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	<title>Learn To Make Hip Hop &#187; Audio Production</title>
	<atom:link href="http://makehiphop.com/make-beats/audio-production/feed/" rel="self" type="application/rss+xml" />
	<link>http://makehiphop.com</link>
	<description>Learn to make hip hop music. become a true beatmaker today.</description>
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		<title>Gold Panda Interview: Inspiration from Samples, Loved Ones, and Distracting Dogs</title>
		<link>http://makehiphop.com/2010/10/07/gold-panda-interview-inspiration-from-samples-loved-ones-and-distracting-dogs/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/gold-panda-interview-inspiration-from-samples-loved-ones-and-distracting-dogs/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 17:06:12 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[america]]></category>
		<category><![CDATA[anime]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[aunt]]></category>
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		<category><![CDATA[clips]]></category>
		<category><![CDATA[daddy]]></category>
		<category><![CDATA[friends]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[middle-east]]></category>
		<category><![CDATA[mind]]></category>
		<category><![CDATA[skype]]></category>
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		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/gold-panda-interview-inspiration-from-samples-loved-ones-and-distracting-dogs/</guid>
		<description><![CDATA[ Obligatory mug shot. Sorry, couldn&#8217;t resist. Photos used by permission of Ghostly International. Gold Panda&#8217;s debut full-length, &#8220;Lucky Shiner,&#8221; draws upon emotional connections to friends and family to spin a pulsing, textured set of portraits, crafted from flattened sampled textures in tiny slices. It&#8217;s a journey through a series of musical screens. The artist, out on Ghostly International , has already made a name in singles and remixes, but the full-length gives him room to tell a story. He spoke to us from the road &#8212; after a failed connection as he traveled through the communications blackouts of America&#8217;s Western deserts. We got to talk about how he assembles his music, why albums still matter and how he put together the narrative, the emotional connections behind the tracks, and even why having a dog as a distraction can be a good thing. So, as you listen to the record, thank Gold Panda &#8211; but thank his friends, family, and Daisy, too. You can hear the full album stream before you buy, so you know what we&#8217;re talking about. CDM: We&#8217;ve known your music through remixes and EPs, so it&#8217;s great to get to know you through a complete album. How did you conceive building that longer story? I&#8217;ve always loved albums to be albums, really. I know it&#8217;s a bit cheezy nowadays. People are just making a collection of tracks that come together as an album. But I wanted to have a story and a narrative. I wanted a beginning, middle, and ending for the album, and the same with each song. It was made really quickly &#8212; in three weeks, in total. I did most of it in two weeks over Christmas. I went to stay at my aunt and uncle&#8217;s house, and they live in the countryside in Essex. There&#8217;s nothing to do. It&#8217;s a little village; there&#8217;s a few pubs, and there&#8217;s a local supermarket. It&#8217;s not far from London, but when you&#8217;re there, it does feel like it&#8217;s a million miles away. I looked after their dog over Christmas and had my whole studio set up there. I have a really short attention span, so most tracks are done in a day, and then I&#8217;m bored with them. And if they turned out good, then they&#8217;re good, and if I think that they&#8217;re not really finished or whatever, then they get rendered to the hard drive and put into iTunes and sit in there forever. I was never really a big fan of dogs before, so I kind of had this bonding with this dog called Daisy. She&#8217;d wake up really early and wake me up, and I&#8217;d take her for a walk, come back, start making tracks. And then after an hour or so, she&#8217;d want to go for a walk again or play. Every time I was getting into it, she&#8217;d kind of stop me and we&#8217;d go for a walk. It stopped me from overworking things, and I think that&#8217;s what made it &#8212; [the album's] more simple and more direct. It was good to have a distraction while I was doing it. It&#8217;s all about relationships that I&#8217;ve had, and people that I know, and family. They&#8217;re the most important things to me in life &#8212; for finding out what I wanted to do in life. And Lucky Shiner is my grandmother&#8217;s name. Daisy the Dog. A CDM exclusive. Courtesy the artist. How did you get from the idea of family and loved ones to making a track? Was it something that was in the back of your mind, or did you make some explicit connection? There are two tracks. One&#8217;s called &#8220;Before We Talked&#8221; and one&#8217;s called &#8220;After We Talked.