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DDMF has released version 2.1 of Metaplugin. From now on, a synthesizer version is shipped along with the effect version, so that users can build their own meta-instruments. Metaplugin is now also ava [Read More]
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M-RGT updates Ambitron Virtual Soundscape Generator plug-in to v1.1
Wednesday, December 28th, 2011
Read the full story @ KVR Audio
M-RGT has updated Ambitron, the Virtual Soundscape Generator plug-in for Windows, to version 1.1. New Features: Added Pilotless mode (which allows for the seamless randomized morphing of patches co [Read More]
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Rockmate Features Collaborative Finger Tapping on iPad in Virtual Band
Thursday, December 15th, 2011Back before the iPad (perhaps deservedly) hogged the spotlight, there were interactive tables. And one of the selling points of these new interfaces was collaborative play. Unlike the solo experience of using a computer, you’d gather around a display surface – just as you would a dining room table – and share the device. You’d play together.
The iPad is much smaller, but in a way, that lends a certain charm, cramming hands around its little surface. (Anyone play Hungry, Hungry Hippos?)
Tapping fingers on that shared surface, you have an experience that, while perhaps less finely-tuned than using the iPad one-on-one, you actually get to have with other human beings
And so that reason alone gives Rockmate special mention. I hear mainstream journalists ask questions like “is this the way people will play music in the future?” That’s, of course, roughly as intelligent as someone looking at Pong and saying, “well, I guess that about does it for Wimbledon, huh?” But it’s the awkwardness of playing a virtual band that makes this look like fun, like something families and friends might use. It could also be fun to play after a little too much NAMM. And the developers have lavished functionality on it (see specs below). They’ve also got an intro price of $ 1, or about one quarter per person. Have at it. I think it looks like brilliant fun.
It’s a set of sampled instrument for four players on a single device, with:
Realtime looper
Smart metronome
Mixer with level and pan controls
Realtime Fx (distortion, multiFX, powerchord)
Chords progression customizable
Create your own chords
Save your styles (Chords progression, FX, Drum, keyboard style…)
Export: .wav or .aac
Sharing: iTunes sharing folder and Email.
Airplay
The chord feature brings back fond memories of home organs for me. From the developers of the excellent DM1 drum machine.
On iTunes:
Official site: http://www.fingerlab.net/website/Fingerlab/Rockmate.html
ePipes releases Studio Piper 3.0 Virtual Bagpipes Plug-in for Win and Mac
Tuesday, November 8th, 2011
Read the full story @ KVR Audio
ePipes has released Studio Piper 3.0, a major new version of the virtual Bagpipes plug-in – now available for Windows and Mac OS X in stand-alone and VST, VST 3, AU and RTAS instrument plug-in format [Read More]
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M-RGT releases Ambitron Virtual Soundscape Generator VSTi for Windows
Thursday, November 3rd, 2011
Read the full story @ KVR Audio
M-RGT has released the Ambitron, a new Virtual Soundscape Generator VST instrument plug-in for Windows. Ambitron is an experimental electronic synthesizer that employs granular synthesis in two sepa [Read More]
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CDSoundMaster releases ACTION! Sampler – “Cinematic Expressions” virtual instrument
Friday, September 2nd, 2011
Read the full story @ KVR Audio
CDSoundMaster has announced the release of ACTION! Sampler, which is the first in their new line of “Cinematic Expressions” virtual instrument samplers and sample collections to create for film score [Read More]
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Ableton Live Tips #9: Composition + Remix Techniques (Virtual Boy)
Monday, August 29th, 2011
For more info – bit.ly In this week’s Ableton Live tutorial, Dubspot Instructor Professor Nalepa shares a composition process he stumbled upon years ago working on the song “Pomme Granite Dub.” The technique involves taking short loops from some source material, loading them up into the Session View, mapping them to your MIDI controller and then recording your live performance into the Arrangement View. The source material can be a song you are remixing, an older production you want to breathe new life into, or some crazy synth recording that you’ve mined for the best moments. He explains MIDI mapping of Send Effects, MIDI mapping the Loop Position of an Audio Clip, and MIDI mapping multiple cells in the Session View. The tutorial shares a variety of composition techniques, and also explains how to view multiple automation lanes in the Arrangement View.
