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	<title>Learn To Make Hip Hop</title>
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	<link>http://makehiphop.com</link>
	<description>Learn to make hip hop music. become a true beatmaker today.</description>
	<lastBuildDate>Fri, 19 Mar 2010 20:05:00 +0000</lastBuildDate>
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		<title>Austin + SxSW Handmade Music, New Kit, Super Show of Music</title>
		<link>http://makehiphop.com/2010/03/19/austin-sxsw-handmade-music-new-kit-super-show-of-music-2/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/austin-sxsw-handmade-music-new-kit-super-show-of-music-2/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 20:05:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[archer]]></category>
		<category><![CDATA[board]]></category>
		<category><![CDATA[boys]]></category>
		<category><![CDATA[handmade]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[white]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/austin-sxsw-handmade-music-new-kit-super-show-of-music-2/</guid>
		<description><![CDATA[ Austin is whirling with South by Southwest excitement, so why not make some swirly radio noises? Yes, Handmade Music Austin does have a big blowout party in the midst of South by, with a huge music lineup. Wish I could be there, gang, but I&#8217;ll be staying here in NYC. On the docket: FREE performances starting at noon by Florene, The Hearts &#038; the Minds, WHITE, The Loud Objects, Bodytronix $10 for a workshop Registration and details: Handmade Music Austin #6 Super Show + update Eric Archer writes: I&#8217;m rolling out a new kit for HMA#6. Its called Tune In Tokyo and makes swirly noises like tuning an old fashioned short wave radio. Its just a cartoonish version of the real thing, but when I hear it I think OLD RADIO!! As some of the boys have pointed out, there was an .. um .. playground game by the same name, which is explained fully in urbandictionary for the curious. That&#8217;s Mt. Fuji on the board art. The circuit has three square wave oscillators made from a 4584 (same as 40106), and an LFO. The LFO sweeps the frequency of a fourth oscillator made with 74HC4046. These frequencies drive the inputs of a 74HC594 shift register. Its outputs are sent thru a network of specially weighted resistors, which are designed to convert 1&#8217;s and 0&#8217;s into a sine wave. This digital sinewave generator recipe is an interesting shortcut to sine wave generation and I&#8217;ve only seen it in Don Lancaster&#8217;s CMOS cookbook (1977). The opamp at the end of the resistor net is just there as a buffer. This circuit gets its sound by abusing the properties of the digital sine wave generator via decimation and aliasing effects. This is only one of the kits we&#8217;ll teach at HMA6; we decided to create a free-for-all where folks can select from a menu of kits and seat themselves at a table where others are building the same kit. We&#8217;ll also be offering the Autonomous Bassline, Nebulophone, and some of our beginner kits as well. Should be crazy enough to fit with the SXSW insanity that pervades Austin this time of year! If you make it and record some of the action, do share! This board makes swirly whirly noises. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Austin + SxSW Handmade Music, New Kit, Super Show of Music</title>
		<link>http://makehiphop.com/2010/03/19/austin-sxsw-handmade-music-new-kit-super-show-of-music/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/austin-sxsw-handmade-music-new-kit-super-show-of-music/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 20:05:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[archer]]></category>
		<category><![CDATA[autonomous]]></category>
		<category><![CDATA[board]]></category>
		<category><![CDATA[boys]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[handmade-music]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[white]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/austin-sxsw-handmade-music-new-kit-super-show-of-music/</guid>
