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Wizdom Music MorphWiz

Thursday, July 29th, 2010

Kevin Chartier and keyboardist extraordinaire Jordan Rudess have teamed up to bring us what may be the first serious performance instrument designed specifically for the iPad. Inspired by Lippold Haken’s Continuum controller, MorphWiz presents a control system wherein notes of a given (and user-definable) scale are laid out across the screen as vertical lines.

As on a traditional keyboard, notes range from low to high as you travel from left to right. However, sounds can morph from one timbre to another as you drag your finger vertically along a given note. You can also play between the notes by placing your finger just between the B and C lines. Additionally, MorphWiz taps the iPad’s accelerometer – you can tilt the device to tweak the sound of the built-in synthesiser.

On that synthesiser, it’s refreshingly direct, with a smattering of parameters that draw upon basic waveshaping, FM and ‘Wavesync’ synthesis to shape the sounds, with a few effects to spice things up. While FM synthesis is tricky to master, even the greenest neophyte isn’t going to get lost with MorphWiz’s simple implementation. There’s just enough flexibility to personalise the sound, but not enough to distract you from the performance.

And that’s what MorphWiz is all about: performance. Rudess’s experience shows in the design of the instrument and the immediately playable factory patches.

MorphWiz provides a built-in recording function with looped overdubbing capabilities. You can adjust the number of beats and measures and there’s a metronome to guide you. The results can be exported, emailed or sent to apps that support AudioPaste.

MorphWiz turns the iPad into an expressive performance instrument. Is it perfect? No. There are a lot of pages to work through and there’s no MIDI-over-Wi-Fi, unfortunately. Even these drawbacks aren’t enough to tear us away from it, however.



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Wizdom Music MorphWiz

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DigiTech Vocalist VL3D

Friday, October 9th, 2009

The DigiTech Vocalist Live 2, was purely for processing vocals and adding two-part harmonies, triggered by guitar and intelligently following the chords played. DigiTech has now come up with the Vocalist VL3D, a desktop processor with an expanded feature set.

The VL3D’s wedge shape gives easy access to the controls and clear visibility to the illuminated info panel. All the connections are neatly tucked away at the rear, as is the knob to set the input level, although it’s still easily accessed from the front.

The control panel is split into switchable sections that process the vocal signal. The first section offers four knobs to tweak the sound of the voice before any pitch correction or harmonies are added. There’s a noise gate, de-esser, compressor and a ‘warmth’ knob to add simulated valve distortion. The next section applies pitch correction to the voice – tweaking any out of tune notes to fit into a 12-note chromatic scale.

A choice of studio, room and hall reverb can also be added to the overall sound. Adding harmonies to the voice is possible courtesy of DigiTech’s MusIQ Technology, which analyses the singer’s voice to generate the most musically correct harmonies.

“You may not have to rely on the ‘pitch-challenged’ bassist and drummer ever again.”

Two harmonies can be generated by playing guitar chords or, in the case of an unaccompanied singer, by using the unit’s front panel buttons to set the key and scale for a particular song. For each harmony you have an easily understandable choice of bass, lower, low, double, high, higher or octave. Each can take on the natural character of the singer’s voice or have its gender altered!

In addition a ‘humanize’ knob adjusts the perceived naturalness of the harmony voices. A ‘harmony mix’ knob sets the mix of lead voice and harmonies from lead voice only through to harmonies only.

The VL3D contains five programmable memories for storing your settings and each of these can contain two independent settings – Part A and Part B – selected using a front panel switch or an optional footswitch. If two harmonies isn’t enough, up to four harmonies can be created in MIDI mode by inputting MIDI notes into the VL3D.

Sounds

Guitarist’s Simon Bradley puts the VL3D through its paces in the following clip. In each case, you’ll hear the guitar and unadorned voice first:

Plug a mic into the back for singing, plug in your guitar and connect a lead from the guitar thru socket to your amp, tune the guitar using the onboard tuner then choose the vocal sound and harmony voices that you want – setting up is that simple. All that’s left to do is sing while playing rhythm guitar into the VL3D and you’ll find yourself musically valid harmonies that sympathetically follow the song’s structure for an instantly bigger sound.

(2 pages; go to page: 2)

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DigiTech Vocalist VL3D

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