Video Rating: 4 / 5
Slate Digital Virtual Console Collection
Wednesday, August 24th, 2011Virtual Console Collection (VCC) has been a long time in development, and though it finally made it out of the gates in March 2011, there were teething problems, with much bug-busting still to be done. We’re evaluating the latest version (1.2.3) and we’re pleased to report that it worked without a hitch for us.
The plug-in is in VST format for Windows and AU, VST and RTAS for OS X.
“VCC isn’t a magic bullet that’ll make mediocre mixes sound majestic. If you’re still getting a handle on mixing, you’d be better off investing in bread-and-butter plug-ins first.”
VCC emulates the sonic characteristics of classic mixing desk channels. This doesn’t mean EQ or compression but the subtle effect gained simply by running signals through the mixing console, often described by analogue advocates as providing warmth, glue and sometimes a certain ’3D’ quality.
VCC offers four desk models, named Brit 4K, US A, Brit N and the last represented by the three-pronged Greek letter pi. It’s easy to deduce that these are SSL, API, Neve and Trident designs respectively.
There are two plug-ins in the package: Virtual Channel and Virtual MixBuss. You put the former on all source channels in your mix, and the latter on group buses and the master bus. You can drive them harder using the Input and Drive knobs – they have the same sonic effect, but the former also increases the level.
If you drop VCC on just one channel, you almost certainly won’t hear any difference.
However, the accumulated effect from sticking it on all of them is of subtle enhancement and gentle dynamic control, making it easier to achieve a smooth mix where everything sits in its place. Like an analogue desk, you have to push levels hard before saturation is audible.
Front desk
One of VCC’s biggest novelties is the ability to mix and match channels from different desk types. Still, at regular levels, we found that using the SSL channel on a drum kit with a Neve-treated string section was practically indistinguishable from a fully SSL setup.
This is to be expected considering that real consoles are typically designed to be as clean and transparent as their analogue circuitry allows. As you drive levels, the differences become more obvious, with the SSL and Trident being the most coloured.
Sonically, the Trident offers the least hi-fi sound (and most hiss), with the API crisp and upfront, while the Neve handles extreme signal levels with the most ease. The Neve also noticeably enhances the bass.
On the downside, CPU usage can be considerable. On our four-core Intel Xeon 3GHz-equipped Mac, running 64 Virtual Channels brought the CPU meter up to the halfway mark.
Note that the MixBuss plug-in is more CPU-intensive and that oversampling will increase the CPU load further. However, the treble sounds excellent in the 8x oversampling mode.
In use, we found VCC very rewarding and with a valve desk model in development, there’s clearly more to come.
We should point out, though, that VCC isn’t a magic bullet that’ll make mediocre mixes sound majestic. If you’re still getting a handle on mixing, you’d be better off investing in bread-and-butter plug-ins first, such as quality EQ, compression and reverb.
For more experienced engineers looking to take their mixes to the next level, though, VCC could be revelatory, and we have to praise Slate Digital for bringing a new level of nuance and flexibility to the ‘console in the box’ concept.
Read more about Slate Digital Virtual Console Collection at MusicRadar.com
SugarBytes Turnado review: a virtual pedalboard on steroids
Saturday, July 23rd, 2011
SugarBytes have just released a new plugin designed for real-time manipulation of audio. Turnado is a fresh look at some of the previous excellent offerings from the German company. SugarBytes’ motto is to make “Better sounding, better looking audio software thats easier to use and cheaper to get than everything that’s out there. Just great products that can do more stuff with less buttons, that have more features with less instructions, that are simply more fun and less expensive.” With Turnado, they certainly seem to making massive strides in that direction.
Turnado is a VST/AU plugin, but is also interestingly now in a standalone version – so anything that you can use to make audio on a computer, you can route through Turnado.
The GUI is a big bold move – the opening screen is clutter free, simple, big, bright clean graphics. I opened up the program, and instantly understood the concept. There are 8 effects knobs. You turn them, an effect comes on. You turn them more, the effect changes or increases. Simple. There’s different effects listed in a column on the left hand side. You want to change one of the 8 effects? Drag one from the left hand list onto the knob. Changed.
