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Chicken Systems releases Translator 6 Beta and launches 50% Thanksgiving Weekend Sale

Sunday, November 27th, 2011

Read the full story @ KVR Audio
Chicken Systems has announced the release of a beta version of Translator 6, a major new version of their instrument conversion software. It comes in Mac and Windows versions. The older Windows versio [Read More]
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Hot for Heat: Warm Up Your Weekend with a Mix from Ghostly’s Moderna (Missy Livington)

Friday, October 21st, 2011

Hot For Heat by Moderna

For visual design, we look to look books and scrapbooks and massage our eyeballs and optical centers of our brain. For music, increasingly, the mix helps us find the mood, aided by expert practitioners in finding the right sound.

Sure, dozens of Web startups show up in my inbox each week to tout some magical automatic music selection engine that turns over your tastes and mood to HAL and pumps out some mix. I’ll choose the humans. Take Ghostly International’s Moderna, who has turned her music selection tastes into a career. As I huddle in for the northern European winter, Missy is celebrating an LA-style Indian Summer.

As she describes her background:

Moderna’s music history began at the age of 15, booking legendary artists such as Blonde Redhead, Out Hud and !!! to play shows in her native Utah. Her travels and eventual moves to London, NYC and LA, informed the founding of Re:Up magazine, a now legendary publication that documented the early-mid 2000′s electronic and downtempo scenes, as well as featuring some of the world’s greatest artists and designers which led her to start her work at Ghostly International, where she produced and planned events in some of the world’s best clubs and festivals, from Berghain to Sonar.

Moderna lives between Los Angeles and New York. Alongside her dj sets, she also creates unique and worthy listening environments for various spaces.

As for the tracks, they span the gamut from the addictive new Tycho track “Hours” to sun-kissed, tightly-tuned rhythms.

Track List:
Jack Shit – TJ Kong & Modular K
Legend Gold [BlackLodge Remix] – Professor LaCroix
Discocracy (Hannulelauri Remix) – Bottin
Left The Ground (feat Ziggy Franklin) – James Curd
Hours – Tycho
Church (Midland Remix) – The 2 Bears
Twist – Peter & The Magician
Household Goods (Justin Martin Vocal) – Totally Enormous Extinct Dinosaurs
Behaving Badly (Diamond Lights Techno Remix) – Magnifik
Good Bye Horses – Q Lazzarus

Of course, we have plenty of producers looking to get the attention of folks like Missy – and many of us aspiring to put together tasteful mixes, if for nothing other than our own playlists, let alone the urgent need for artists to themselves work out how to become tastemakers and to put their music in a greater context. So, I’m always interested in how the head (or ears) put together a mix I enjoy.

Missy tells CDM:

A good solid beat and warm high synths are what I usually get into.
I tend to really enjoy simple basic vocals, not too “sing-y” clean and clear that can play almost as a beat, as well, like the eedinosaurs track.
I have to force myself on dance mixes like this one to not get too dark, as my tendency is to play the tracks that you usually hear at the after parties as the sun is coming up which is the next mix I’m working on. :)

I pick the tracks mainly by sound, beat, and speed, not necessarily by artist. I like to keep the entire mix on a complimentary flow — each track has to compliment the previous and next, and so on. Even the genre doesn’t play a huge part; I like to mix it up not do all techno or all Disco a little bit of everything (almost)

Whoa, wait — Missy, did you say you were afraid to get “too dark”? (Sorry, folks; I may have neglected to tell her which site she was on. Ask our designer/artist/friend proem about how dark music should get.)

(Thanks, though, for the quick response; I was pestering Missy over email in the middle of the night Pacific time.)

Here’s how she describes the mix:

I was inspired by the extraordinary heat I experienced this summer both in New York City and the Indian summer that is upon us now here on the west coast. If you know me well you know I am a fan of warmth so this summer has been one of my favorites (despite those few sweltering days in Manhattan that made me to question why I love the heat so much). But those days are now coming to an end as Halloween is among us along with the brisk air and the changing of leaves…for winter is coming (insert Game of Thrones Quote here).

So here is an ode to the heat, past, present and future, for which I am in no doubt hot for.

Give it a listen, check out Missy’s site and SoundCloud and latest, and have a great weekend, y’all.

http://modernas.info/
SoundCloud link

Photo: Lindsey DeWitt – and I love the retro look, Missy!


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Weekend Listening: Cinematic Sonic Treats from Phoenecia

Sunday, June 5th, 2011

If you’re looking to give your ears one last adventure this weekend, I highly recommend the stream of an upcoming full-length from Joshua Kay and Romulo del Castillo, recording as Phoenecia. On Josh’s Schematic label, the work hits the far reaches of electronic sound design, in an always-satisfying, soundtrack-like tapestry of musical exploration. It has the feel of exploring imaginary landscapes, to steal a phrase from Cage. The album comes out June 14; the duo is already taking advantage of Bandcamp’s recently-unveiled preorder purchase system, and you can listen in full on either Bandcamp or (embedded here) SoundCloud.