&#8221; They&#8217;re about a friend. They&#8217;re all made with this really bad Yamaha electric organ that I got from eBay for like a pound. There&#8217;s loads of these ones. They&#8217;re all ex-church organs, school organs. And no one wants them any more, so they stick them on eBay. And then no one can pick them up, because they&#8217;re too big. So unless you&#8217;ve got a van, no one wants them. I won it for a pound, and then I got a mate to go and pick it up with me. It&#8217;s this old wooden thing with pedals. It looks amazing, but it&#8217;s actually pretty rubbish. I like rubbish stuff. My friend who was making music at the time, and the guy who had the van, he passed away. I had always been making music. Before that, I was like &#8212; I&#8217;m not very good, and it&#8217;s just a hobby. And after that, it was like, well, maybe it&#8217;s something I could do. And I just gave up trying to get jobs. I said, okay, jobs don&#8217;t make me very happy. I&#8217;ll just live with my parents for a while, make a bunch of tunes and see what happens. It worked out good. And those tracks were just made with that one organ. And all the kind of glitchy sounds &#8212; it&#8217;s filled with dust, and it makes these crackly sounds when you turn it on or change the settings. So I just turned those up really loud to make the percussion sounds. Everything. The other tracks, it was just in the back of my head. My family&#8217;s really close. It&#8217;s quite important to me. I started getting that feeling, and then I immersed myself in it. Because I like albums to be albums, I thought &#8212; that&#8217;s a good feeling to have and to be experiencing. And then you get lost in it and think about it quite a lot. Hopefully the next album will be about something completely different. Then it will turn out different, but still be Gold Panda. It must have helped to be in this retreat, and work quickly. I know sometimes if you pick up an old track, it can feel kind of foreign if you&#8217;ve let it sit for a while. It must have helped to have everything in that compressed space of time. Yeah &#8211; for me, if I&#8217;ve made a bunch of tracks over the course of the year, then they&#8217;d sound pretty varied, which is how the EPs were. They&#8217;re all quite different. I wanted to capture a certain sound or emotion at one specific point. If I had made it over a year, it might have been more varied or in some people&#8217;s minds even better, but I think as an album, it wouldn&#8217;t work as well. I do get the sense of different colors on the tracks, or that there is a palette &#8211; lo-fidelity sounds, somewhat exotic samples&#8230; is it the samples that provide that impression? I think it&#8217;s from the samples. There&#8217;s a big Asian influence, or world music influence. You can sample anything, but I guess if I&#8217;m looking for old records, then stuff from the Middle East or Far East are really interesting. They&#8217;re stuff that I&#8217;d listen to anyway, and then just through listening to those records you find samples. The tracks are quite varied, but I think they have a similar sound throughout, and a narrative. You lived in Japan for a time &#8211; was that what kindled the interest in Asian music? I saw the anime Akira when I was like fifteen. And then from there on it was just &#8212; anything, just more. Computer games like Street Fighter, and spending loads of money on the imports. ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Linux MultiMedia Studio (LMMS) updated to v0.4.8 (incl. x64)</title>
		<link>http://makehiphop.com/2010/10/07/linux-multimedia-studio-lmms-updated-to-v0-4-8-incl-x64/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/linux-multimedia-studio-lmms-updated-to-v0-4-8-incl-x64/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 15:56:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[adding-the-first]]></category>
		<category><![CDATA[first-x64]]></category>
		<category><![CDATA[linux-]]></category>
		<category><![CDATA[linux-multi]]></category>
		<category><![CDATA[lmms]]></category>
		<category><![CDATA[media-studio]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[windows-version]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/linux-multimedia-studio-lmms-updated-to-v0-4-8-incl-x64/</guid>
		<description><![CDATA[7th October 2010: Linux MultiMedia Studio (LMMS) has been updated to version 0.4.8 for both Linux and Windows. Version 0.4.7 was released in August, adding the first x64 version. LMMS 0.4.8 fixes most of the bugs fo...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Week in Computer Music #4</title>
		<link>http://makehiphop.com/2010/10/07/the-week-in-computer-music-4/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/the-week-in-computer-music-4/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 15:50:00 +0000</pubDate>
		<dc:creator>Site Update</dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[computermusic]]></category>
		<category><![CDATA[article]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[authenticity]]></category>