		<description><![CDATA[ Austin is whirling with South by Southwest excitement, so why not make some swirly radio noises? Yes, Handmade Music Austin does have a big blowout party in the midst of South by, with a huge music lineup. Wish I could be there, gang, but I&#8217;ll be staying here in NYC. On the docket: FREE performances starting at noon by Florene, The Hearts &#038; the Minds, WHITE, The Loud Objects, Bodytronix $10 for a workshop Registration and details: Handmade Music Austin #6 Super Show + update Eric Archer writes: I&#8217;m rolling out a new kit for HMA#6. Its called Tune In Tokyo and makes swirly noises like tuning an old fashioned short wave radio. Its just a cartoonish version of the real thing, but when I hear it I think OLD RADIO!! As some of the boys have pointed out, there was an .. um .. playground game by the same name, which is explained fully in urbandictionary for the curious. That&#8217;s Mt. Fuji on the board art. The circuit has three square wave oscillators made from a 4584 (same as 40106), and an LFO. The LFO sweeps the frequency of a fourth oscillator made with 74HC4046. These frequencies drive the inputs of a 74HC594 shift register. Its outputs are sent thru a network of specially weighted resistors, which are designed to convert 1&#8217;s and 0&#8217;s into a sine wave. This digital sinewave generator recipe is an interesting shortcut to sine wave generation and I&#8217;ve only seen it in Don Lancaster&#8217;s CMOS cookbook (1977). The opamp at the end of the resistor net is just there as a buffer. This circuit gets its sound by abusing the properties of the digital sine wave generator via decimation and aliasing effects. This is only one of the kits we&#8217;ll teach at HMA6; we decided to create a free-for-all where folks can select from a menu of kits and seat themselves at a table where others are building the same kit. We&#8217;ll also be offering the Autonomous Bassline, Nebulophone, and some of our beginner kits as well. Should be crazy enough to fit with the SXSW insanity that pervades Austin this time of year! If you make it and record some of the action, do share! This board makes swirly whirly noises. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interact with Plastikman!</title>
		<link>http://makehiphop.com/2010/03/19/interact-with-plastikman/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/interact-with-plastikman/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 17:23:45 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[aka]]></category>
		<category><![CDATA[allow-fans]]></category>
		<category><![CDATA[app-called]]></category>
		<category><![CDATA[blur-the-lines]]></category>
		<category><![CDATA[Lines]]></category>
		<category><![CDATA[minimal-legend]]></category>
		<category><![CDATA[plastikman]]></category>
		<category><![CDATA[richie]]></category>
		<category><![CDATA[richie-hawtin]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/interact-with-plastikman/</guid>
		<description><![CDATA[Heads up techno-lovers: minimal legend Richie Hawtin AKA Plastikman has released an iPhone app called Synk that will allow fans to "participate in an experiment in audience-performer interaction aiming to blur the lines of perception and participation"... Read More ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Arturia announces The One Now shipping</title>
		<link>http://makehiphop.com/2010/03/19/arturia-announces-the-one-now-shipping/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/arturia-announces-the-one-now-shipping/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 17:02:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[activate-one]]></category>
		<category><![CDATA[arturia]]></category>
		<category><![CDATA[product]]></category>
		<category><![CDATA[product-comes]]></category>
		<category><![CDATA[simple-observation]]></category>
		<category><![CDATA[single-box-containing]]></category>
		<category><![CDATA[single-license]]></category>
		<category><![CDATA[software-instrument]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/arturia-announces-the-one-now-shipping/</guid>
		<description><![CDATA[19th March 2010: Arturia has announced The One, a single-box containing every Arturia software instrument and a single license to activate one of them. This product comes from a simple observation: in stores, it may...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>eaReckon updates BloXpander to v1.0.2</title>
		<link>http://makehiphop.com/2010/03/19/eareckon-updates-bloxpander-to-v1-0-2/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/eareckon-updates-bloxpander-to-v1-0-2/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 16:42:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[atten]]></category>
		<category><![CDATA[controller-instead]]></category>
		<category><![CDATA[midi]]></category>
		<category><![CDATA[new-feature-]]></category>
		<category><![CDATA[open-or-change]]></category>
		<category><![CDATA[scene]]></category>