Hope to talk more later this month as it comes out, so feel free to ask questions or share constructive thoughts.

Details:

Recorded by Josh Kay & Romulo Del Castillo
Design by Josh Kay
Mastered by Dietrich Schoeneman
Fernando Subirats sings & plays tabla on Frendano
Dogness contains samples from Kettel’s “My Dogan”

Available for pre-order on bandcamp:
http://phoenecia.bandcamp.com/album/demissions

Phoenecia – Demissions by phoenecia


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Weekend Pick: Invisible Instructions in NYC Matches Art, Tech, Teaching with Music; Free Listening

Saturday, December 18th, 2010

I’m fortunate this weekend to be able to be part of Invisible Instructions, a combination art exhibit and music lineup at Culturefix, the same LES venue where we host Handmade Music. “High Priest” HPrizm of Antipop Consortium is playing and (see Soundcloud) this evening is teaching a “signal to rhythm” digital audio workshop with Spacecraft (Soh Nup Ink). (People know Anti-Pop’s music well; HPRIZM has actually done some significant sound design, something you might not know, including presets for the the ElecTribe EMX and ESX SD Edition for Korg.)

Some psychedelic HPRIZM sounds to get you through your weekend:
PROJECT-Xmp3 by HPRIZM

And it’s worth revisiting Anti-Pop Consortium’s podcast for our friends at XLR8R Magazine:
http://www.xlr8r.com/podcast/2010/10/anti-pop-consortium

What’s a bit unique about this event is that it couples digital music with visual art (with, you know, actual paint) and teaching. NYU’s Hip-Hop Education Center” is a collaborator, teaching people young and old the craft of hip-hop music.

There are music performances today and tomorrow alongside the workshops; I’ll be playing some visuals tomorrow night. Thanks to my friend SpaceCraft for making this happen!

Invisible Instructions Exhibition + Micro-festival Site
Dubspot Blog Post

Psychedelic solstice Tuesday, anyone?


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Get ready for Producer Sessions Live this weekend!

Sunday, October 17th, 2010

On Saturday the 25th and Sunday the 26th of September 2010 London’s SAE will play host to Producer Sessions Live, a gathering of some of the biggest names in dance and pop music production including Freemasons, Dave Spoon, Jon Carter & Alex Blanco, Danny Byrd, and the latest addition, Hospital Records’ legend Nu:Tone.

Tickets are no longer on sale for the event online, but you can still buy tickets on the door. Some seminars still have tickets available which you can buy on the day. These include Steve Mac (10:30-11:15) and Jon Carter & Alex Blanco (13:30-14:15) on the Saturday, and James Hockley (10:30-11:15), Dave Spoon (12:00-12:45) and Sharooz (16:30-17:15) on the Sunday. More details are available from here. See you there!

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This Weekend is Crazy in Austin: Handmade Music, Live 8 Sessions Tour

Friday, November 13th, 2009

pkdaedelus

In LA’s DubSpot Live 8 Sessions, I shared a panel with Daedalus, talking about design, live playing, the monome, and how limiting tools for performance can be powerful. Austin gets its own cast of presenters this weekend.

Sadly, I can’t be in all places at once. If I could, I’d be in Austin – twice over – this weekend. Handmade Music session two hits with an all-new set of learning and noise-making. Whether new to electronics making or an old hand, there’s something to absorb from some of the best mad sound scientists in the world. And our friends at DubSpot are in town, too, with a big lineup of production, recording, and performance techniques centering on Ableton Live 8. And on top of all of that, the city is host to the brilliant art + sound East Austin Studio Tour – a fantastic idea coupling events, studio tours, and art exhibitions I hope we steal in cities like my home New York.

This is all of interest to a tiny fraction of a percent of our readers since it’s really relevant only if you’re in Austin, but therein lies my plea — if you are in Austin, we could use your help documenting this weekend’s events. Get in touch, and we should be able to hook you up with a free pass for the DubSpot event, plus — well, whatever I come up with to thank you for videoing and/or writing about Handmade Music.

First up, Handmade Music:

Handmade Music Austin #1

This sunday is Handmade Music Austin #2.

We’ll be building 4ms’ Autonomous Bassline Generator. The upper division class is filled but there should be some space in the beginner class. Even if there aren’t any seats available, there will be all kinds of things happening in the gallery space for EAST. You can play with the Thingamagoop 2, Eric Archer’s noisemakers, Andromeda Space Rocker kits as well as other handmade instuments.

