtsAcoustic has updated CL Series to 1.0.19 and BigRock to 1.0.7. The following has been changed in the CL Series 1.0.19: Added: OSX 64bit version (AU + VST). Fixed: CLS old preset formats (version… [Read More]
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ArtsAcoustic adds 64bit Mac support to CL Series and Big Rock plug-ins

Thursday, June 30th, 2011

ArtsAcoustic has updated CL Series to 1.0.19 and BigRock to 1.0.7. The following has been changed in the CL Series 1.0.19: Added: OSX 64bit version (AU + VST). Fixed: CLS old preset formats (version… [Read More]
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