		<category><![CDATA[scene-selection]]></category>
		<category><![CDATA[update]]></category>
		<category><![CDATA[update-brings]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/eareckon-updates-bloxpander-to-v1-0-2/</guid>
		<description><![CDATA[19th March 2010: eaReckon has updated BloXpander to v1.0.2. This update brings a new feature: MIDI Scene Selection: Now you can open or change a scene from your MIDI controller instead of having to divert your atten...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pentacom updates ARPG8R to v0.9.2</title>
		<link>http://makehiphop.com/2010/03/19/pentacom-updates-arpg8r-to-v0-9-2/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/pentacom-updates-arpg8r-to-v0-9-2/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 16:41:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[beta]]></category>
		<category><![CDATA[custom-arpeggio]]></category>
		<category><![CDATA[pentacom]]></category>
		<category><![CDATA[step-rate]]></category>
		<category><![CDATA[the-beta]]></category>
		<category><![CDATA[updated-the-beta]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/pentacom-updates-arpg8r-to-v0-9-2/</guid>
		<description><![CDATA[19th March 2010: Pentacom has updated the beta version of ARPG8R to v0.9.2. Changes: Added custom step-rate. You can select step rate 9/1 to 1/48. Added RANDOM function to custom arpeggio mode.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hacking Ableton Live: Unofficial OSC, Scripting for More Control</title>
		<link>http://makehiphop.com/2010/03/19/hacking-ableton-live-unofficial-osc-scripting-for-more-control/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/hacking-ableton-live-unofficial-osc-scripting-for-more-control/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 15:51:19 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[ableton]]></category>
		<category><![CDATA[ableton-live]]></category>
		<category><![CDATA[api]]></category>
		<category><![CDATA[cycling]]></category>
		<category><![CDATA[framework]]></category>
		<category><![CDATA[interaction]]></category>
		<category><![CDATA[launchpad]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[michael-chenetz]]></category>
		<category><![CDATA[midi]]></category>
		<category><![CDATA[object-model]]></category>
		<category><![CDATA[python]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/hacking-ableton-live-unofficial-osc-scripting-for-more-control/</guid>
		<description><![CDATA[ Can you hack it? Yes. Yes, you can. Screenshot ( CC-BY ) Hens Zimmerman / 37Hz . Even before Max for Live was available, hackers had found a way of interacting with &#8220;secret&#8221; APIs inside Live for custom control, allowing them to customize Live&#8217;s behavior and make it work more seamlessly with hardware. That included providing something Ableton themselves had not: real, native control of Live via OSC, for more control than MIDI alone can provide. I was assured such hacks would continue to work, and sure enough, they have. Here&#8217;s how to get started. You may wonder, of course, why even bother now that Max for Live is available? Max for Live is a powerful environment for creating instruments, effects, sequencers, and other devices within Ableton Live, and via its access to the Live API, it can even be a tool for customizing how Live works. But it adds an additional layer of abstraction, it is somewhat limited in how much it can manipulate interaction with hardware, and anyone wanting to use your creations will need to own Max for Live and not just Ableton Live. And not only that, but some people will simply prefer scripting in a language like Python to working with visual patching. (There&#8217;s still reason to consider M4L, too; see the full link to its &#8220;API&#8221; for Live, below. But we do have multiple options) So, with that out of the way, here are the current solutions: Make your own MIDI remote scripts. Hanz Petrov has written an intensive introduction to creating your own MIDI remote scripts in Python, using the new Framework classes: Introduction to the Framework Classes http://remotescripts.blogspot.com/ Use OSC, via the Live OSC API Hack (or MIDI) Ableton doesn&#8217;t have native support for OSC &#8212; unfortunate, given that&#8217;s now a feature of major visual applications (Resolume, VDMX, GrandVJ, Modul8, and others). But while we keep bugging Ableton for OSC to be on equal footing with MIDI, you can make use of a special Python hack that provides an OSC API to Live. If the above scripting