		<category><![CDATA[dynamic-pattern]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[outrageous]]></category>
		<category><![CDATA[personal]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[tools]]></category>
		<category><![CDATA[universal-audio]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/the-week-in-computer-music-4/</guid>
		<description><![CDATA[ What's been causing our jaws to drop over the last week or so? Well for starters, the outrageous success of the first ever CM event, Producer Sessions Live , exceeded even our own lofty expectations, and it's safe to say that PSL will be back for seconds in 2011. Oh, and we kicked off The CM Factor, a weekly song competition on our Facebook page , giving you the chance to get your tune on the CM DVD! CM Factor 3 is currently running, so get your links in. On the release front, there's plug-in news from some of the scene's biggest players. Synth sage Rob Papen gave us all a sneak peek of his second venture into the world of effects, RP-Delay , with a bunch of screenshots – with atypical features such as step sequencing and envelopes, it looks like being quite something. For more traditional echoes (…choes …choes), Universal Audio served up an unofficial Echoplex-alike in the shape of EP-34 Tape Echo . Wow! (And flutter too, presumably.) Vengeance-Sound released Multiband Compressor , which is exactly what its name implies, with the added twist of DPC (Dynamic Pattern Compression). We'd try to explain it, but you may as well watch this glossy product video: At the mobile end of the computer music spectrum, Hige Five – who are the crafty developers behind CM's own iPhone apps – released Aura Flux , a generative music app. Also now appearing in the App Store is Reactable Mobile , which brings the technology behind the full-size Reactable to the small screen. On a distinctly more high-end note, Avid launched Pro Tools&#124;HD Native , the details of which are broken down into an easily digestible format in this article on CDM . However, we're going to leave things on a low note this time around, courtesy of NTS Audio's now-free Benassi Bass VST . NTS ask: "Do You need the well knowed ultra fat Bass than Benny Benassy used in his top productions?" Perhaps you do, but we have doubts about the authenticity of a 'soundalike' synth coming from a company that can't even spell the guy's name right. The interface (below) is resplendent with a familiar likeness of Benny himself , which looks on reassuringly as you dial in sawtooth synth sounds to your personal Satisfaction . {PAGEBREAK} ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Apple releases Pro Applications Update 2010-02 (incl. Final Cut Pro 7.0.3)</title>
		<link>http://makehiphop.com/2010/10/07/apple-releases-pro-applications-update-2010-02-incl-final-cut-pro-7-0-3/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/apple-releases-pro-applications-update-2010-02-incl-final-cut-pro-7-0-3/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 15:44:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[application]]></category>
		<category><![CDATA[applications]]></category>
		<category><![CDATA[final]]></category>
		<category><![CDATA[recently-releases]]></category>
		<category><![CDATA[software-adds]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/apple-releases-pro-applications-update-2010-02-incl-final-cut-pro-7-0-3/</guid>
		<description><![CDATA[7th October 2010: Apple recently releases Pro Applications Update 2010-02, which includes Final Cut Pro v7.0.3. Pro Application Update 2010-02 is a revision to Final Cut Studio. This software adds compatibility for...]]></description>
		<wfw:commentRss>http://makehiphop.com/2010/10/07/apple-releases-pro-applications-update-2010-02-incl-final-cut-pro-7-0-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>KarmaFX Synth Modular updated to v1.14 and Mac Release Candidate Demo released</title>
		<link>http://makehiphop.com/2010/10/07/karmafx-synth-modular-updated-to-v1-14-and-mac-release-candidate-demo-released/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/karmafx-synth-modular-updated-to-v1-14-and-mac-release-candidate-demo-released/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 15:16:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[karma]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[synth-modular]]></category>
		<category><![CDATA[version-1-14]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/karmafx-synth-modular-updated-to-v1-14-and-mac-release-candidate-demo-released/</guid>
		<description><![CDATA[7th October 2010: KarmaFX Synth Modular has been updated to version 1.14 for Windows and the Mac OS X (Intel) Release Candidate Demo (Build 6016) is now available for download. Changes in KarmaFX Synth Modular since...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avid announces Pro Tools &#124; HD Native</title>
		<link>http://makehiphop.com/2010/10/07/avid-announces-pro-tools-hd-native/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/avid-announces-pro-tools-hd-native/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 15:15:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[audio-projects]]></category>
