Question by becca: Where does zipady Do Daw what a wonderful day come from?
Some time when the weather is great it makes me want to sing it.
Best answer:
Answer by Justina
disney
Know better? Leave your own answer in the comments!
Question by becca: Where does zipady Do Daw what a wonderful day come from?
Some time when the weather is great it makes me want to sing it.
Best answer:
Answer by Justina
disney
Know better? Leave your own answer in the comments!
A merry band of complementary filmmakers, photographers, and musicians, a curated ensemble perfectly fitted to the landscape, are heading to remote Iceland to make images and a musical soundtrack inspired by the landscape and its people.
Photographers Tim Navis + Kim Høltermand and film collective Scenic are heading up the visual component, while composer and electronic producer Deru has assembled the musicians. Improvisation is intended to be a guiding force, say the creators. With the assistance of a community organized on Kickstarter, it’ll also be crowd-funded. In addition to the obligatory, pretty photo book and prints and boxed set of music, they also propose to share behind-the-scenes glimpses of the process, which crosses from the LA area to Danish architect-descended photographer Høltermand.
For fans of richly-sonic, thoughtfully-composed and designed electronic music, the music lineup looks fantastic. Aside from Deru, you get:
Shigeto (Ghostly International)
Loscil (Kranky)
Goldmund (Unseen)
Asura (NonProjects / Leaving Records)
Tycho (ISO50 / Ghostly International)
Joby Talbot
Ryuichi Sakamoto
Take (Alpha Pup)
Thomas Knak/Opiate (Co-Producer of Björk’s Vespertine)
Other artists are TBD.
But don’t listen to me; go grab Deru’s fantastic first single. [direct download link]
For those of you just joining us, Max for Live is an interactive environment that incorporates the full Max/MSP/Jitter inside Ableton Live, with the addition of hooks that allow it to integrate with and control Live, and to make Max creations look like Live devices. Individual artists have begun using Max for Live, and we’ve seen some free downloads, but less of its use as a development platform. The problem is, your target audience must own both a full version of Ableton Live 8.1x or later, as well as the paid Max for Live add-on.
Max Fuel from Ableton soundhouse Puremagnetik nonetheless reaches out to just those people with a US$38 bundle of instruments. While they’re Max for Live devices, they’re not editable. (This demonstrates that it is possible to lock down patches made in Max for Live. An earlier draft of this story got this exactly wrong.)
Unfortunately, that means in a way, you get the worst of both worlds – you have to buy the development environment, but then you can’t use it to see what’s happening inside the patch. For projects like this, it seems some sort of “player” for Max for Live is badly needed. It could still be a nice pack of stuff for existing M4L users, though.
Here’s what’s included – two instruments:
- Bump – A mono synth with a generous, easily controlled feedback section
- Stick – A drum instrument based around classic FM synthesis, ready for use in Drum Racks
…five audio effects:
Drop – A multiband device where each band receives a percentage chance of being heard
Jumble – An audio processor with the same delay/feedback portion as Bump
Marx – A rebranded Spectral Mixer, setting different volumes and interactions for the signal’s quiet, mid and loud portions
Veer – A flexible pitch shifter with a dry/wet control for the output.
Yell – A rich multiband distortion
…and three control devices:
- el Effo – A versatile low frequency oscillator/step sequencer
- Multiplexd – A single knob that proportionately controls up to 4 plug-in parameters, simplifying automation or MIDI control of multiple parameters
- Side Chainer – A robust converter of any audio signal into a modulation signal
Even with built-in side-chaining for some devices, it’s especially nice to see the side chainer, and of course an LFO/step sequencer is something Live users have wanted for a long, long time.
You need Ableton Live 8.1.4 and Max for Live; standalone Max/MSP won’t work with these bundles.
This is “Max Fuel, The First,” so obviously more bundles are planned.
http://www.puremagnetik.com/maxfuel/
So, I’m curious – does this model appeal to you? Does it make you more likely to purchase Max for Live?
In other paid patch news, the wonderful Paramdrum for Reaktor from Peter Dines has just gotten a big update with a nice, new skinned interface; read more on Pete’s Noisepages blog:
Skinned Paramdrum Now Available for Reaktor 5.15 (non beta)
ParamDrum Update: now with Jonathan Style skin, new sample maps!