Noon – Gallery space opens. Bleep Labs, Eric archer, and friends interactive exhibit.
4 pm – Free beginner class
6 pm – Upper division synth class $45 at door
6:30 – Free performances :
Red X Red M
Douglas Ferguson/Steve Marsh
TelepathiK Friend

Red X Red M
Douglas Ferguson/Steve Marsh
TelepathiK Friend

As always, see:

http://handmademusic.noisepages.com

DubSpot’s event includes two full days of programming covering production and performance. It’s about Ableton Live 8, but it’s also more broadly about how to make your tracks sound better, how to get them into the world, and how to be successful as an artist both in your releases and live. Austin includes many of the folks I’ve been hanging out with in NY and LA, plus favorites like Ableton veteran sound designer and Keyboard contributor Francis Preve. Christopher Willits will also take a first look at Max for Live and talk about how he uses Max/MSP to process his playing. And Saturday night is a FunkAid benefit with DJ OBaH, Ocote Soul Sounds, Akina Adderley & The Vintage Playboys, and Daetron Vargas.

I expect we can get a guest in if you cover the event for CDM.

http://www.dubspot.com/abletontour/austin.html

Link:
This Weekend is Crazy in Austin: Handmade Music, Live 8 Sessions Tour

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LA, Live, Lasers: Ableton Sessions, and a CDM Party Sunday Night in Hollywood

Thursday, November 5th, 2009

Daedelus joins me for a discussion on performance controllers, as part of an artist lineup ranging from dub pioneer Scientist to beatbox legend Kid Beyond and… a lot of other folks, too. Photo (CC) musiclikedirt.

It’s music production. It’s … lasers. If you’re in the LA area, you’ll want to be there. If not, let us know in comments what you most want to see covered / interviewed / videoed for CDM.

DubSpot’s Live 8 Sessions Tour heads to Los Angeles this weekend, for a set of workshops, performances, and demos on Hollywood Boulevard. I’ll be out with the crew, and hosting with DubSpot a special interactive performance lounge Sunday night.

Sunday night will feature generative audiovisual art made on iPhones, and laser-powered, open-source gestural controllers and a laser installation that responds to motion and sound, plus Christopher Willits, Kid Beyond, Irwin, myself, and a lot more.

The weekend workshops: The artist lineup includes legends from a number of genres, including Scientist, Kid Beyond, Daedelus, Justin Boreta (Glitch Mob), Thavius Beck, and Christopher Willits. Other names you may not know have their own resume in sound design and performance (Irwin), producing and education (Steve Nalepa), mastering technique (Daniel Wyatt), and business (Barry Cole). Sunday, monome virtuoso Daedelus and I will talk about controllers, performance, and sampling technique, I hope going well beyond Live to design and playing technique in general. Passes are $110 for one day, or $195 for the weekend. Watch for a similar series in Austin, Texas this month, and other cities TBD, or for everyone else, stay tuned to CDM and DubSpot.

Ableton is a co-presenter, and Live a jumping-off point, but the topics really wind up being about more than any one tool. You’ll find deeper questions about composing, sound design, mastering, business, performance, controllers, and design in these discussions. I hope to work with some of my artist friends and DubSpot to bring more of those conversations to the CDM readers worldwide.

Want a free pass? One free pass awarded by the end of the day Thursday to the first person in comments to … write a really quotable comment about why you need a free pass. (Sorry, it’s the best I can come up with; I have to sleep and leave for the airport shortly.)

Los Angeles Tour [DubSpot]

laser1

Meason Wiley’s laser music controller design will appear Sunday night; image courtesy the artist.

Sunday night – $5 benefit Interactive Performance Night + CDM 5th Anniversary PARTY CDM turns five this month, and we’ll be kicking off a series of parties in LA, Boston, and New York. For $5 (all proceeds go to the sustainable charity NextAid), catch a night of audiovisual performance and bleeding-edge musical and visual inventions:

  • Featured live performances by Kid Beyond, Christopher Willits (Ghostly International), and Irwin
    , with surprises through the night
  • Open laser instruments: Open-source, gestural laser music controllers you can build, presented by Meason Wiley (www.cyclespersecond.net)
  • 3D mobile music: iPhone-based performance live, synchronized three-dimensional audiovisuals by generative artist Aaron McLeran (Electronic Arts – Spore)

9:00 pm
SUNDAY, November 8
Los Angeles, CA
$5 / free for tour attendees
King King Hollywood | Directions
Facebook page

Christopher Willits; photo (CC) basic sounds.

Full disclosure: The author is currently providing consulting services to DubSpot, and DubSpot’s Live Tour is a CDM advertiser, though there has been no compensation for this story or for my appearance in LA. (In the interest of disclosure, I’m happy to be spending my weekend being involved with the event!) – Peter Kirn

See the original post:
LA, Live, Lasers: Ableton Sessions, and a CDM Party Sunday Night in Hollywood

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AcmeBarGig releases Knuckle Head and Brain 2

Monday, August 24th, 2009

24th August 2009: Over the weekend AcmeBarGig continued Preampus Week with two new releases from its all-new line of Classic Hybrid amps: Knuckle Head and Brain 2. Knuckle Head is a bad boy bruiser with a sweet and sof…

Visit link:
AcmeBarGig releases Knuckle Head and Brain 2

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