seems intimidating &#8211; and I can certainly see why it might be &#8211; the LiveOSC API is refreshingly simple. Because you can simply send OSC messages directly, controlling Live with tools like iPhone apps or Processing sketches or even hardware could become comparatively simple &#8211; and yes, simpler than working in Max for Live. If you only have MIDI, there&#8217;s even a MIDI API, too. Here&#8217;s where to start: Complete documentation of the LiveAPI project [assembla] http://monome.q3f.org/wiki/LiveOSC Why it&#8217;s nice: you can send something as simple as /live/play/clip (track, clip) and trigger a clip. That&#8217;s even more direct than the usual MIDI interface. Most importantly, this now works with Live 8.1 . See the video below for an example of this in action: mlrV4live tutorial (&#038;casio madness) from StevieRaySean on Vimeo . Check out his Arduinome build documentation , too. (Arduinome is an authorized clone of the monome using readily-available parts.) The Max for Live way: Live Object Model Complete LOM documentation at Cycling &#8216;74 And yes, it makes my head spin a little, too. (Or perhaps the word is &#8220;oscillate.&#8221;) Max4Live.info (Michael Chenetz) has done a great job of making this a bit more manageable. In the video below, he explains how to use the interaction between Max for Live and Live; there&#8217;s also a tutorial on sending messages to a control surface like the Launchpad . But note that some of this can actually more complex, and more hardware-specific (APC/Launchpad-only) than the hacks above. It&#8217;s a case in which the hacked version actually works a little better than (cough) the official version. Max For Live Paths, Objects, and Observers from Michael Chenetz on Vimeo . My own challenge for myself: just make the Launchpad intelligently control device parameters, something it currently doesn&#8217;t do. I&#8217;ll let you know how it goes. Thoughts on the merits of these different approaches? Projects you&#8217;ve made using one or another? We&#8217;d love to see them. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Record as Record Player: DIY Turntable, Donuts for Serato in New Releases</title>
		<link>http://makehiphop.com/2010/03/19/record-as-record-player-diy-turntable-donuts-for-serato-in-new-releases/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/record-as-record-player-diy-turntable-donuts-for-serato-in-new-releases/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 14:47:33 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[cardboard]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[green]]></category>
		<category><![CDATA[inhabit]]></category>
		<category><![CDATA[make-the-record]]></category>
		<category><![CDATA[record]]></category>
		<category><![CDATA[serato-scratch]]></category>
		<category><![CDATA[universal-music]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/record-as-record-player-diy-turntable-donuts-for-serato-in-new-releases/</guid>
		<description><![CDATA[ Record giant Universal Music Group is cutting prices on the CD , as analysts clamor for still-lower prices. But as for actual records &#8211; the kind made of vinyl &#8211; odder and odder innovations flourish. If the CD is dying, the vinyl record is an undead, sexually-alluring vampire. Two recent releases not only treat the record as &#8220;delivery mechanism,&#8221; but also tools for playing the record. The late hip hop great J Dilla (aka Jay Dee) gets a well-deserved tribute from his label Stones Throw, complete with some fantastic, unreleased instrumentals (“Safety Dance”, “Sycamore”, “Bars &#038; Twists,” and remastered cuts for Mos Def, Q-Tip and Busta Rhymes). But, working in collaboration with Serato, this release also takes note of the people actually buying records these days: DJs. There are beautiful, donut-themed slipmats. (As far as I&#8217;m concerned, anything featuring donuts earns automatic bonus points. Mmmmm&#8230; donuts.) The records themselves, meanwhile, are dual-sided. When you want to hear the record, play it face up. When you want to use DJ software, flip it for Serato control tone. (Officially, that works with Serato Scratch Live DJ, but it&#8217;ll also work with the open-source Mixxx and Deckadance apps, too.) It&#8217;s a fascinating idea: make the record itself friendly to vinyl and digital turntablists. Of course, if you&#8217;re a digital DJ, I imagine you already have the control records you need, but &#8212; you still get those tasty donut slipmats. And it is a reminder (as if