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MPC 1000 beat making "Blue Black Magic"

Tuesday, March 30th, 2010

Sampling source “Bill Evans – Sweet Dulcinea Blue” Turn it up bass or Put on the headphone Beat remixed by kaijo MY SPACE ◆beats 4 sale◆ www.myspace.com

http://www.youtube.com/v/aQ7gCOtA7gs?f=videos&app=youtube_gdata

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MPC 1000 beat making "Blue Black Magic"

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Beat Making On The Korg Triton Classic In Da Lab 33

Saturday, August 15th, 2009

Beat Making On The Korg Triton Classic In Da Lab 3 JUST MADE THIS TRACK THIS MORNING. IF I HAD A MPC, THIS WOULD BE BETTER. GOTTA MAKE IT DO WHAT IT DO SUBSCRIBE,COMMENT,RATE,FAVORITE, AND EMBED THE VIDEOS YALL.. I KNOW THIS SOUNDS DIFFERENT. this is what i do. make some weird different shtttt www.prostudiogear.info The Korg Triton line may be seen as the direct descendants of the previous Korg Trinity line of workstations. They are aesthetically and functionally very similar. The Trinity had similar naming conventions with the Triton Classic, with Pro and Pro X being designated to models featuring 76 and 88 keys respectively. The original Triton introduced many improvements over the Trinity, like 62-note polyphony, arpeggiator, onboard sampler, faster operating system and more realtime controllers. However, to much surprise of musicians and magazines, it lost the sequencer audio tracks, digital input and output, and the digital filter section was downgraded, thus limiting sample-based synthesis. The original piano samples, which are a crucial element of evaluation on expensive synths and music workstations, were even more criticized; although the integrated sample RAM could compensate this. As time passed, some of these shortcomings were fixed, like the digital connectivity, and better piano samples were shipped with newer models; however, the sample-based synthesis filter section wasn’t improved and, while some limited 2-track audio recording was added to later

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Beat Making On The Korg Triton Classic In Da Lab 33

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