		<category><![CDATA[full-capabilities]]></category>
		<category><![CDATA[growing-market]]></category>
		<category><![CDATA[native]]></category>
		<category><![CDATA[tackle-demanding]]></category>
		<category><![CDATA[tools]]></category>
		<category><![CDATA[using-the-full]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/avid-announces-pro-tools-hd-native/</guid>
		<description><![CDATA[7th October 2010: Avid has introduced Pro Tools &#124; HD Native, enabling a growing market of music and post-production professionals to tackle demanding audio projects using the full capabilities of Pro Tools HD softwar...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Impromptu updated to v2.5</title>
		<link>http://makehiphop.com/2010/10/07/impromptu-updated-to-v2-5/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/impromptu-updated-to-v2-5/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 15:02:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[additions]]></category>
		<category><![CDATA[compiler]]></category>
		<category><![CDATA[icr]]></category>
		<category><![CDATA[impromptu]]></category>
		<category><![CDATA[impromptu-compiler]]></category>
		<category><![CDATA[main-new]]></category>
		<category><![CDATA[new-addition]]></category>
		<category><![CDATA[runtime]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/impromptu-updated-to-v2-5/</guid>
		<description><![CDATA[7th October 2010: Impromptu has been updated to version 2.5. The most significant new addition is the compiler. New Additions in 2.5: The Impromptu Compiler Runtime (ICR): The main new addition for Impromptu v2.5 i...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Iced Audio updates AudioFinder to v5.0.5</title>
		<link>http://makehiphop.com/2010/10/07/iced-audio-updates-audiofinder-to-v5-0-5/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/iced-audio-updates-audiofinder-to-v5-0-5/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 14:52:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[accepting-drag]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/iced-audio-updates-audiofinder-to-v5-0-5/</guid>
		<description><![CDATA[7th October 2010: Iced Audio has updated AudioFinder to v5.0.5. Changes in version 5.0.5: Added support for uploading directly to SoundCloud from AudioFinder's browser. Added support for accepting drag and drops f...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avid unveils New Lineup of Creative Music Tools</title>
		<link>http://makehiphop.com/2010/10/07/avid-unveils-new-lineup-of-creative-music-tools/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/avid-unveils-new-lineup-of-creative-music-tools/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 14:51:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[audio-mobile]]></category>
		<category><![CDATA[audio-oxygen]]></category>
		<category><![CDATA[including-the-new]]></category>
		<category><![CDATA[keyboard-controller]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[recently-introduced]]></category>
		<category><![CDATA[tools]]></category>
		<category><![CDATA[tools-mbox]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/avid-unveils-new-lineup-of-creative-music-tools/</guid>
		<description><![CDATA[7th October 2010: Avid recently introduced a set of tools - including the new Pro Tools Mbox family, the M-Audio MobilePre, Pro Tools SE bundles and M-Audio Oxygen 88 keyboard controller - for a range of musicians who...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Muse Research updates RECEPTOR 2 System Software to v1.8.20100924</title>
		<link>http://makehiphop.com/2010/10/07/muse-research-updates-receptor-2-system-software-to-v1-8-20100924/#utm_source=feed-makehiphop&amp;utm_medium=feed-makehiphop&amp;utm_campaign=feed-makehiphop</link>
		<comments>http://makehiphop.com/2010/10/07/muse-research-updates-receptor-2-system-software-to-v1-8-20100924/#comments</comments>
		<pubDate>Thu, 07 Oct 2010 12:45:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Audio Production]]></category>
		<category><![CDATA[corrects-the-following]]></category>
		<category><![CDATA[following-issues]]></category>
		<category><![CDATA[from-spiking]]></category>
		<category><![CDATA[hardware-plug-in]]></category>
		<category><![CDATA[player-version]]></category>
		<category><![CDATA[receptor]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[stops]]></category>
		<category><![CDATA[stops-kontakt]]></category>
		<category><![CDATA[version-1-8-20100924]]></category>

		<guid isPermaLink="false">http://makehiphop.com/2010/10/07/muse-research-updates-receptor-2-system-software-to-v1-8-20100924/</guid>
		<description><![CDATA[7th October 2010: Muse Research has released version 1.8.20100924 of the System Software for the RECEPTOR 2 Hardware Plug-in Player. Version 1.8.20100924 corrects the following issues: Stops Kontakt from spiking wh...]]></description>
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		<slash:comments>0</slash:comments>
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