you needed one) that DJs are keeping the record format alive. Massive CD sales may have been the domain of the mass market, but vinyl demonstrates how powerful niches and the long tail can be. J DILLA DONUT SHOP (SERATO/STONES THROW) 2 DISCS, 2 SLIPMATS &#038; DILLA BEATS What&#8217;s that? No space for turntables? (Believe me, I feel you.) How about a record whose sleeve becomes a DIY turntable, spun with a pencil? That&#8217;s the idea of a direct mail piece created by sound design studio Griffiths, Gibson, and Ramsay Productions (GGRP) . Originally intended just as an attention-getter for creative directors, the concept has caught the imagination of bloggers, and those who got them wanted extras for their kids. (It takes me back to all the strange, cheap, disposable records we were handed as kids during what was supposed to be the last days of vinyl.) The basic apparatus works just like a conventional record player: spin the record (using a pencil in this case instead of a rotating turntable), and a needle transduces the sound (here, amplified by the cardboard housing). I really like the cover on the record, too. Links: GREY SPINS VINYL HITS FOR GGRP [Marketing Mag Canada, via GGRP's own excellent Making Noise blog ] And from one of my favorite design blogs, the eco-centered Inhabit: Album Sleeve Transforms Into a Cardboard Record Player! For their part, Inhabit notes the value of cardboard as construction material and the green-minded reuse of packaging. It&#8217;s an idea that would be great fun to build upon. The only thing that&#8217;s missing, that I can see, is an easy DIY way of producing the records. (Lasercutter trick, maybe?) Adding a piezo element to amplify the signal could be a thought, too. Another how-to on a handmade paper+needle configuration (suggested only for playing records you really don&#8217;t want to save), in a video on WonderHowTo (also via Inhabit): And some more pics of the two designs mentioned here: ]]></description>
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		</item>
		<item>
		<title>Univers Sons / Ultimate Sound Bank updates UVI Workstation to v1.1.4</title>
		<link>http://makehiphop.com/2010/03/19/univers-sons-ultimate-sound-bank-updates-uvi-workstation-to-v1-1-4/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/univers-sons-ultimate-sound-bank-updates-uvi-workstation-to-v1-1-4/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 14:35:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[drop-issue]]></category>
		<category><![CDATA[reloading-song]]></category>
		<category><![CDATA[special-cases]]></category>
		<category><![CDATA[ultimate]]></category>
		<category><![CDATA[ultimate-sound]]></category>
		<category><![CDATA[univers]]></category>
		<category><![CDATA[univers-sons]]></category>
		<category><![CDATA[uvi]]></category>
		<category><![CDATA[workstation]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/03/19/univers-sons-ultimate-sound-bank-updates-uvi-workstation-to-v1-1-4/</guid>
		<description><![CDATA[19th March 2010: Univers Sons / Ultimate Sound Bank has updated UVI Workstation to v1.1.4. Changes: [Fix] Fix drag 'n' drop issue with FL Studio. [Fix] Fix crashes when reloading song in special cases when authori...]]></description>
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		<title>Vengeance Sound releases Vengeance Producer Suite: Metrum &#8211; Kick Drum Synthesizer</title>
		<link>http://makehiphop.com/2010/03/19/vengeance-sound-releases-vengeance-producer-suite-metrum-kick-drum-synthesizer/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/03/19/vengeance-sound-releases-vengeance-producer-suite-metrum-kick-drum-synthesizer/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 13:27:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[instrument-plug-in-]]></category>
		<category><![CDATA[metrum]]></category>
		<category><![CDATA[suite]]></category>
		<category><![CDATA[synthesizer]]></category>
		<category><![CDATA[vengeance]]></category>
		<category><![CDATA[vengeance-producer]]></category>
		<category><![CDATA[vengeance-sound]]></category>
		<category><![CDATA[vst]]></category>
		<category><![CDATA[windows]]></category>

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		<description><![CDATA[19th March 2010: Vengeance Sound has released Vengeance Producer Suite: Metrum, a Kick Drum Synthesizer plug-in. It costs EUR149 and is available for Windows and Mac OS X (Intel only) in VST and AU instrument plug-in ...]]></description>
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