So we met up with Pepstar again for a Beats & Bars exclusive this time featuring a special guest.
Video Rating: 4 / 5

DJ Unexpected – Look What I Found [Vol. 4]
Video Rating: 4 / 5
Chris Martin from Coldplay performs “Yellow”, “Viva La Vida” and “Wedding Bells” at the end of the Apple Special Event on the 1st September 2010 This is his full live performance
www.youtube.com Click here to watch RDR Bloopers 2 Chuck’s Happy Zombie Massacre (Dead Rising 2 Machinima) A classical music montage of Dead Rising 2 by BenBuja! DIRECTOR’S CHANNEL: www.youtube.com – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - Follow Machinima on Twitter! Machinima twitter.com Inside Gaming twitter.com Machinima Respawn twitter.com Machinima Entertainment, Technology, Culture twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com Tags: yt:quality=high “Dead Rising 2″ DR2 “Dead Rising” Blue Castle Capcom UPC 013388310654 Xbox 360 X360 PlayStation 3 PS3 Microsoft Windows PC computer zombie survival horror video game sequel machinima Music Montage Blood Gore Classical Combo Cards BenBuja Ultra Ben Buja Happy Massacre
Video Rating: 4 / 5
Read the full story @ KVR Audio
Virsyn has updated KLON – The Vocal Designer to version 1.1. New Features: VST3 / VST2.4: 64-bit version for Windows 7 and Windows Vista. VST3: AI Knob Interface integrated. The upgrade to KLON 1.1 [Read More]
AudioProFeeds-1
Read the full story @ KVR Audio
Audiffex has announced The Eleven Discount, a special offer limited to November 11, 2011. Price of all Audiffex products will be reduced to $ 11 on this day, which makes up to 93% discount. Furthermor [Read More]
AudioProFeeds-1
First impressions of the Michael Kelly Hybrid Special are mouth watering, with a stunning maple top, chambered mahogany Tele-shaped body and wood-effect Rockfield humbuckers.
This hybrid doesn’t just promise superior sound splicing, it also looks like the love child of a rock star and a carpenter. That said, it’s a shame to spot a bit of mess through the f-holes of an otherwise nicely built Korean guitar.
A good start, then, and the Hybrid Special doesn’t drop the ball with its physical performance. It’s light, but offers a deep rim depth, meaning that it feels natural for strumming on the lap and has a lovely resonant shimmer before you even plug in.
The string spacing is a relatively tight, but the combination of a short scale, manageable neck profile and set join enables us to cruise the fretboard and perform bends and vibrato with ease.
We’re not kidding ourselves, though. The Hybrid Special is a compromise – a single guitar will never widdle like a JEM and strum the same as a Martin – but it’s a damn good one.
We threw everything, from tapping to fingerstyle, at it, without ever thinking, ‘This feels weird.’
Inspect the rim and you’ll see the Hybrid Special has only one output. This might sound like a limiting factor, but it’s not: one option is to plug in the ‘Y’ cable provided, thus splitting the signal and sending the piezo and mag outputs to different amps.
The other choice is to use a standard cable and one amp, at which point the two pickup signals are combined and you can blend them using twin volume controls, thus shaking up any number of sonic cocktails.
It’s a little frustrating that there are no markers on the dials, so you have to blend by ear, but overall this guitar is reasonably non-confusing and requires no extra kit to get up and running. When you throw in the coil-tap feature, it starts to look even more tempting.
But, ultimately, it’s the raw tone that really sells the Hybrid Special. The electric sound is top class, cracking out a nasty grind and screaming lead, then dropping back to a surprisingly snappy clean tone.
But the acoustic side is great too – you can feel the flavour of mahogany and maple – and messing about with the mix is a great way to unlock bespoke tones.
On the evidence here, hybrid tech is moving fast and sounding better than ever. It’s a tight field, but the Hybrid Special is sitting pretty.
Read more about Michael Kelly Hybrid Special at MusicRadar.com
First impressions of the Michael Kelly Hybrid Special are mouth watering, with a stunning maple top, chambered mahogany Tele-shaped body and wood-effect Rockfield humbuckers.
This hybrid doesn’t just promise superior sound splicing, it also looks like the love child of a rock star and a carpenter. That said, it’s a shame to spot a bit of mess through the f-holes of an otherwise nicely built Korean guitar.
A good start, then, and the Hybrid Special doesn’t drop the ball with its physical performance. It’s light, but offers a deep rim depth, meaning that it feels natural for strumming on the lap and has a lovely resonant shimmer before you even plug in.
The string spacing is a relatively tight, but the combination of a short scale, manageable neck profile and set join enables us to cruise the fretboard and perform bends and vibrato with ease.
We’re not kidding ourselves, though. The Hybrid Special is a compromise – a single guitar will never widdle like a JEM and strum the same as a Martin – but it’s a damn good one.
We threw everything, from tapping to fingerstyle, at it, without ever thinking, ‘This feels weird.’
Inspect the rim and you’ll see the Hybrid Special has only one output. This might sound like a limiting factor, but it’s not: one option is to plug in the ‘Y’ cable provided, thus splitting the signal and sending the piezo and mag outputs to different amps.
The other choice is to use a standard cable and one amp, at which point the two pickup signals are combined and you can blend them using twin volume controls, thus shaking up any number of sonic cocktails.
It’s a little frustrating that there are no markers on the dials, so you have to blend by ear, but overall this guitar is reasonably non-confusing and requires no extra kit to get up and running. When you throw in the coil-tap feature, it starts to look even more tempting.
But, ultimately, it’s the raw tone that really sells the Hybrid Special. The electric sound is top class, cracking out a nasty grind and screaming lead, then dropping back to a surprisingly snappy clean tone.
But the acoustic side is great too – you can feel the flavour of mahogany and maple – and messing about with the mix is a great way to unlock bespoke tones.
On the evidence here, hybrid tech is moving fast and sounding better than ever. It’s a tight field, but the Hybrid Special is sitting pretty.
Read more about Michael Kelly Hybrid Special at MusicRadar.com
CK_Modules has added the Multi-Band Processor VST effect plug-in to its Special Offer Bundle. The bundle now includes all six CK_Modules Windows VST effect plug-ins for and#163;29.95 – that’s over 50%… [Read More]
AudioProFeeds-1
Sinevibes has updated the Sequential AudioUnit plug-in to version 1.1.0. This version of the effect sequencer brings the following enhancements: New low-pass filter algorithm with -24 dB/octave slo… [Read More]
AudioProFeeds-1
Hypersynth has announced a Summer Sale for two of its soft synths, Oresus and SIDizer. They are now available in one bundle: Oresus + SIDizer = $ 65 (save $ 29) This offer is available until August 31… [Read More]
AudioProFeeds-1
Applied Acoustics is running a Big Promotion on their very popular Lounge Lizard EP-3 plug-in. The super low price is $ 89 until the end of July. That’s a $ 110 discount on the regular price of $ 199. L… [Read More]
AudioProFeeds-1