The immediacy of the effect is very appealing. There’s no need to look through the manual: it’s a very intuitive design. I really liked the colourful graphics. It looks fresh – it’s very different from a lot of plugins out there – with an almost cartoony edge. Although it doesn’t overstep into cheese and cheap looking, it does look kind of like a beat-up pedal board from the bahamas.
The next thing to impress was the sound. As I messed around with all the different effects, I noticed that the quality of the sound was really clean. It took a lot of effort to get any (unwanted) clicks or pops out of the sound mangling that was going on.
There are 24 effects total that can be dragged into the 8 effect slots at any one time. the brightly coloured graphics neatly divide up the styles of effects, making it easy to differentiate between what types of effects are in use. The effects are a little different from the norm too. Yes, there’s the usual suspects – reverb, phaser, ring mod, looping, delays etc, but there are other more unusual effects, such as Pattern delay, Vowel filter, freeze reverb, Vocodizer, Transient looper, granulizer and spectralizer. In use they quickly create some fresh sounds. I didn’t find any of the effects redundant either. I could see them all being useful in mashing up sound. The way the effects work definitely seem to lend themselves more towards beats and rhythm oriented material. There’s a lot of beat slicing, stutter, glitch style sounds that come out of the plugin. But it does work well on other melodic and harmonic sound too. There are a ton of presets to trawl through that open up to your ears all the different possibilities this software presents.
Once you’ve dragged the effects you’ve chosen into the slot, they can be further edited by clicking on the title bar in the middle. This opens up a menu listing a bunch of presets for that particular effect. So you can quickly change through many different options. Deeper editing is revealed with a click of the little edit button, which when pressed takes you to a new page. This reveals the more in depth editing capabilities of the effects. Within the edit page, there are several parameters that are present. Some are there for every effect – such as 2 LFO’s and an envelope follower. But there are distinct parameters too. If you are using the vowel filter effect for example, then the parameters you can change are vowel choice, vowel mix, resonance etc. Each parameter that you edit has a separate knob that determines how the movement of the main knob will affect this particular parameter, and in what way. so you can choose whether moving the main knob will make the parameter less, more, slower, faster, etc. This combined with the LFO modulators (that can be assigned to any or all parameters) means that each effect can get complex very quickly.
THE DICTATOR
And then, when you think it can’t get any worse – there’s the dictator slider. The dictator slider replaces the grid list of effects, with a single slider, that combines all 8 of your knob effects into one. As you move the slider around, the various knob effects will come into play in varying amounts. This is really magnificent thinking. It’s a sort of vertical automation sequencer: As you move the Dictator slider up and down, the corresponding effect knobs move according to their positioning in the sequence. Clear as mud? Yeah, it’s hard to describe. Here’s a video that will hopefully help explain. I set up a simple Ableton live pattern, then stuck 3 turnado plugins on the master channel, and am using a midi controller to move the dictator and the dry/wet sliders.
Conclusion
Sugarbytes have done it again. One of the signs that I took this to be a good plugin was the fact that I got totally lost in it – and realised 2.5 hours later that I’d spent all this time messing around with one beat, creating weirder and more wonderful stuff than I had in a long time.
The Dictator really takes the biscuit for me. For ease of use and just brilliant results by moving one slider – and yet designing the program so it’s as easy as pie to set up, I’m not sure there’s anything out there that competes at the moment. Excellent design. The instant satisfaction combined with the great depth of editing on this plugin make it really good work with.
Price
139€/$ 179
… For ease of use and just brilliant results by moving one slider – and yet designing the program so it’s as easy as pie to set up, I’m not sure there’s anything out there that competes at the moment…
PROS
- It can be as simple as just moving a single fader to create an absolute mangled mess of sound, yet you can get really complex in the editing of each effect
- Amazing sound quality
LOVE IT OR HATE IT
- If beat manipulation isn’t your thing, then you might not find much use for it.
CONS
- The intro price was excellent, the full price may be a bit high for some users