…and, of course, even Reaktor remains an option for Ableton Live, albeit without the Live-controlling powers or other integration.
Let us know what you think of these offerings in comments.
Read more:
Max Fuel, a Bundle of Max for Live Devices, Debuts
Online retailer audioMIDI has begun a new sale I really love called the “No Brainer” series. They offer some carefully-selected instruments and effects for prices like $5, $15, or $20. These aren’t clearance bin deals, either; they’re some of the best plug-ins on the market, in either full versions or slightly stripped-down (but fully-functional) editions. audioMIDI has exclusively released details of the deals they’ll offer Monday to CDM, and among them is the wonderful XILS 3 – a virtual instrument with the matrix editing of the classic EMS synthesizers.
Expiring
First, you have until midnight 11/30 to grab AAS’ fantastic modeled virtual analog, Ultra Analog, for $15 (instead of around $200). Ableton has their own version of this instrument called Analog, but if you’re using other hosts (or you don’t have Live Suite and want to save some cash), this is a great option.
Ongoing
The Overloud Breverb is a multi-function reverb plug, normally going for $369. The audioMIDI edition comes with room and plate reverbs – nicely matching the free TC Electronic hall reverb we got last week – for five bucks.
Rhetorical question: could a great Breverb inspire a profound Bromance?

What’s the cutest conceivable musical instrument? It’d be tough to top an anthromorphic musical note, complete with eight-note flag, whose smiling face opens when it “sings.”
Boing Boing Gadgets (by way of Tokyo Mango) gets the story on this latest creation of art group Maywa Denki and lead creative instigator Novmichi Tosa. The Otamatone is only barely practical as an instrument; it sports a nasal tone from its simple electronic oscillator and, at the end of the video, demonstrates an entirely new way to render the US National Anthem slightly out of tune. (Apologies to Jimi Hendrix.) But it also exhibits sheer genius, like shaking it to get vibrato and adjusting formants by squeezing the character’s mouth open and closed. And it easily trumps those horrible plastic Yamaha recorders we were all forced to play in school.
It’s almost a surprise to see Maywa Denki with something selling at retail, as their previous creations have been designed to be completely absurd. Take the Tsukuba Series of instrumental devices, which includes:
You can see those and other creations by clicking through the “Art” section of the project’s site; there are other wonderful (and kawaii) toys, too, called “nonsense toys”:
I previously wrote about the strange aquatic-themed musical designs, evoking the shapes of fish bodies and skeletons:
Bizarre Fish-Themed Gadgets, Musical Instruments
It’s all pure design genius, and a reminder that designs need not be bereft of personality, whimsy, and the absurd.
Thanks to Tom Betts from whom I stole found this story.
View original post here:
An Adorable Singing Note as Musical Instrument: Maywak Denki’s Otamatone
What’s the cutest conceivable musical instrument? It’d be tough to top an anthromorphic musical note, complete with eight-note flag, whose smiling face opens when it “sings.”
Boing Boing Gadgets (by way of Tokyo Mango) gets the story on this latest creation of art group Maywa Denki and lead creative instigator Novmichi Tosa. The Otamatone is only barely practical as an instrument; it sports a nasal tone from its simple electronic oscillator and, at the end of the video, demonstrates an entirely new way to render the US National Anthem slightly out of tune. (Apologies to Jimi Hendrix.) But it also exhibits sheer genius, like shaking it to get vibrato and adjusting formants by squeezing the character’s mouth open and closed. And it easily trumps those horrible plastic Yamaha recorders we were all forced to play in school.
It’s almost a surprise to see Maywa Denki with something selling at retail, as their previous creations have been designed to be completely absurd. Take the Tsukuba Series of instrumental devices, which includes:
You can see those and other creations by clicking through the “Art” section of the project’s site; there are other wonderful (and kawaii) toys, too, called “nonsense toys”:
I previously wrote about the strange aquatic-themed musical designs, evoking the shapes of fish bodies and skeletons:
Bizarre Fish-Themed Gadgets, Musical Instruments
It’s all pure design genius, and a reminder that designs need not be bereft of personality, whimsy, and the absurd.
Thanks to Tom Betts from whom I stole found this story.
Go here to read the rest:
An Adorable Singing Note as Musical Instrument: Maywa Denki’s Otamatone